From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #15669 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, March 6 2025 Volume 14 : Number 15669 Today's Subjects: ----------------- BONUS: $100 DELTA AIRLINES Gift Card Opportunity ["Delta Airlines Opinion] ---------------------------------------------------------------------- Date: Thu, 6 Mar 2025 17:28:16 +0100 From: "Delta Airlines Opinion Requested" Subject: BONUS: $100 DELTA AIRLINES Gift Card Opportunity BONUS: $100 DELTA AIRLINES Gift Card Opportunity http://earwaxcleaner.best/aj2QHYNLWo5Th71Vae_l2vpWKvEtXpwGz7Cbt1K41DRrmGIp7A http://earwaxcleaner.best/r9NUaijDR6ZjBc_uVnFM2mLMm1pAQy43lKRX43heqEeoZjjnug uction by Margaret Webster with Jussi BjC6rling in the title role, Delia Rigal as Elizabeth, Robert Merrill as Rodrigo, Fedora Barbieri as Eboli, Cesare Siepi as Philip II and Jerome Hines as the Grand Inquisitor. This version was performed there until 1972. The four-act version in Italian continued to be championed by conductors such as Herbert von Karajan (1978 audio recording and 1986 video recording) and Riccardo Muti (1992 video recording). Also influential was a 1958 staging of the 1886 five-act "Modena version" in Italian by The Royal Opera company, Covent Garden, directed by Luchino Visconti and conducted by Carlo Maria Giulini. The cast included Jon Vickers as Don Carlo, Tito Gobbi as Rodrigo, Boris Christoff as King Phillip and GrC) Brouwenstijn as Elizabeth. This version has increasingly been performed elsewhere and has been recorded by, among others, Georg Solti and Giulini. After the discovery of music cut before the premiere, conductors began performing five-act versions that included some of it. In 1973 at La Fenice, Georges PrC*tre conducted a 5-act version in Italian without the ballet that included the discarded woodcutters scene, the first Carlo-Rodrigo duet in a hybrid beginning with the Paris edition but ending with the Milan revision, the discarded Elisabeth-Eboli duet from Act 4, and the Paris finale. In 1975, Charles Mackerras conducted an expanded and modified five-act version (with Verdi's orig ------------------------------ End of alt.music.moxy-fruvous digest V14 #15669 ***********************************************