From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #16463 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Monday, August 4 2025 Volume 14 : Number 16463 Today's Subjects: ----------------- Limited Time: $25 for a Samâs Club Membership ["Sams Club" Subject: Limited Time: $25 for a Samâs Club Membership Limited Time: $25 for a Sambs Club Membership http://pianoblog.site/rH0hJkWQ2R0cLPNn9PJkmUtv-rtUxG5ByFj7_YfgwZIXrlDAnA http://pianoblog.site/PZlJlQc18AAyZeqRColVch9r59vkLXFdfdEtfh1LCc_ffuneXA d Charles Buddy Rogers. By the late 1920s and the early 1930s, talkies brought in a range of powerful draws: Richard Arlen, Nancy Carroll, Maurice Chevalier, Gary Cooper, Marlene Dietrich, Charles Ruggles, Ruth Chatterton, William Powell, Mae West, Sylvia Sidney, Bing Crosby, Claudette Colbert, the Marx Brothers, W.C. Fields, Fredric March, Jack Oakie, Jeanette MacDonald (whose first two films were shot at Paramount's Astoria, New York, studio), Carole Lombard, George Raft, Miriam Hopkins, Cary Grant and Stuart Erwin, among them. In this period Paramount can truly be described as a movie factory, turning out sixty to seventy pictures a year. Such were the benefits of having a huge theater chain to fill, and of block booking to persuade other chains to go along. In 1933, Mae West would also add greatly to Paramount's success with her suggestive movies She Done Him Wrong and I'm ------------------------------ End of alt.music.moxy-fruvous digest V14 #16463 ***********************************************