From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #15769 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, March 27 2025 Volume 14 : Number 15769 Today's Subjects: ----------------- Survey Ends Today: Secure Your Free Ninja CREAMi Ice Cream Maker! ["Costc] Want a Free MagMate? ["Backup Ammo Pros" Subject: Survey Ends Today: Secure Your Free Ninja CREAMi Ice Cream Maker! Survey Ends Today: Secure Your Free Ninja CREAMi Ice Cream Maker! http://neurofix.shop/16LWmW74cFruBO5vZZfRN-4V_a34pMr4obJpjRZnw__0KwR01g http://neurofix.shop/X1rXKHitQfwMasO1hQp9xEN6rSMKt24zSEb2rVTJIufTkGW9_w achine'. The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought on stage using a machine. The machine could be either a crane (mechane) used to lower actors from above or a riser that brought them up through a trapdoor. Aeschylus introduced the idea and it was used often to resolve the conflict and conclude the drama. The device is associated mostly with Greek tragedy, although it also appeared in comedies. Ancient examples Aeschylus used the device in his Eumenides but it became an established stage machine with Euripides. More than half of Euripides' extant tragedies employ a deus ex machina in their resolution and some critics claim that Euripides invented it, not Aeschylus. A frequently cited example is Euripides' Medea in which the deus ex machina is a dragon-drawn chariot sent by the sun god Helios, used to convey his granddaughter Medea away from her husband Jason to the safety of Athens. In Alcestis, the heroine agrees to give up her own life to spare the life of her husband Admetus. At the end, Heracles appears and seizes Alcestis from Death, restoring her to life and to Admetus. Aristophanes' play Thesmophoriazusae parodies Euripides' frequent use of the crane by making Euripides himself a character in the play and bringing him on stage by way of the mechane. The device produced an immediate emotional response in Greek audiences. They would have a feeling of wonder and astonishment at the appearance of the gods, which would often add to the moral effect of the dra ------------------------------ Date: Thu, 27 Mar 2025 12:50:53 +0100 From: "Backup Ammo Pros" Subject: Want a Free MagMate? Want a Free MagMate? http://visionpremium.ru.com/1BhUur770IoBqCYeDFHcH8ieqgiISXPXtCIxI0OYWcrzMnp_Lg http://visionpremium.ru.com/_xyVH-WzTBaB39199rVKssImzNLYIp8VtvUTuZNkM-dJQna44w mber of musicians employed in a given performance may vary from seventy to over one hundred, depending on the work being played and the venue size. A chamber orchestra (sometimes a concert orchestra) is a smaller ensemble of not more than about fifty musicians. Orchestras that specialize in the Baroque music of, for example, Johann Sebastian Bach and George Frideric Handel, or Classical repertoire, such as that of Haydn and Mozart, tend to be smaller than orchestras performing a Romantic music repertoire such as the symphonies of Ludwig van Beethoven and Johannes Brahms. The typical orchestra grew in size throughout the 18th and 19th centuries, reaching a peak with the large orchestras of as many as 120 players called for in the works of Richard Wagner and later Gustav Mahler. Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, often made easier for the musicians to see by using a short wooden rod known as a conductor's baton. The conductor unifies the orchestra, sets the tempo, and shapes the sound of the ensemble. The conductor also prepares the orchestra by leading rehearsals before the public concert, in which the conductor provides instructions to the musicians on their interpretation of the music being performed. The leader of the first violin section b commonly called the concertmaster b also plays an important role in leading the musicians. In the Baroque music era (1600b1750), orchestras were oft ------------------------------ Date: Thu, 27 Mar 2025 06:08:55 -0500 From: "Dehydrated? - NativePath" Subject: Avoid these 5 common hydration mistakes Avoid these 5 common hydration mistakes http://icecreami.ru.com/VMJk4tdfDPAJ43pAL1LxnkoU5kmmDWuB36Sc-6Rssy1vpcc53w http://icecreami.ru.com/WZADmFlWj4LZ25wFglIvxUT4P8TWwyuS9z5kTU5HiMdIv9dI5g imately caused the death of tragedy: But the new non-Dionysiac spirit is most clearly apparent in the endings of the new dramas. At the end of the old tragedies there was a sense of metaphysical conciliation without which it is impossible to imagine our taking delight in tragedy; perhaps the conciliatory tones from another world echo most purely in Oedipus at Colonus. Now, once tragedy had lost the genius of music, tragedy in the strictest sense was dead: for where was that metaphysical consolation now to be found? Hence an earthly resolution for tragic dissonance was sought; the hero, having been adequately tormented by fate, won his well-earned reward in a stately marriage and tokens of divine honour. The hero had become a gladiator, granted freedom once he had been satisfactorily flayed and scarred. Metaphysical consolation had been ousted by the deus ex machina. b?Friedrich Nietzsche Nietzsche argued that the deus ex machina creates a false sense of consolation that ought not to be sought in phenomena. His denigration of the plot device has prevailed in critical opinion. In Euripides the Rationalist (1895), Arthur Woollgar Verrall surveyed and recorded other late 19th-century responses to the device. He recorded that some of the critical responses to the term referred to it as 'burlesque', 'coup de thC)C"tre', and 'catastrophe'. Verrall notes that critics have a dismissive response to authors who deploy the device