From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest)
To: ammf-digest@smoe.org
Subject: alt.music.moxy-fruvous digest V14 #14608
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alt.music.moxy-fruvous digest Tuesday, September 3 2024 Volume 14 : Number 14608



                               Today's Subjects:
                               -----------------
  My private collection of healthy fried recipes...  ["AIR-FRIED CHICKEN" <a]
  Your 401K WON'T Survive Kamala (Do THIS Now)  ["Survive Kamala" <SurviveKa]
  Get your FREE Fat-burning Fried Foods Cookbook  ["AIR-FRIED CHICKEN" <airf]
  Get your FREE Fat-burning Fried Foods Cookbook  ["AIR-FRIED CHICKEN" <airf]
  Cool Down with the Ninja CREAMi at Costco â Limited Time Offer!  ["Costco ]
  Please confirm your email address  ["AIR-FRIED CHICKEN" <airfriedchickn@ol]
  Your 401K WON'T Survive Kamala (Do THIS Now)  ["Survive Kamala" <SurviveKa]
  Get Up to 93% Off in our Summer Kick Off Sale | Canvas Prints  ["Canvas Pr]

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Date: Tue, 3 Sep 2024 10:50:48 +0200
From: "AIR-FRIED CHICKEN" <airfriedchickn@siriusxmxx.ru.com>
Subject: My private collection of healthy fried recipes...

My private collection of healthy fried recipes...

http://siriusxmxx.ru.com/EuRR-tHP-SO4LjAnjqc9oM6M0VT2XqP-lMszYChybc46PLSoDA

http://siriusxmxx.ru.com/mr9idkM4WSgdZyNJUU3ghBFusgQXQjmyG3r8NiAAT0G65J_vUw

rogressed, altarpieces began to be commissioned more frequently. In Northern Europe, initially LC<beck and later Antwerp would develop into veritable export centres for the production of altarpieces, exporting to Scandinavia, Spain and northern France. By the 15th century, altarpieces were often commissioned not only by churches but also by individuals, families, guilds and confraternities. The 15th century saw the birth of Early Netherlandish painting in the Low Countries; henceforth panel painting would dominate altarpiece production in the area. In Germany, sculpted wooden altarpieces were instead often preferred, for example the Veit Stoss altarpiece in KrakC3w (completed 1489), while in England there was a 15th-century industry producing relatively cheap painted altarpiece kits in Nottingham alabaster, many of which were exported, the frame being added at the destination.

In England, as well as in France, stone retables enjoyed general popularity. In Italy both stone retables and wooden polyptychs were common, with individual painted panels and often (notably in Venice and Bologna) with complex framing in the form of architectural compositions. In Spain, altarpieces developed in a highly original fashion into often very large, architecturally influenced reredos, sometimes as tall as the church in which it was housed.

Renaissance and Reformation

Sacra conversazione with a landscape setting and donor portrait, Palma Vecchio, c. 1519
The 15th century also saw a development of the composition of Italian altarpieces where the polyptych was gradually abandoned in favour of single-panel, painted altarpieces. In Italy, the sacra conversazione developed, a group usually centred on the Virgin and Child, flanked by a group of saints usually chosen to repre

------------------------------

Date: Tue, 3 Sep 2024 13:57:42 +0200
From: "Survive Kamala" <SurviveKamala@sensortrashcans.shop>
Subject: Your 401K WON'T Survive Kamala (Do THIS Now)

Your 401K WON'T Survive Kamala (Do THIS Now)

http://sensortrashcans.shop/nTx3SnRQWX5LWwSmcW2K9tLYFrq8fIceAycg26lm3khtRk_Krg

http://sensortrashcans.shop/1oqBqiEHwNaVk6m_Kg7eCFt7rBRADNr1fO86Ip1vjwsXX4lILA

rogressed, altarpieces began to be commissioned more frequently. In Northern Europe, initially LC<beck and later Antwerp would develop into veritable export centres for the production of altarpieces, exporting to Scandinavia, Spain and northern France. By the 15th century, altarpieces were often commissioned not only by churches but also by individuals, families, guilds and confraternities. The 15th century saw the birth of Early Netherlandish painting in the Low Countries; henceforth panel painting would dominate altarpiece production in the area. In Germany, sculpted wooden altarpieces were instead often preferred, for example the Veit Stoss altarpiece in KrakC3w (completed 1489), while in England there was a 15th-century industry producing relatively cheap painted altarpiece kits in Nottingham alabaster, many of which were exported, the frame being added at the destination.

