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Subject: alt.music.moxy-fruvous digest V14 #16431
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alt.music.moxy-fruvous digest Tuesday, July 29 2025 Volume 14 : Number 16431



                               Today's Subjects:
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  Ditch your Metformin (THIS is better)  ["End Type 2" <EndType2@buttertip.s]

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Date: Tue, 29 Jul 2025 10:09:14 -0500
From: "End Type 2" <EndType2@buttertip.sa.com>
Subject: Ditch your Metformin (THIS is better)

Ditch your Metformin (THIS is better)

http://buttertip.sa.com/sE-MWu3_9Y8rcHED4WIULjdDdJ6cJGWpNa_XrSbyIXOw19XX

http://buttertip.sa.com/iPVHT-NNEdBi8sRS0GOKYoVDDYPusSc3L0vp6WyhBWY70cun

usic ensembles, and orchestras perform traditional and contemporary scores for silent films internationally. The legendary theater organist Gaylord Carter continued to perform and record his original silent film scores until shortly before his death in 2000; some of those scores are available on DVD reissues. Other purveyors of the traditional approach include organists such as Dennis James and pianists such as Neil Brand, GC<nter Buchwald, Philip C. Carli, Ben Model, and William P. Perry. Other contemporary pianists, such as Stephen Horne and Gabriel Thibaudeau, have often taken a more modern approach to scoring.

Orchestral conductors such as Carl Davis and Robert Israel have written and compiled scores for numerous silent films; many of these have been featured in showings on Turner Classic Movies or have been released on DVD. Davis has composed new scores for classic silent dramas such as The Big Parade (1925) and Flesh and the Devil (1927). Israel has worked mainly in silent comedy, scoring the films of Harold Lloyd, Buster Keaton, Charley Chase, and others. Timothy Brock has restored many of Charlie Chaplin's scores, in addition to composing new scores.

Contemporary music ensembles are helping to introduce classic silent films to a wider audience through a broad range of musical styles and approaches. Some performers create new compositions using traditional musical instruments, while others add electronic sounds, modern harmonies, rhythms, improvisation, and sound design elements to enhance the viewing experience. Among the contemporary ensembles in th

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End of alt.music.moxy-fruvous digest V14 #16431
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