From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #14465 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Saturday, August 17 2024 Volume 14 : Number 14465 Today's Subjects: ----------------- Trump Keep Fighting Bobblehead ["John" ] ---------------------------------------------------------------------- Date: Sat, 17 Aug 2024 16:30:45 +0200 From: "John" Subject: Trump Keep Fighting Bobblehead Trump Keep Fighting Bobblehead http://trumpassassianation.best/ZLGqTJYZhCDLR-rA6b0p_QNZtB-wJlZc6dIXuBjrFhKgoRRk7g http://trumpassassianation.best/uEXrJHeAz29WBAh840uRJUywkQz5GpOkRbKU_vIl9ycmRCl1rg ries of large Christian churches being built, the altar tended to be further forward (towards the congregation) in the sanctuary than in the later Middles Ages (a position to which it returned in the 20th century) and a large altarpiece would often have blocked the view of a bishop's throne and other celebrants, so decoration was concentrated on other places, with antependiums or altar frontals, or the surrounding walls. Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the development of altarpieces are not generally agreed upon. The habit of placing decorated reliquaries of saints on or behind the altar, as well as the tradition of decorating the front of the altar with sculptures or textiles, preceded the first altarpieces. In the Romanesque period, painted altar frontals on panel seem to have been a common alternative location for paintings. Few survive, though small Catalonian churches preserved several, many now in the Museu Nacional d'Art de Catalunya in Barcelona. The development of altarpieces may have begun at the altars of side chapels, typically engaged with the wall behind, rather than at freestanding main altars. Many early altarpieces were relatively simple compositions in the form of a rectangular panel decorated with series of saints in rows, with a central, more pronounced figure such as a depiction of Mary or Christ. An elaborate example of such an early altarpiece is the metal and enamel Pala d'Oro in Venice, extended in the 12th century from an earlier altar frontal. The appearance and development of these first altarpieces marked an important turning point both in the history of Christian ar ------------------------------ End of alt.music.moxy-fruvous digest V14 #14465 ***********************************************