In England, as well as in France, stone retables enjoyed general popularity. In Italy both stone retables and wooden polyptychs were common, with individual painted panels and often (notably in Venice and Bologna) with complex framing in the form of architectural compositions. In Spain, altarpieces developed in a highly original fashion into often very large, architecturally influenced reredos, sometimes as tall as the church in which it was housed.

Renaissance and Reformation

Sacra conversazione with a landscape setting and donor portrait, Palma Vecchio, c. 1519
The 15th century also saw a development of the composition of Italian altarpieces where the polyptych was gradually abandoned in favour of single-panel, painted altarpieces. In Italy, the sacra conversazione developed, a group usually centred on the Virgin and Child, flanked by a group of saints usually chosen to repre

------------------------------

Date: Tue, 3 Sep 2024 12:25:11 +0200
From: "AIR-FRIED CHICKEN" <airfriedchickn@olivinex.ru.com>
Subject: Get your FREE Fat-burning Fried Foods Cookbook

Get your FREE Fat-burning Fried Foods Cookbook

http://olivinex.ru.com/LBeSHWl9Fhi7cup4uqHJzKAQAhzw9NflcpJbW-DQIMl3B2hPtA

http://olivinex.ru.com/oQGh_FpPwuJK3YTUEF-ixJzw8avkly9fAuZqyBXhzMcIFuqD1Q

rogressed, altarpieces began to be commissioned more frequently. In Northern Europe, initially LC<beck and later Antwerp would develop into veritable export centres for the production of altarpieces, exporting to Scandinavia, Spain and northern France. By the 15th century, altarpieces were often commissioned not only by churches but also by individuals, families, guilds and confraternities. The 15th century saw the birth of Early Netherlandish painting in the Low Countries; henceforth panel painting would dominate altarpiece production in the area. In Germany, sculpted wooden altarpieces were instead often preferred, for example the Veit Stoss altarpiece in KrakC3w (completed 1489), while in England there was a 15th-century industry producing relatively cheap painted altarpiece kits in Nottingham alabaster, many of which were exported, the frame being added at the destination.

In England, as well as in France, stone retables enjoyed general popularity. In Italy both stone retables and wooden polyptychs were common, with individual painted panels and often (notably in Venice and Bologna) with complex framing in the form of architectural compositions. In Spain, altarpieces developed in a highly original fashion into often very large, architecturally influenced reredos, sometimes as tall as the church in which it was housed.

Renaissance and Reformation

Sacra conversazione with a landscape setting and donor portrait, Palma Vecchio, c. 1519
The 15th century also saw a development of the composition of Italian altarpieces where the polyptych was gradually abandoned in favour of single-panel, painted altarpieces. In Italy, the sacra conversazione developed, a group usually centred on the Virgin and Child, flanked by a group of saints usually chosen to repre

------------------------------

Date: Tue, 3 Sep 2024 11:34:46 +0200
From: "AIR-FRIED CHICKEN" <airfriedchickn@siriusxmxx.ru.com>
Subject: Get your FREE Fat-burning Fried Foods Cookbook

Get your FREE Fat-burning Fried Foods Cookbook

http://siriusxmxx.ru.com/DejYk6rw4Al7bOTQNDMZAXBxeuMNpxLdfFDu_hC2q9NQFIV9OQ

http://siriusxmxx.ru.com/k2emytcbwbE6m8U3bEUIrWiHlR3SBy5l99QRk2I02pHuFfPyRQ

rogressed, altarpieces began to be commissioned more frequently. In Northern Europe, initially LC<beck and later Antwerp would develop into veritable export centres for the production of altarpieces, exporting to Scandinavia, Spain and northern France. By the 15th century, altarpieces were often commissioned not only by churches but also by individuals, families, guilds and confraternities. The 15th century saw the birth of Early Netherlandish painting in the Low Countries; henceforth panel painting would dominate altarpiece production in the area. In Germany, sculpted wooden altarpieces were instead often preferred, for example the Veit Stoss altarpiece in KrakC3w (completed 1489), while in England there was a 15th-century industry producing relatively cheap painted altarpiece kits in Nottingham alabaster, many of which were exported, the frame being added at the destination.

