From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #16360 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Tuesday, July 15 2025 Volume 14 : Number 16360 Today's Subjects: ----------------- Hurry up ! You are the recipient of Blackstone Original 4-Burner ["Costco] Shipment Pending - Costco Keurig Coffee Maker ["Costco Keurig Coffee Make] Real Relief for Aging Knees-Without Side Effects ["Smarter Knee Support" ] Discover Sleepgram with a Special Offer ["Replace Your Pillow" Subject: Hurry up ! You are the recipient of Blackstone Original 4-Burner Hurry up ! You are the recipient of Blackstone Original 4-Burner http://blackgrid.store/rsb1yiuW1RyDEty13qQomlnmQsfbwO5P9tBrQm_0gnlq4QReFg http://blackgrid.store/6cPjN-MQn80TbFaO7b8m9XhRUFs6zNchnqFXTCwZWWaiowVl3Q ais's Christ in the House of His Parents (1849b50) was highly controversial because of its realistic portrayal of a working class Holy Family labouring in a messy carpentry workshop. Later works were also controversial, though less so. Millais achieved popular success with A Huguenot (1851b52), which depicts a young couple about to be separated because of religious conflicts. He repeated this theme in many later works. All these early works were painted with great attention to detail, often concentrating on the beauty and complexity of the natural world. In paintings such as Ophelia (1851b52) Millais created dense and elaborate pictorial surfaces based on the integration of naturalistic elements. This approach has been described as a kind of "pictorial eco-system". Mariana is a painting that Millais painted in 1850b51 based on the play Measure for Measure by William Shakespeare and the poem of the same name by Alfred, Lord Tennyson, from 1830. In the play, the young Mariana was to be married, but was rejected by her betrothed when her dowry was lost in a shipwreck. This style was promoted by the critic John Ruskin, who had defended the Pre-Raphaelites against their critics. Millais's friendship with Ruskin introduced him to Ruskin's wife Effie. Soon after they met, she modelled for his painting The Order of Release. As Millais painted Effie, they fell in love. Despite having been married to Ruskin for sev ------------------------------ Date: Mon, 14 Jul 2025 10:28:51 -0500 From: "Costco Keurig Coffee Maker Rewards" Subject: Shipment Pending - Costco Keurig Coffee Maker Shipment Pending - Costco Keurig Coffee Maker http://nikeair.ru.com/vXycPWkK28jJfUt23hFuTYHh8cjngdxTgu3sA_LX02wBgLQu http://nikeair.ru.com/pb3VEyc_F7-Nb-Kac5C6Mh8-FJJyganqSpfWPKgsVSbiXdbW d Effie's subsequent marriage to Millais have sometimes been linked to his change of style, but she became a powerful promoter of his work and they worked in concert to secure commissions and expand their social and intellectual circles. Early life Photo of Millais, c.?1854 Millais was born in Southampton, England, in 1829, of a prominent Jersey-based family. His parents were John William Millais and Emily Mary Millais (nC)e Evermy). Most of his early childhood was spent in Jersey, to which he retained a strong devotion throughout his life. The author Thackeray once asked him "when England conquered Jersey". Millais replied "Never! Jersey conquered England." The family moved to Dinan in Brittany for a few years in his childhood. His mother's "forceful personality" was the most powerful influence on his early life. She had a keen interest in art and music, and encouraged her son's artistic bent, promoting the relocating of the family to London to help develop contacts at the Royal Academy of Art. He later said "I owe everything to my mother." In 1840, his artistic talent won him a place at the Royal Academy Schools at the still unprecedented age of eleven. While there, he met William Holman Hunt and Dante Gabriel Rossetti with whom he formed the Pre-Raphaelite Brotherhood (known as the "PRB") in September 1847 in his family home on Gower Street, off Bedford Squ ------------------------------ Date: Mon, 14 Jul 2025 15:52:18 -0500 From: "Smarter Knee Support" Subject: Real Relief for Aging Knees-Without Side Effects Real Relief for Aging Knees-Without Side Effects http://savbrain.ru.com/aCBQCUGq2TyxxqE8NtY-Sr15lGAsEFc_7zjrNvucJ9DnmnLZ http://savbrain.ru.com/u1CIjG9IFkwaXKYEmE0-sSxaKuLUlBjaRbtepwO7WoyjcgSm