From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #15687 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Saturday, March 8 2025 Volume 14 : Number 15687 Today's Subjects: ----------------- We have been trying to reach you - Please respond! ["CVSRewards" Subject: We have been trying to reach you - Please respond! We have been trying to reach you - Please respond! http://paidonlinejob.ru.com/uz5eZLai09TbJ6GemVk_WsWAb9g0UEZuifFac1FbpMaqbWrnRw http://paidonlinejob.ru.com/rLehArHIcFi6R0RC9d_IPT3JRpzUlLOiGN3Q9FM4Z-PIFSbDrQ ling to the side. They were for some time a cheaper alternative to the far more prestigious equivalents in metalwork, decorated with gems, enamels, and perhaps ivory figures, most of which have long been broken up for their valuable materials. Painted panels for altars are most numerous in Spain, especially Catalonia, which is explained by the poverty of the country at this time, as well as the lack of Reformation iconoclasm. The 13th and 14th centuries in Italy were a great period of panel painting, mostly altarpieces or other religious works. However, it is estimated that of all the panel paintings produced there, 99.9 percent have been lost. The vast majority of Early Netherlandish paintings are on panel, and these include most of the earliest portraits, such as those by Jan van Eyck, and some other secular scenes. However, one of the earliest surviving oils on canvas is a French Madonna with angels of about 1410 in the GemC$ldegalerie, Berlin, which is very early indeed for oil painting also. In these works the frame and panel are sometimes a single piece of wood, as with Portrait of a Man (Self Portrait?) by van Eyck (National Gallery, London), where the frame was also paint ------------------------------ End of alt.music.moxy-fruvous digest V14 #15687 ***********************************************