From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #14765 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, September 26 2024 Volume 14 : Number 14765 Today's Subjects: ----------------- Don't forget to redeem your account ["Sams Club" Subject: Don't forget to redeem your account Don't forget to redeem your account http://ericprim.ru.com/DwY8_iINVcVWFmnBqOXA1wFovDeDciB1hMD0rj_rK753rL_7qA http://ericprim.ru.com/S6_Uz-PwRAQjVi2PPQTHBj1J6hwoyoDWiyPAv1iqy3D2L0yH_w roup (minus Bazille, who had died in the Franco-Prussian War in 1870), defections occurred as CC)zanne, followed later by Renoir, Sisley, and Monet, abstained from the group exhibitions so they could submit their works to the Salon. Disagreements arose from issues such as Guillaumin's membership in the group, championed by Pissarro and CC)zanne against opposition from Monet and Degas, who thought him unworthy. Degas invited Mary Cassatt to display her work in the 1879 exhibition, but also insisted on the inclusion of Jean-FranC'ois RaffaC+lli, Ludovic Lepic, and other realists who did not represent Impressionist practices, causing Monet in 1880 to accuse the Impressionists of "opening doors to first-come daubers". In this regard, the seventh Paris Impressionist exhibition in 1882 was the most selective of all including the works of only nine "true" impressionists, namely Gustave Caillebotte, Paul Gauguin, Armand Guillaumin, Claude Monet, Berthe Morisot, Camille Pissarro, Pierre-Auguste Renoir, Alfred Sisley, and Victor Vignon. The group then divided again over the invitations to Paul Signac and Georges Seurat to exhibit with them at the 8th Impressionist exhibition in 1886. Pissarro was the only artist to show at all eight Paris Impressionist exhibitions. The individual artists achieved few financial rewards from the Impressionist exhibitions, but their art gradually won a degree of public acceptance and support. Their dealer, Durand-Ruel, played a major role in this as he kept their work before the public and arranged shows for them in London and New York. Although Sisley died in poverty in 1899, Renoir had a great Salon success in 1879. Monet became secure financially during the early 1880s and so did Pissarro by the early 1890s. By this time the methods of Impressionis ------------------------------ End of alt.music.moxy-fruvous digest V14 #14765 ***********************************************