ry successful as a book illustrator, notably for the works of Anthony Trollope and the poems of Tennyson. His complex illustrations of the parables of Jesus were published in 1864. His father-in-law commissioned stained-glass windows based on them for Kinnoull Parish Church, Kinnoull. He also provided illustrations for magazines such as Good Words. As a young man, Millais frequently went on sketching expeditions to Keston and Hayes. While there he painted a sign for an inn where he used to stay, near to Hayes church (cited in Chums Annual, 1896, page 213). Academic career and baronetage Millais was elected as an associate member of the Royal Academy of Arts in 1853; a decade later in 1863, he was elected as a full member of the Academy, in which he was a prominent and active participant. In July 1885, Queen Victoria created him a baronet, of Palace Gate, in the parish of St Mary Abbot, Kensington, in the county of Middlesex, and of Saint Ouen, in the Island of Jersey, making him the first artist to be honoured with a hereditary title. Last years and death After the death of Lord Leighton in 1896, Millais was elected President of the Royal Academy. He died later in the same year from throat cancer. He was buried in the crypt of St Paul's Cathedral. Additionally, between 1881 and 1882, Millais was elected and acted as the president of the Royal Birmi ------------------------------ Date: Mon, 14 Jul 2025 17:23:42 +0200 From: "Replace Your Pillow" Subject: Discover Sleepgram with a Special Offer Discover Sleepgram with a Special Offer http://blackgrid.store/a1aNkbLfX1NnbVo_3c0BPf_QCEDCEwG8ecUcLU97yRWL6qN8ng http://blackgrid.store/vkLbSzf5xhXaueK-Uu6omJDkkBtiTms7rDqz9k0OowTef0gfAg gest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849b50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851b52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais notoriously allowed one of his paintings to be used for a sentimental soap advertisement). While these and early 20th-century critics, reading art through the lens of Modernism, viewed much of his later production as wanting, this perspective has changed in recent decades, as his later works have come to be seen in the context of wider changes and advanced tendencies in the broader late nineteenth-century art world, and can now be seen as predictive of the art world of the present. Millais's personal life has also played a significant role in his reputation. His wife Effie was formerly married to the critic John Ruskin, who had supported Millais's ea ------------------------------ Date: Mon, 14 Jul 2025 17:16:26 -0500 From: "Fat Switch" Subject: She Lost 63 Pounds With This 10-Second Night Hack She Lost 63 Pounds With This 10-Second Night Hack http://hiloistrips.click/rEQq92UsfbNn3XEc6NdauSmnmNzbZiGumv2w58gqn1-gpY9T http://hiloistrips.click/d_tPvV-YBDXeYitFU1XvsIbda3ydYeQDCI7_dKP2NXTCVU_S ais died in 1896, the Prince of Wales (later to become King Edward VII) chaired a memorial committee which commissioned a statue of the artist. The statue, by Thomas Brock, was installed at the front of the National Gallery of British Art (now Tate Britain) in the garden on the east side in 1905. On 23 November that year, the Pall Mall Gazette called it "a breezy statue, representing the man in the characteristic attitude in which we all knew him". In 1953, Tate director Norman Reid attempted to have it replaced by Auguste Rodin's John the Baptist, and in 1962 again proposed its removal, calling its presence "positively harmful".[citation needed] His efforts were frustrated by the statue's owner, the Ministry of Works. Ownership was transferred from the Ministry to English Heritage in 1996, and by them in turn to the Tate. In 2000, under Stephen Deuchar's directorship, the statue was removed to the side of the building to welcome visitors to the refurbished Manton Road entrance. In 2007, the artist was the subject of a major retrospective at Tate Britain, London visited by 151,000 people. The exhibition then traveled to the Van Gogh Museum, Amsterdam, followed by venues in Fukuoka and Tokyo, Japan, and seen by over 660,000 visito ------------------------------ End of alt.music.moxy-fruvous digest V14 #16360 ***********************************************