In England, as well as in France, stone retables enjoyed general popularity. In Italy both stone retables and wooden polyptychs were common, with individual painted panels and often (notably in Venice and Bologna) with complex framing in the form of architectural compositions. In Spain, altarpieces developed in a highly original fashion into often very large, architecturally influenced reredos, sometimes as tall as the church in which it was housed.

Renaissance and Reformation

Sacra conversazione with a landscape setting and donor portrait, Palma Vecchio, c. 1519
The 15th century also saw a development of the composition of Italian altarpieces where the polyptych was gradually abandoned in favour of single-panel, painted altarpieces. In Italy, the sacra conversazione developed, a group usually centred on the Virgin and Child, flanked by a group of saints usually chosen to repre

------------------------------

Date: Tue, 3 Sep 2024 09:28:45 +0200
From: "Costco Exclusive Deals" <CostcoExclusiveDeals@siriusxmxx.ru.com>
Subject: Cool Down with the Ninja CREAMi at Costco â Limited Time Offer!

Cool Down with the Ninja CREAMi at Costco b Limited Time Offer!

http://siriusxmxx.ru.com/J5_BhUhRycCuWMApKYiI8wxw2qliU9BdHkdky-LLt8D7I4bSoQ

http://siriusxmxx.ru.com/_KVOAlRnMNibdkaVycMn7xd_YRNPhqVhZt1AyqiAn4oGQmuRPw

smopolitan distribution is the range of a taxon that extends across most or all of the surface of the Earth, in appropriate habitats; most cosmopolitan species are known to be highly adaptable to a range of climatic and environmental conditions, though this is not always so. Killer whales (orcas) are among the most well-known cosmopolitan species on the planet, as they maintain several different resident and transient (migratory) populations in every major oceanic body on Earth, from the Arctic Circle to Antarctica and every coastal and open-water region in-between. Such a taxon (usually a species) is said to have a cosmopolitan distribution, or exhibit cosmopolitanism, as a species; another example, the rock dove (commonly referred to as a 'pigeon'), in addition to having been bred domestically for centuries, now occurs in most urban areas around the world.

The extreme opposite of a cosmopolitan species is an endemic (native) species, or one that is found only in a single geographical location. Endemism usually results in organisms with specific adaptations to one particular climate or region, and the species would likely face challenges if placed in a different environment. There are far more examples of endemic species than cosmopolitan species; one example being the snow leopard, a species found only in Central Asian mountain ranges, an environment to which the cats have adapted over millions of years.

Qualification
The caveat "in appropriate habitat" is used to qualify the term "cosmopolitan distribution", excluding in most instances polar regions, extreme altitudes, oceans, deserts, or small, isolated islands. For example, the housefly is highly cosmopolitan, yet is neither oceanic nor pol

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Date: Tue, 3 Sep 2024 10:52:28 +0200
From: "AIR-FRIED CHICKEN" <airfriedchickn@olivinex.ru.com>
Subject: Please confirm your email address

Please confirm your email address
 
http://olivinex.ru.com/EZ2dOX21u8RmFNLA0z6-vdZyf4DMzUywWNPdpRxcTcEFLcuHAg
 
http://olivinex.ru.com/B4qA1KbXI8fbl1b7hY87lzpH5u3B1ngn3iUDTM7Jgs7jncU7FA

------------------------------

Date: Tue, 3 Sep 2024 12:37:43 +0200
From: "Survive Kamala" <SurviveKamala@irakudgold.best>
Subject: Your 401K WON'T Survive Kamala (Do THIS Now)

Your 401K WON'T Survive Kamala (Do THIS Now)

http://irakudgold.best/cfTjdwbN_GUXKjmmABi0WWCNOim01jzKyDQB1uEc89WD17daDg

http://irakudgold.best/k5Ayg-LimB2oIBXBPBCquricgvR0eJxLlRxIFu7MPNXvcWiayQ

ula near P?ock and had strong connections with Greater Poland (through W?oc?awek and Kruszwica). In the period of the rule of the first Polish monarchs of the Piast dynasty, P?ock was one of their seats, and on the Cathedral Hill (WzgC3rze Tumskie) they raised palatium. In the period 1037b1047 it was the capital of the independent, Mazovian state of Mas?aw. Between 1079 and 1138 this city was de facto the capital of Poland. Since 1075 it has been the seat of the Diocese of P?ock encompassing northern Mazovia; the south formed the archdeaconate of Czersk belonging to Pozna?, and the Duchy of ?owicz was part of the Archdiocese of Gniezno (this division remained as long as until the Partitions of Poland).

