From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #15682 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Friday, March 7 2025 Volume 14 : Number 15682 Today's Subjects: ----------------- Your chance to receive a FREE Omaha Steaks Kit ["Omaha Steaks Kit Winner"] ---------------------------------------------------------------------- Date: Fri, 7 Mar 2025 18:24:55 +0100 From: "Omaha Steaks Kit Winner" Subject: Your chance to receive a FREE Omaha Steaks Kit Your chance to receive a FREE Omaha Steaks Kit http://dreamease.ru.com/gqrmz7UJMeS_20xt4EFjNKil93EjeUpSuW21bg3DyjCxKH5b4Q http://dreamease.ru.com/YIWGDCbAJlhESr7lOBCoObFv0YfgDBDjw2IzqMC89mqOuHUl_w uction by Margaret Webster with Jussi BjC6rling in the title role, Delia Rigal as Elizabeth, Robert Merrill as Rodrigo, Fedora Barbieri as Eboli, Cesare Siepi as Philip II and Jerome Hines as the Grand Inquisitor. This version was performed there until 1972. The four-act version in Italian continued to be championed by conductors such as Herbert von Karajan (1978 audio recording and 1986 video recording) and Riccardo Muti (1992 video recording). Also influential was a 1958 staging of the 1886 five-act "Modena version" in Italian by The Royal Opera company, Covent Garden, directed by Luchino Visconti and conducted by Carlo Maria Giulini. The cast included Jon Vickers as Don Carlo, Tito Gobbi as Rodrigo, Boris Christoff as King Phillip and GrC) Brouwenstijn as Elizabeth. This version has increasingly been performed elsewhere and has been recorded by, among others, Georg Solti and Giulini. After the discovery of music cut before the premiere, conductors began performing five-act versions that included some of it. In 1973 at La Fenice, Georges PrC*tre conducted a 5-act version in Italian without the ballet that included the discarded woodcutters scene, the first Carlo-Rodrigo duet in a hybrid beginning with the Paris edition but ending with the Milan revision, the discarded Elisabeth-Eboli duet from Act 4, and the Paris finale. In 1975, Charles Mackerras conducted an expanded and modified five-act version (with Verdi's orig ------------------------------ End of alt.music.moxy-fruvous digest V14 #15682 ***********************************************