From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #14456 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, August 15 2024 Volume 14 : Number 14456 Today's Subjects: ----------------- Drop four to eight dress sizes with this 3 second red tingle hack? ["Your] ---------------------------------------------------------------------- Date: Thu, 15 Aug 2024 18:19:29 +0200 From: "Your Waistline" Subject: Drop four to eight dress sizes with this 3 second red tingle hack? Drop four to eight dress sizes with this 3 second red tingle hack? http://marineflex.shop/6G_fuDrPyHxLe-uKsuXbYObYa8-tsxQH6swjfc9qfzFsgUdC7Q http://marineflex.shop/1jD0dFPGCoM7i4BjSOovRs3I2UnX-wgdbh3ydof04XHryEQmPg ries of large Christian churches being built, the altar tended to be further forward (towards the congregation) in the sanctuary than in the later Middles Ages (a position to which it returned in the 20th century) and a large altarpiece would often have blocked the view of a bishop's throne and other celebrants, so decoration was concentrated on other places, with antependiums or altar frontals, or the surrounding walls. Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the development of altarpieces are not generally agreed upon. The habit of placing decorated reliquaries of saints on or behind the altar, as well as the tradition of decorating the front of the altar with sculptures or textiles, preceded the first altarpieces. In the Romanesque period, painted altar frontals on panel seem to have been a common alternative location for paintings. Few survive, though small Catalonian churches preserved several, many now in the Museu Nacional d'Art de Catalunya in Barcelona. The development of altarpieces may have begun at the altars of side chapels, typically engaged with the wall behind, rather than at freestanding main altars. Many early altarpieces were relatively simple compositions in the form of a rectangular panel decorated with series of saints in rows, with a central, more pronounced figure such as a depiction of Mary or Christ. An elaborate example of such an early altarpiece is the metal and enamel Pala d'Oro in Venice, extended in the 12th century from an earlier altar frontal. The appearance and development of these first altarpieces marked an important turning point both in the history of Christian ar ------------------------------ End of alt.music.moxy-fruvous digest V14 #14456 ***********************************************