From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #14729 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Saturday, September 21 2024 Volume 14 : Number 14729 Today's Subjects: ----------------- Quick Nerve Pain Relief: Stand on Your Left Leg and Do This ["Sugar rub f] Boost Your Stamina and Drive Naturally - No Pills, No Side Effects! ["Nit] Prepare for Anything: 72-Hour Kit Buy 1, Get 2 FREE! ["72HR Emergency Sup] ---------------------------------------------------------------------- Date: Fri, 20 Sep 2024 13:25:33 +0000 From: "Sugar rub for pain relief" Subject: Quick Nerve Pain Relief: Stand on Your Left Leg and Do This This email must be viewed in HTML mode. ------------------------------ Date: Fri, 20 Sep 2024 15:23:43 +0200 From: "Nitric Boost Experts" Subject: Boost Your Stamina and Drive Naturally - No Pills, No Side Effects! Boost Your Stamina and Drive Naturally - No Pills, No Side Effects! http://nitricerectile.best/Syq4p84i3bUUQV4E6Ir4wsRJcG95URb0gTqYXKTukD9-wQfpcA http://nitricerectile.best/YJBB2PDwKj135VGvLmj3QXH-ty7fdSO18i04xIPMoV6MNp9cMg hart at that time allowed some rock and roll artists, such as Lesley Gore and the Drifters, to make the chart on occasion with their softer or ballad releases, regardless of whether Easy Listening and middle of the road radio stations were actually playing those songs. In 1965, no No. 1 pop hits appeared on the Easy Listening chart. After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s.[citation needed] Several No. 1 Easy Listening hits of the late 1960s only "Bubbled Under" on the pop chart (for example, Andy Russell's 1967 version of "It's Such a Pretty World Today" that peaked at #119), or (as was the case with John Gary's 1967 hit "Cold") failed even to "Bubble Under." In 1967, only one single reached No. 1 on both charts b "Somethin' Stupid" by Frank Sinatra and Nancy Sinatra. This trend began to reverse by the end of the decade. Notable artists with multiple No. 1 songs on this chart during the 1960s include Elvis Presley, Roy Orbison, Connie Francis, Dean Martin, Andy Williams, the 5th Dimension, and Glen Campbell. "Love Is Blue" by Paul Mauriat held the top of the Easy Listening chart for 11 weeks in 1968, which remained the longest stay at No. 1 until 1993. The 1970s The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more began to soften. Contemporary artists who recorded adult-appeal music, such as the Carpenters, Barbra Streisand, Barry Manilow, Anne Murray, John Denver, and Helen Reddy began to be played more often on Top 40 radio. Much of the music recorded by singer-songwriters such as James Taylor, Carole King, and Janis Ian got as much, if not more, airplay on this format than on Top 40 stations. A few of the acts that cam ------------------------------ Date: Fri, 20 Sep 2024 10:55:45 +0200 From: "72HR Emergency Supplies" Subject: Prepare for Anything: 72-Hour Kit Buy 1, Get 2 FREE! Prepare for Anything: 72-Hour Kit Buy 1, Get 2 FREE! http://egopower.best/pz6xRSmL1n9e1zZuzkM0sbHmYyf8On6LA8SyG9HHRjsNhN0Znw http://egopower.best/G_YgfWhx5Y77WF6JhkrY6d7N-8pfW5sbEQ2kypEbiTlxVqfUEw ncellor's Essay prize of 1879, which, though no longer a student, he was still eligible to enter. Its subject, "Historical Criticism among the Ancients" seemed ready-made for Wilde b with both his skill in composition and ancient learning b but he struggled to find his voice in the long, flat, scholarly style. Unusually, no prize was awarded that year. With the last of his inheritance from the sale of his father's houses, he set himself up as a bachelor in London. The 1881 British Census listed Wilde as a boarder at 1 (now 44) Tite Street, Chelsea, where Frank Miles, a society painter, was the head of the household. Lillie Langtry was introduced to Wilde at Frank Miles' studio in 1877. The most glamorous woman in England, Langtry assumed great importance to Wilde during his early years in London, and they remained close friends for many years; he tutored her in Latin and later encouraged her to pursue acting. She wrote in her autobiography that he "possessed a remarkably fascinating and compelling personality", and "the cleverness of his remarks received added value from his manner of delivering them." Wilde regularly attended the theatre and was especially taken with star actresses such as Ellen Terry and Sarah Bernhardt. In 1880 he completed his first play, Vera; or, The Nihilists, a tragic melodrama about Russian nihilism, and distributed privately printed copies to various actresses whom he hoped to interest in its sole female role. A one-off performance in London was advertised in November 1881 with Mrs. Bernard Beere as Vera, but withdrawn by Wilde for what was claimed to be consideration for political feeling in England. He had been publishing lyrics and poems in magazines since entering Trinity College, especially in Kottabos and the Dublin University Magazine. In mid-1881, at 27 years old, he published Poems, which collected, revised and expanded his poems. Though the book sold out its first print run of 750 copies, it was not generally well received by the critics: Punch, for example, said that "The poet is Wilde, but his poetry's tame". By a tight vote, the Oxford Union condemned the book for alleged plagiarism. The librarian, who had requested the book for the library, returned the presentation copy to Wilde with a note of apology. Biographer Richard Ellmann argues that Wilde's poem "HC)las!" was a sincere, though flamboyant, attempt to explain the dichotomies the poet saw in himself; one line reads: "To drift with every passion till my soul / Is a string ------------------------------ End of alt.music.moxy-fruvous digest V14 #14729 ***********************************************