From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #16254 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Tuesday, June 24 2025 Volume 14 : Number 16254 Today's Subjects: ----------------- Transforming Shipping Containers into Unique Homes ["container house" Subject: Transforming Shipping Containers into Unique Homes Transforming Shipping Containers into Unique Homes http://collagen.ru.com/QqmqGNM7-RcnJX1wmTjbBUbvCuleJXFmhT4xtknGWelc_mEU http://collagen.ru.com/jWW72yZOo-COV57zrvTWYjoj-K_AtW1R19p946OhER19UohH e museum's building and renovation project, "Building for the Future", began in 2005 and was originally targeted for completion in 2012 (though it was not completed until 2013) at projected costs of $258 million. The museum celebrated the official completion of the renovation and expansion project with a grand opening celebration held on December 31, 2013, and additional activities that continued through the first week of 2014. The $350 million projectbtwo-thirds of which was earmarked for the complete renovation of the original 1916 structurebadded two new wings, and was the largest cultural project in Ohio's history. The new east and west wings, as well as the enclosing of the atrium courtyard under a soaring glass canopy, have brought the museum's total floor space to 592,000 square feet (55,000 m2) (an increase of approximately 65%). The first phase of the project had $9.3 million in cost overruns; the opening was delayed by 9 months. Museum director Timothy Rub assured the public that the increase in quality would be worth both the wait and expense. In June 2008, after being closed for nearly three years for the overhaul, the museum reopened 19 of its permanent galleries to the public in the renovated 1916 building main floor. On June 27, 2009, the newly constructed East Wing (which contains the Impressionist, Contemporary, and Modern art collections) opened to the public. Chester Beach's 1927 Fountain of the Waters adjacent the museum's main entrance in Wade Park. On June 26, 2010, the ground level of the 1916 building reopened. It now houses the collections of Greek, Roman, Egyptian, Sub-Saharan African, Byzantine, and Medieval art. The expanded museum includes enhanced visitor amenities, such as new restrooms, an expanded store and cafC), a sit-down gourmet restaurant, parking capacity increased to 620 spaces, an ------------------------------ Date: Mon, 23 Jun 2025 13:59:11 -0500 From: "Tractor Supply Offers" Subject: Donāt Miss This: YETI Gear Worth $500 Could Be Yours Donbt Miss This: YETI Gear Worth $500 Could Be Yours http://gluco.ru.com/oyak9ljwzx0T07gdduCpKdbtimjzJk_s8A2DEl7aMnIoyQ http://gluco.ru.com/1wkspTU_rsrrny1StG5939w8DAHEKYPzmq1TRVNvR8pxKfAN ring production. She soon left the tour and obtained a position in Carte's entertainment agency. Lenoir was well-educated, and her grasp of detail and diplomacy, as well as her organisational ability and business acumen, surpassed even Carte's. Frank Desprez, the editor of The Era, wrote: "Her character exactly compensated for the deficiencies in his." She became intensely involved in all of his business affairs and soon managed many of the company's responsibilities, especially concerning touring. She travelled to America numerous times over the years to arrange the details of the company's New York engagements and American tours. The first comic opera produced by the Comedy Opera Company was Gilbert and Sullivan's The Sorcerer, about a tradesmanlike London sorcerer. It opened in November 1877 together with Dora's Dream, a curtain-raiser with music by Sullivan's assistant Alfred Cellier and words by Arthur Cecil, a friend of both Gilbert and Sullivan. Instead of writing a piece for production by a theatre proprietor, as was usual in Victorian theatres, Gilbert, Sullivan and Carte produced the show with their own financial support. They were therefore able to select their own cast of performers, rather than being obliged to use the actors already engaged at the theatre. They chose talented actors, most of whom were not well-known stars and did not com ------------------------------ End of alt.music.moxy-fruvous digest V14 #16254 ***********************************************