From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #15875 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, April 10 2025 Volume 14 : Number 15875 Today's Subjects: ----------------- "Fat loss" fountain of youth...discovered? ["Fat Fountain" Subject: "Fat loss" fountain of youth...discovered? "Fat loss" fountain of youth...discovered? http://erectilebooster.shop/71wg3rHwrty-3mFIHP7CZ05QpXLRAhGhxWOpq2WaXGoVcgPaqw http://erectilebooster.shop/lbJD_Zg9jyn1ztrpNYJqxP1EEX1Yt5gs69cQNigoZyVMHHfpQQ ddle Ages and later, the Latin form symphonia was used to describe various instruments, especially those capable of producing more than one sound simultaneously. Isidore of Seville was the first to use the word symphonia as the name of a two-headed drum, and from c.?1155 to 1377 the French form symphonie was the name of the organistrum or hurdy-gurdy. In late medieval England, symphony was used in both of these senses, whereas by the 16th century it was equated with the dulcimer. In German, Symphonie was a generic term for spinets and virginals from the late 16th century to the 18th century. In the sense of "sounding together", the word begins to appear in the titles of some works by 16th- and 17th-century composers including Giovanni Gabrieli's Sacrae symphoniae, and Symphoniae sacrae, liber secundus, published in 1597 and 1615, respectively; Adriano Banchieri's Eclesiastiche sinfonie, dette canzoni in aria francese, per sonare, et cantare, Op. 16, published in 1607; Lodovico Grossi da Viadana's Sinfonie musicali, Op. 18, published in 1610; and Heinrich SchC Subject: Say goodbye to chest tightness and wheezing for good Say goodbye to chest tightness and wheezing for good http://vitafirm.za.com/PEgOqM6hff_xtKIKGVpHRNI5bfYABqtz0OYEO7tYP4YzymFKFQ http://vitafirm.za.com/99MekP0zL9SJztf1hcu3O8W56dCaidwZkiEjzo9ibszNSX1bbQ uding a bassoon together with a harpsichord or other chording instrument was also possible. The first additions to this simple ensemble were a pair of horns, occasionally a pair of oboes, and then both horns and oboes together. Over the century, other instruments were added to the classical orchestra: flutes (sometimes replacing the oboes), separate parts for bassoons, clarinets, and trumpets and timpani. Works varied in their scoring concerning which of these additional instruments were to appear. The full-scale classical orchestra, deployed at the end of the century for the largest-scale symphonies, has the standard string ensemble mentioned above, pairs of winds (flutes, oboes, clarinets, bassoons), a pair of horns, and timpani. A keyboard continuo instrument (harpsichord or piano) remained an option. The "Italian" style of symphony, often used as overture and entr'acte in opera houses, became a standard three-movement form: a fast movement, a slow movement, and another fast movement. Over the course of the 18th century it became the custom to write four-movement symphonies, along the lines described in the next paragraph. The three-movement symphony died out slowly; about half of Haydn's first thirty symphonies are in three movements; and for the young Mozart, the three-movement symphony was the norm, perhaps under the influence of his friend Johann Christian Bach. An outstanding late example of the three-move ------------------------------ Date: Wed, 9 Apr 2025 16:48:59 +0200 From: "Struggling to remember" Subject: Harvard: This common household toxin triggers memory loss Harvard: This common household toxin triggers memory loss http://miraclesheet.za.com/vK5pCkmeFcarCISiejg7qD9giu_DS3blmJ-0j9HsUz5WB40 http://miraclesheet.za.com/QFlmjdBGxOWwxwUwgy1rpFJF1BsUnsev-dlWhnO_26U_F80 me of its losses are offset by the growth of the East Antarctic ice sheet, Antarctica as a whole will most likely lose enough ice by 2100 to add 11 cm (4.3 in) to sea levels. Further, marine ice sheet instability may increase this amount by tens of centimeters, particularly under high warming. Fresh meltwater from WAIS also contributes to ocean stratification and dilutes the formation of salty Antarctic bottom water, which destabilizes Southern Ocean overturning circulation. In the long term, the West Antarctic Ice Sheet is likely to disappear due to the warming which has already occurred. Paleoclimate evidence suggests that this has already happened during the Eemian period, when the global temperatures were similar to the early 21st century. It is believed that the loss of the ice sheet would take place between 2,000 and 13,000 years in the future, although several centuries of high emissions may shorten this to 500 years. 