During the 9th century Mazovia was perhaps inhabited by the tribe of Mazovians, and it was incorporated into the Polish state in the second half of 10th century under the Piast ruler Mieszko I. As a result of the fragmentation of Poland after the death of Polish monarch Boles?aw III Wrymouth, in 1138 the Duchy of Mazovia was established, and during the 12th and 13th centuries it joined temporarily various adjacent lands and endured invasions of Prussians, Yotvingians, and Ruthenians. To protect its northern section Conrad I of Mazovia called in the Teutonic Knights in 1226 and granted them the Che?mno Land as a fief.

After the reunification of the Polish state by W?adys?aw I in the early 14th century, Mazovia became its fief in 1351. In the second half of 15th century western Mazovia and in 1526/1529 the main part (with its capital in Warsaw) was incorporated into the Polish state. In the 15th century the eastern part of the region (?om?a) was settled, mainly by the yeomanry (drobna szlachta). Mazovia was considered underdeveloped in comparison wit

------------------------------

Date: Tue, 3 Sep 2024 14:16:09 +0200
From: "Canvas Prints Partner" <CanvasPrintsAd@pinealgardian.help>
Subject: Get Up to 93% Off in our Summer Kick Off Sale | Canvas Prints

Get Up to 93% Off in our Summer Kick Off Sale | Canvas Prints

http://pinealgardian.help/lQ9xEynlA8qnmP55lDsJitPoXCgwMsUa8yxhJ3knA0x2GR--Jw

http://pinealgardian.help/BNbQpQH4DPABFIsvHTrKOciBtQ45XkDY6LGnV8QSnTp617hM0g

ings, naked faces and appetites of a generalist suggest some level of convergence with either Buteo or the vulturine birds, or both.
True hawks are medium-sized birds of prey that usually belong to the genus Accipiter (see below). They are mainly woodland birds that hunt by sudden dashes from a concealed perch. They usually have long tails for tight steering.
Buzzards are medium-large raptors with robust bodies and broad wings, or, alternatively, any bird of the genus Buteo (also commonly known as "hawks" in North America, while "buzzard" is colloquially used for vultures).
Harriers are large, slender hawk-like birds with long tails and long thin legs. Most use a combination of keen eyesight and hearing to hunt small vertebrates, gliding on their long broad wings and circling low over grasslands and marshes.
Kites have long wings and relatively weak legs. They spend much of their time soaring. They will take live vertebrate prey, but mostly feed on insects or even carrion.
The osprey, a single species found worldwide that specializes in catching fish and builds large stick nests.
Owls are variable-sized, typically night-specialized hunting birds. They fly almost silently due to their special feather structure that reduces turbulence. They have particularly acute hearing and nocturnal eyesight.
The secretarybird is a single species with a large body and long, stilted legs endemic to the open grasslands of Sub-Saharan Africa.
Vultures are scavengers and carrion-eating raptors of two distinct biological families: the Old World vultures (Accipitridae), which occurs only in the Eastern Hemisphere; and the New World vultures (Cathartidae), which occurs only in the Western Hemisphere. Members of both groups have heads either partly or fully devoid of feathers.
Seriemas, large South American birds with long, stilted legs that occupy a similar ecological niche to secretarybirds. They are also the closest relatives to the extinct "terror birds".
Many of these English language group names originally referred to particular species encountered in Britain. As English-speaking people travelled further, the familiar names were applied to new birds with similar characteristics. Names that have generalised this way include: kite (Milvus milvus), sparrowhawk or sparhawk (Accipiter nisus), goshawk (Accipiter gentilis), kestrel (Falco tinninculus), hobby (Falco subbuteo), harrier (simplified from "hen-harrier", Circus cyaneus), buzzard (Buteo buteo).

Some names have not generalised, and refer to single spe

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End of alt.music.moxy-fruvous digest V14 #14608
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