From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #15790 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Saturday, March 29 2025 Volume 14 : Number 15790 Today's Subjects: ----------------- New Year, New Connection: Get 70% Off Ryoko PRO! ["Your Travel WiFi" Subject: New Year, New Connection: Get 70% Off Ryoko PRO! New Year, New Connection: Get 70% Off Ryoko PRO! http://visionpremium.ru.com/jRB_NcETjWWtj_965xh4xff4Agmyw5lIDLBwZn1IVRWBddz0rQ http://visionpremium.ru.com/k224n920yfXX4q1u9zzsldus99rRPF3SwvCOsxh89A6ku5VMAQ actly as in the structure of the incidents, [the poet] ought always to seek what is either necessary or probable, so that it is either necessary or probable that a person of such-and-such a sort say or do things of the same sort, and it is either necessary or probable that this happen after that one. It is obvious that the solutions of plots, too, should come about as a result of the plot itself, and not from a contrivance, as in the Medea and in the passage about sailing home in the Iliad. A contrivance must be used for matters outside the drama b either previous events, which are beyond human knowledge, or later ones that need to be foretold or announced. For we grant that the gods can see everything. There should be nothing improbable in the incidents; otherwise, it should be outside the tragedy, e.g., that in Sophocles' Oedipus. b?Poetics, (1454a33b1454b9) Aristotle praised Euripides, however, for generally ending his plays with bad fortune, which he viewed as correct in tragedy, and somewhat excused the intervention of a deity by suggesting that "astonishment" should be sought in tragic drama: Irrationalities should be referred to what people say: That is one solution, and also sometimes that it is not irrational, since it is probable that improbable things will happen. Such a device was referred to by Horace in his Ars Poetica (lines 191b2), where he instructs poets that they should never resort to a "god from the machine" to resolve their plots "unless a difficulty worthy of a god's unraveling should happen" [nec deus intersit, nisi dignus uindice nodus inciderit; nec quarta loqui persona labo ------------------------------ Date: Thu, 27 Mar 2025 07:50:08 -0500 From: "Confirmation Needed" Subject: important information important information http://icecreami.ru.com/OlcMm7GTL5d7lo_ThUjwfqDFyrdA-8qmsFGf8rKcJWhi05Td_w http://icecreami.ru.com/_Y2rT0YMhnTPYxjWc7lczfq8MpR6X-k0ZPIHdaPhzKo4vv5qSw suing the project by his former partner. When they dissolved their relationship he was free to pursue the property, for which Saltzman, a novice to film production, had taken a gamble to acquire. The two were introduced by a New York writer who was acquainted with both, and formed a partnership within a week of meeting. The enterprise was and is still a family business, including both wives of the principal partners, as well as several of their progeny, the latter group now carrying on their parents' work. Albert almost immediately included Dana Broccoli's college-aged son Michael G. Wilson in the early films, doing various production jobs. In 1975, after nine films, Harry Saltzman sold his shares of Danjaq to United Artists (UA). Although Albert R. Broccoli died in 1996, Eon Productions is still owned by the Broccoli family, specifically Albert R. Broccoli's daughter, Barbara Broccoli, and his stepson and her half-brother by actress Dana Wilson Broccoli, Michael G. Wilson, who are the current producers of the films. In February 2025, Amazon MGM Studios and Michael G. Wilson and Barbara Broccoli announced the formation of a joint venture that would manage the franchise rights to James Bond, giving Amazon MGM full creative control from the Broccoli family. Albert R. Broccoli's name has appeared in the opening "presents" credit of every E ------------------------------ Date: Wed, 26 Mar 2025 18:19:45 +0100 From: "USDA Special Edition" Subject: USA TODAY USDA Special Edition USA TODAY USDA Special Edition Please click below for a complimentary copy of USA TODAY Department of Agriculture Department of Agriculture http://cardiofend.sa.com/W0WCXA24NquPVhaFSwvt54hpwCgpBVH7Yl-2-mUsrxxXxg6b3w http://cardiofend.sa.com/076m_fguxlZH0EQWr2i8PTQ-wqgzGcRPV9to49FXRIdXAn-OoA ------------------------------ Date: Wed, 26 Mar 2025 08:41:34 -0500 From: "STOP EATING THIS ā Read More" Subject: Learn About Tinnitus Triggers in Your Food Learn About Tinnitus Triggers in Your Food http://medicinalkit.za.com/BwaoJfi4jHrVCMl0JF6VldAGWFQHyy2ngEyuVzGiXAKuDDHc7A http://medicinalkit.za.com/IS2r_0n2GVGRMDED7tTfDThIU1gvoBrbt-XlqrENSRI-eek mber of musicians employed in a given performance may vary from seventy to over one hundred, depending on the work being played and the venue size. A chamber orchestra (sometimes a concert orchestra) is a smaller ensemble of not more than about fifty musicians. Orchestras that specialize in the Baroque music of, for example, Johann Sebastian Bach and George Frideric Handel, or Classical repertoire, such as that of Haydn and Mozart, tend to be smaller than orchestras performing a Romantic music repertoire such as the symphonies of Ludwig van Beethoven and Johannes Brahms. The typical orchestra grew in size throughout the 18th and 19th centuries, reaching a peak with the large orchestras of as many as 120 players called for in the works of Richard Wagner and later Gustav Mahler. Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, often made easier for the musicians to see by using a short wooden rod known as a conductor's baton. The conductor unifies the orchestra, sets the tempo, and shapes the sound of the ensemble. The conductor also prepares the orchestra by leading rehearsals before the public concert, in which the conductor provides instructions to the musicians on their interpretation of the music being performed. The leader of the first violin section b commonly called the concertmaster b also plays an important role in leading the musicians. In the Baroque music era (1600b1750), orchestras were oft ------------------------------ End of alt.music.moxy-fruvous digest V14 #15790 ***********************************************