3.3 m (10 ft 10 in) of sea level rise would occur if the ice sheet collapses but leaves ice caps on the mountains behind. Total sea level rise from West Antarct ------------------------------ Date: Wed, 9 Apr 2025 12:26:20 -0500 From: "Weight loss" Subject: Brazilian Discovery Melts Stubborn Body Fat Brazilian Discovery Melts Stubborn Body Fat http://stockpile.ru.com/85qPBIqYKpzUBrocNAxNt2uh_XOSwm8mpUarWrjb9iArJbCqJA http://stockpile.ru.com/-i32Eoi_lIlezSt7WLWwTkwx9KCjLln4jdwHnaFSxxkn4t5PUw ddle Ages and later, the Latin form symphonia was used to describe various instruments, especially those capable of producing more than one sound simultaneously. Isidore of Seville was the first to use the word symphonia as the name of a two-headed drum, and from c.?1155 to 1377 the French form symphonie was the name of the organistrum or hurdy-gurdy. In late medieval England, symphony was used in both of these senses, whereas by the 16th century it was equated with the dulcimer. In German, Symphonie was a generic term for spinets and virginals from the late 16th century to the 18th century. In the sense of "sounding together", the word begins to appear in the titles of some works by 16th- and 17th-century composers including Giovanni Gabrieli's Sacrae symphoniae, and Symphoniae sacrae, liber secundus, published in 1597 and 1615, respectively; Adriano Banchieri's Eclesiastiche sinfonie, dette canzoni in aria francese, per sonare, et cantare, Op. 16, published in 1607; Lodovico Grossi da Viadana's Sinfonie musicali, Op. 18, published in 1610; and Heinrich SchC Subject: =?UTF-8?B?SWhyZSBSw7xja21lbGR1bmcgaGlsZnQgdW5zIOKAkyBFLU1haWwgZ XJoYWx0ZW4/?= Sehr geehrte Damen und Herren [IMAGE][IMAGE] [IMAGE] Wir sind ein erfahrener Hersteller von elektrischen Fahrrddern und freuen uns, Ihnen mitteilen zu kvnnen, dass wir derzeit drei unserer beliebtesten Modelle direkt in unserem Lager in Deutschland verf|gbar haben. Alle Modelle kvnnen innerhalb von nur sieben Tagen an Kunden in ganz Europa geliefert werden. 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Mit freundlichen Gr|_en Max Young E-Bike Hersteller ------------------------------ Date: Wed, 9 Apr 2025 20:23:19 +0200 From: "Trump Executive" Subject: How will you honor President Trump's bold leadership? How will you honor President Trump's bold leadership? http://hawkeyeglasses.sa.com/NR3gR4uol16hdo4ZVFFvjCf7K8pxrHZbUSfXuXTNWeVVebIA1A http://hawkeyeglasses.sa.com/sl6_Mze4sSvSxMsBTrt5kysDKbyG3y2hDgC2O2QdI8Hy3UM39A ndation of a school based on popular and well-established European conservatories. Among the voices in the discussion were John Sullivan Dwight, an influential music critic; Dr. J. Baxter Upham, president of the Harvard Musical Association; and Oliver Ditson, a prominent music publisher. The group initially rejected TourjC)e's plans, arguing that it was a poor idea to open a conservatory amidst the nation's current political and economic uncertainty, which would ultimately lead to the American Civil War. It wasn't until the Civil War subsided that TourjC)e made his next attempt to establish a school in Boston. In December 1866, he again met with a group of Boston's top musicians and music patrons. Joining the former attendees Upham, Dwight, and Ditson were Carl Zerrahn and Charles Perkins. In the thirteen-year interim, TourjC)e had gained both experience and success in founding three music schools in Rhode Island, and this time was able to convince his audience of the persisting need and demand for such institutions. The men agreed to support TourjC)e, and The New England Conservatorybthen consisting of just seven rented rooms above the Boston Music Hall off Tremont Streetbofficially opened on February 18, 1867. At the turn of the century, the original building was convert ------------------------------ End of alt.music.moxy-fruvous digest V14 #15875 ***********************************************