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Subject: alt.music.moxy-fruvous digest V14 #14523
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alt.music.moxy-fruvous digest Monday, August 26 2024 Volume 14 : Number 14523



                               Today's Subjects:
                               -----------------
  And DROP cholesterol.  ["Japanese Sticky Bean" <JapaneseStickyBean@iqprobl]
  Final Notice Coming for a 36 Piece Tupperware Modular Set Reward  ["Aldi D]

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Date: Sat, 24 Aug 2024 16:10:37 +0200
From: "Japanese Sticky Bean" <JapaneseStickyBean@iqproblast.best>
Subject: And DROP cholesterol.

And DROP cholesterol.

http://iqproblast.best/dsuuVvE2A_XcZZnphr2v4pcWgnjwS0717Ci3EKpMWZ-KsPldTQ

http://iqproblast.best/MJCkOFo0RpYZ2vasoElfgBSqKpeNQoTeQDFWAkN4WkbZ6PlE5A

rogressed, altarpieces began to be commissioned more frequently. In Northern Europe, initially LC<beck and later Antwerp would develop into veritable export centres for the production of altarpieces, exporting to Scandinavia, Spain and northern France. By the 15th century, altarpieces were often commissioned not only by churches but also by individuals, families, guilds and confraternities. The 15th century saw the birth of Early Netherlandish painting in the Low Countries; henceforth panel painting would dominate altarpiece production in the area. In Germany, sculpted wooden altarpieces were instead often preferred, for example the Veit Stoss altarpiece in KrakC3w (completed 1489), while in England there was a 15th-century industry producing relatively cheap painted altarpiece kits in Nottingham alabaster, many of which were exported, the frame being added at the destination.

In England, as well as in France, stone retables enjoyed general popularity. In Italy both stone retables and wooden polyptychs were common, with individual painted panels and often (notably in Venice and Bologna) with complex framing in the form of architectural compositions. In Spain, altarpieces developed in a highly original fashion into often very large, architecturally influenced reredos, sometimes as tall as the church in which it was housed.

Renaissance and Reformation

Sacra conversazione with a landscape setting and donor portrait, Palma Vecchio, c. 1519
The 15th century also saw a development of the composition of Italian altarpieces where the polyptych was gradually abandoned in favour of single-panel, painted altarpieces. In Italy, the sacra conversazione developed, a group usually centred on the Virgin and Child, flanked by a group of saints usually chosen to repre

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Date: Sat, 24 Aug 2024 13:54:09 +0200
From: "Aldi Deals" <AldiCoupons@generatorpower.ru.com>
Subject: Final Notice Coming for a 36 Piece Tupperware Modular Set Reward

Final Notice Coming for a 36 Piece Tupperware Modular Set Reward

http://generatorpower.ru.com/Nk9zMoGHlMEUPcNiccQmaA7EcYjm9yZ-XkZqDL6GFjAzz7V3fg

http://generatorpower.ru.com/b_dUFHH--gX8OmbiLADYHAPUKCzg3jw1YNvm2VFm5LCY8SPItQ

ain source of funding for Philip's army was the royal demesne. In times of conflict, he could immediately call up 250 knights, 250 horse sergeants, 100 mounted crossbowmen, 133 crossbowmen on foot, 2,000-foot sergeants, and 300 mercenaries. Towards the end of his reign, the king could muster some 3,000 knights, 9,000 sergeants, 6,000 urban militiamen, and thousands of foot sergeants. Using his increased revenues, Philip was the first Capetian king to build a French navy actively. By 1215, his fleet could carry a total of 7,000 men. Within two years, his fleet included 10 large ships and many smaller ones. 

Expulsion of Jews
Reversing his father's tolerance and protection of Jews, Philip in 1180 ordered French Jews to be stripped of their valuables, ransomed and converted to Christianity on pain of further taxation. In April 1182, partially to enrich the French crown, he expelled all Jews from the demesne and confiscated their goods. Philip expelled them from the royal demesne in July 1182 and had Jewish houses in Paris demolished to make way for the Les Halles market. The measures were profitable in the short-term, the ransoms alone bringing in 15,000 marks and enriching Christians at the expense of Jews. Ninety-nine Jews were burned alive in Brie-Comte-Robert. In 1198 Philip allowed Jews to return.

Wars with his vassals

Philip II enthroned, portrait by Jean du Tillet, 1555b1566
In 1181, a conflict arose between Philip and Count Philip I of Flanders over the Vermandois, which King P

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End of alt.music.moxy-fruvous digest V14 #14523
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