in their writings. He comes to the conclusion that critics feel that the deus ex machina is evidence of the author's attempt to ruin the whole of his work and to prevent anyone from putting any impor ------------------------------ Date: Thu, 27 Mar 2025 02:45:21 -0500 From: "Omaha Steaks Kit Surprise" Subject: Your package could not be delivered. Your package could not be delivered. http://livecare.ru.com/SS81b2YK-pEA5cu--WLz8fJASRz7QVerjRgck92KztToFT9cbQ http://livecare.ru.com/VJ6MezydrLiGX6_U7HLzyXsQEMFQ1RiiTpjkQFMKqEOIG__bEw eativity on the part of the author. The reasons for this are that it damages the story's internal logic and is often so unlikely that it challenges the reader's suspension of disbelief. Examples Avengers: Endgame writers Christopher Markus and Stephen McFeely admitted the time travel plot device in the 2019 film was the result of having written themselves into a corner in the previous movie. Also, the sudden arrival of Captain Marvel in the climax of the film has been criticized as bordering on a deus ex machina because "her late arrival to the final battle ... feels like a function of her powers being too strong". The Great Eagles in J. R. R. Tolkien's The Lord of the Rings carrying Frodo and Samwise out of Mordor have been critiqued as a deus ex machina. Lord of the Flies: A passing navy officer rescues the stranded children. William Golding called that a "gimmick"; other critics view it as a deus ex machina. The abrupt ending conveys the terrible fate that would have afflicted the children if the officer had not arrived at that moment. Oliver Twist: Charles Dickens used the device when Rose Maylie turns out to be the long-lost sister of Agnes, and therefore Oliver's aunt; she marries her long-time sweetheart Harry, allowing Oliver to live happily with his savior Mr. Brownlow. The War of the Worlds: The Martians in H. G. Wells's novel have destroyed everything in their path and apparently triumphed over humanity, but they are suddenly killed by bact ------------------------------ Date: Thu, 27 Mar 2025 04:20:21 -0500 From: "Enence Translator" Subject: Guessing games are fun - but 70% off is better! Guessing games are fun - but 70% off is better! http://gluco.best/hombAlq01JzvBeaZ_u6_GabuQmbtLjEJEZBDlVSO3MYu7RlaFQ http://gluco.best/urw5jHAMPX2ocR9AINQMphCs7GMXf8BXj0-_UqEX4K1dMcC3Dw suing the project by his former partner. When they dissolved their relationship he was free to pursue the property, for which Saltzman, a novice to film production, had taken a gamble to acquire. The two were introduced by a New York writer who was acquainted with both, and formed a partnership within a week of meeting. The enterprise was and is still a family business, including both wives of the principal partners, as well as several of their progeny, the latter group now carrying on their parents' work. Albert almost immediately included Dana Broccoli's college-aged son Michael G. Wilson in the early films, doing various production jobs. In 1975, after nine films, Harry Saltzman sold his shares of Danjaq to United Artists (UA). Although Albert R. Broccoli died in 1996, Eon Productions is still owned by the Broccoli family, specifically Albert R. Broccoli's daughter, Barbara Broccoli, and his stepson and her half-brother by actress Dana Wilson Broccoli, Michael G. Wilson, who are the current producers of the films. In February 2025, Amazon MGM Studios and Michael G. Wilson and Barbara Broccoli announced the formation of a joint venture that would manage the franchise rights to James Bond, giving Amazon MGM full creative control from the Broccoli family. Albert R. Broccoli's name has appeared in the opening "presents" credit of every E ------------------------------ Date: Thu, 27 Mar 2025 09:29:05 -0500 From: "Better Living" Subject: Burning & tingling nerve pain? Avoid this drug... Burning & tingling nerve pain? Avoid this drug... http://nervovives.ru.com/uybC27G0hHmQHtaMLRbSIIvia6DWAfknVGT-ru6NyEh-4TGhvQ http://nervovives.ru.com/gkb1twrxNuVZ6EhWGEyE9RyS29T7vgRQHoZtka0OjmMnHQgocw ed in the Bond novel rights for several years but was dissuaded from pursuing the project by his former partner. When they dissolved their relationship he was free to pursue the property, for which Saltzman, a novice to film production, had taken a gamble to acquire. The two were introduced by a New York writer who was acquainted with both, and formed a partnership within a week of meeting. The enterprise was and is still a family business, including both wives of the principal partners, as well as several of their progeny, the latter group now carrying on their parents' work. Albert almost immediately included Dana Broccoli's college-aged son Michael G. Wilson in the early films, doing various production jobs. In 1975, after nine films, Harry Saltzman sold his shares of Danjaq to United Artists (UA). Although Albert R. Broccoli died in 1996, Eon Productions is still owned by the Broccoli family, specifically Albert R. Broccoli's daughter, Barbara Broccoli, and his stepson and her half-brother by actress Dana Wilson Broccoli, Michael G. Wilson, who are the current producers of the films. In February 2025, Amazon MGM Studios and Michael G. Wilson and Barbara Broccoli announced the formation of a joint venture that would manage the franchise rights to James Bond, giving Amazon MGM full creative control from the Broccoli family. Albert R. Broccoli's name has appeared in the opening "presents" credit of eve ------------------------------ End of alt.music.moxy-fruvous digest V14 #15769 ***********************************************