From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #14449 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, August 15 2024 Volume 14 : Number 14449 Today's Subjects: ----------------- Reignite Your Youthful Metabolism and Lose 78 lbs ["Menopause Weight Gain] My family nearly got rid of me ["True Story" ] ---------------------------------------------------------------------- Date: Thu, 15 Aug 2024 09:55:04 +0200 From: "Menopause Weight Gain" Subject: Reignite Your Youthful Metabolism and Lose 78 lbs Reignite Your Youthful Metabolism and Lose 78 lbs http://neotonic.ru.com/AzDdt2NMkgmwnhlxfYPa4zuTF0almMaWxoMTMamn7PebhBrg http://neotonic.ru.com/3l9YqUJDInwVctffEJzzsLNzGtA0triPMMluokK9098gEvzd ough de Leon continued to do movies alongside his showbiz teammates Tito and Vic, he started doing solo performances for other TV shows. He top billed Joey and Son in 1982, a sitcom on RPN where he played father to a young boy named "Jeffrey Laperal" played back then by Ian Veneracion. He was also one of the gag performers on TODAS where his co-stars included Jimmy Santos and Val Sotto. Other TV shows included Apple Pie, Patis, Atbp., the Sharon Cuneta Show, and Let's Go Crazy. He was launched by Viva Films as a solo comedian in She-Man: Mistress of the Universe. He also tried his hand at directing films like Romeo Loves Juliet and Small, Medium, Large. De Leon's films include Starzan. De Leon did several TV shows for GMA Network and ABC. In 1995, he made a film comeback via the comedy Bangers for Viva Films as well as Pipti-pipti, Ang Tipo kong Lalake and Takot Ako sa Darling Ko. He hosts Eat Bulaga! which is now the longest-running TV program in the Philippines, and appears in other shows like Mel and Joey, Startalk, Nuts Entertainment and started a new show for ABC, the now-defunct Teka Mona, which replaced Wow Mali, his long-running TV show on the same network. He started hosting Takeshi's Castle with Ryan Yllana. He is also the resident judge of the annual reality-based star search StarStruck and writes the entertainment column "De Leon's Den" once a week in the Philippine broadsheet Manila Bulletin. In December 2006, de Leon returned to recording with a novelty song he wrote titled "Itaktak Mo" ("Shake It Off"). Seen by critics as his answer to the other wild ------------------------------ Date: Thu, 15 Aug 2024 11:37:06 +0200 From: "True Story" Subject: My family nearly got rid of me My family nearly got rid of me http://airline.bar/0a5onGxBQ7s8teWygQD0o5NNRt5Piins23rK_xH3QEAevGo6xg http://airline.bar/uVaFEZIESopQ1DQcRehfYnTSXMmosws8SqIUYWrq-ydcLZ5hmg nturies of large Christian churches being built, the altar tended to be further forward (towards the congregation) in the sanctuary than in the later Middles Ages (a position to which it returned in the 20th century) and a large altarpiece would often have blocked the view of a bishop's throne and other celebrants, so decoration was concentrated on other places, with antependiums or altar frontals, or the surrounding walls. Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the development of altarpieces are not generally agreed upon. The habit of placing decorated reliquaries of saints on or behind the altar, as well as the tradition of decorating the front of the altar with sculptures or textiles, preceded the first altarpieces. In the Romanesque period, painted altar frontals on panel seem to have been a common alternative location for paintings. Few survive, though small Catalonian churches preserved several, many now in the Museu Nacional d'Art de Catalunya in Barcelona. The development of altarpieces may have begun at the altars of side chapels, typically engaged with the wall behind, rather than at freestanding main altars. Many early altarpieces were relatively simple compositions in the form of a rectangular panel decorated with series of saints in rows, with a central, more pronounced figure such as a depiction of Mary or Christ. An elaborate example of such an early altarpiece is the metal and enamel Pala d'Oro in Venice, extended in the 12th century from an earlier altar frontal. The appearance and development of these first altarpieces marked an important turning point both in the history of Christian art as well as Christian religious practice. It was considered a "significant development" because of its impact on the "nature and function of the Christian image...the autonomous image now assumed a legitimate position at the ce ------------------------------ End of alt.music.moxy-fruvous digest V14 #14449 ***********************************************