From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #14462 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Saturday, August 17 2024 Volume 14 : Number 14462 Today's Subjects: ----------------- Transform Your Cooking Experience ["Haarko knife" Subject: Transform Your Cooking Experience Transform Your Cooking Experience http://audioatom.ru.com/pqY_7ook3ExBrkFmcaL1qRwOyDgNecVYCfPMuzBUJxs1pXDJsQ http://audioatom.ru.com/TNYOsiu44Q63qEx3FJcdhLbejwB-qIuyHUU9-WRC1YPL0PPBKQ el altars emerged in Italy during the 13th century, and until the Renaissance were generally the largest and most significant type of panel painting. In the 13th century, it was not uncommon to find frescoed or mural altarpieces in Italy; mural paintings behind the altar served as visual complements for the liturgy. These altarpieces were influenced by Byzantine art, notably icons, which reached Western Europe in greater numbers following the conquest of Constantinople in 1204. During this time, altarpieces occasionally began to be decorated with an outer, sculptured or gabled structure with the purpose of providing a frame for individual parts of the altarpiece. Vigoroso da Siena's altarpiece from 1291 (pictured) is an example. This treatment of the altarpiece would eventually pave the way for the emergence, in the 14th century, of the polyptych. The sculpted elements in the emerging polyptychs often took inspiration from contemporary Gothic architecture. In Italy, they were still typically executed in wood and painted, while in northern Europe altarpieces were often made of stone. In the early 14th century, the winged altarpiece emerged in Germany, the Low Countries, Scandinavia, the Baltic region and the Catholic parts of Eastern Europe. They spread to France, but remained rare in Italy. By hinging the outer panels to the central panel and painting them on both sides, the subject could be regulated by opening or closing the wings. The pictures could thus be changed depending on liturgical demands. The earliest often displayed sculptures on the inner panels (i.e., displayed when open) and paintings on the back of the wings (displayed when closed). With the advent of winged altarpieces, a shift in imagery also occurred. Instead of being centred on a single holy figure, altarpiece ------------------------------ Date: Fri, 16 Aug 2024 22:06:09 +0200 From: "Myron" Subject: FINAL Notice: You guide to working out from home... FINAL Notice: You guide to working out from home... http://javaburrn.rest/LfFS2dKBJ31foLXItx7dHr8LcEEEdmvwhfIf04XK3BxUa-KwyQ http://javaburrn.rest/BfHC8x7TDoYe5TD1Bh5o90SXlhMgfruPB_a6vn2HbRfci1QcMA inally scheduled to make her debut at the Metropolitan Opera in the role of Olympia in The Tales of Hoffmann. However, this performance never happened, and she ultimately made her debut as Frasquita in Georges Bizet's Carmen with Florence Easton in the title role in November 1924. She returned to the Met in January 1925 as one of the pages in TannhC$user, and again in March 1925 to perform the role of Siebel in Charles Gounod's Faust with Armand Tokatyan in the title role. She also sang in multiple concert events at the Metropolitan Opera House during both the 1924-1925 and 1925-1926 opera seasons. In February 1925 Ruth made her Boston recital debut at the Boston Athletic Association. In June 1925 she joined a touring variety musical revue that also starred the Two Black Crows and W. C. Fields. In late July and August 1925 she performed the title roles in Friedrich von Flotow's Martha and Herbert's Naughty Marietta at the St. Louis Municipal Opera. with tenor Ralph Errolle as her love interest in both. In August 1925 she performed with conductor Edwin Franko Goldman and his band in a concert at New York University. In October 1925 she performed once against at the Maine Festival. That same month she gave a recital at Aeolian Hall with her repertoire including the Mad Sce ------------------------------ End of alt.music.moxy-fruvous digest V14 #14462 ***********************************************