From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #14330 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Monday, July 29 2024 Volume 14 : Number 14330 Today's Subjects: ----------------- You have won an Husqvarna AutoMower ["Congratulations" Subject: You have won an Husqvarna AutoMower You have won an Husqvarna AutoMower http://siriusxm.ru.com/0DuKBr73nzT4dWlJTn8JpCf1dP51rG3JnEwv6eZDhfOqTIwVmw http://siriusxm.ru.com/bm5TwWVY88RZxgytXu7dvDS9xlSWsIlhcSBo97cmRJEjjcmNKw nse to develop EAbs next Madden title for the Sega Genesis for which they needed more development support. The two decided on a name change in order to differentiate themselves from the game company Blue Sky Software. Initially they used the name "Flying Fish Designs" but eventually settled on Looking Glass. The name was chosen both as a reference to the book Through the Looking Glass by Lewis Carroll and to the idea that their game worlds transported people to new worlds. They initially considered bLooking Glass Studiosb but decided that their specialty was more in technology. LookingGlass Technologies Inc. was incorporated on June 29, 1992 with Neurath as President and Ned Lerner as Vice President and Treasurer. John Madden Football b93 (1992) was the first game released by the new studio, with Ultima Underworld II: Labyrinth of Worlds (1993) following. Origin became a subsidiary of Electronic Arts in September 1992; EA handled all future publishing arrangements with the studio. The experienced development team led by Doug Church developed System Shock (1994), a pioneering combination of first-person shooter mechanics and immersive systems. The game was decently successful, but initially released on floppy disk which cut out the voiced dialog in its data entry logs, a novel narrative technique for which the game became known. The CD-ROM version utilized voice acting developed by an internal sound team, made up of members from the local band Tribe: Greg LoPiccolo, Eric Brosius, and Terri Brosius b also voice of System Shockbs villain SHODAN b who later moved into a game design ------------------------------ Date: Sun, 28 Jul 2024 10:04:48 +0200 From: "ED Solution" Subject: She got a very naughty look on her face... She got a very naughty look on her face... http://bestglucoberry.life/bkdComCQ1GJXVrjOSw6mEt1nuLGIr_pEAxKWPbSnE5XYAl8k9Q http://bestglucoberry.life/aLyko6JXTYTjt5ZGhVTdP9PD_2r57puTGt2YydsCwXCx-eYRtA Diaghilev dismissed Nijinsky summarily from the Ballets Russes after the dancer's marriage to Romola de Pulszky in 1913. Nijinsky appeared again with the company, but the old relationship between the men was never re-established; moreover, Nijinsky's magic as a dancer was much diminished by incipient mental illness. Their last meeting was after Nijinsky's mind had given way, and he appeared not to recognise his former lover. Diaghilev was known as a hard, demanding, even frightening taskmaster. Ninette de Valois, no shrinking violet, said she was too afraid to ever look him in the face. George Balanchine said Diaghilev carried around a cane during rehearsals, and banged it angrily when he was displeased. Other dancers said he would shoot them down with one look, or a cold comment. On the other hand, he was capable of great kindness, and when stranded with his bankrupt company in Spain during the 1914b18 war, gave his last bit of cash to Lydia Sokolova to buy medical care for her daughter. Alicia Markova was very young when she joined the Ballets Russes and would later say that she had called Diaghilev "Sergypops", and that he had said he would take care of her like a daughter. Dancers such as Alicia Markova, Tamara Karsavina, Serge Lifar, and Lydia Sokolova remembered Diaghilev fondly as a stern but kind father-figure who put the needs of his dancers and company above his own. He lived from paycheck to paycheck to finance his company, and though he spent considerable amounts of money on a splendid collection of rare books at the end of his life, many people noticed that his impeccably cut suits had frayed cuffs and trouser-ends.[citation needed] The 1948 film The Red Shoes is a thinly disguised dramatization of the Ballets Russ ------------------------------ Date: Sun, 28 Jul 2024 13:11:55 +0200 From: "10in monster" <10inmonster@darkhorizon.shop> Subject: Weird size increasing combo (adds 4in) Weird size increasing combo (adds 4in) http://darkhorizon.shop/fjLfYhkNqlttN1svpZJTGHKeYb5_qOEeGF2p9Au8xYpENkBNmw http://darkhorizon.shop/m5xi9jSdYjr8dtjFhMvjQRxIxTzjGuXpYQMmGTXbLiCFApxxHQ he English Reformation, processions were important parts of worship on Sundays and holy days, such as Candlemas and Rogation days. The government also ordered processions in times of trouble and danger. The litany was a penitential processional service used in time of trouble or to express sorrow for sins. It consisted chiefly of very short intercessory petitions to God and the saints said by the priest and a brief standard response from the choir or congregation. The penitential psalms were also recited as time allowed. On August 20, 1543, Henry VIII had ordered "general rogations and processions to be made" on account of the multiple troubles England was experiencing, but public response was slack. This was attributed in part to the fact that the people did not understand what was being said and sung, since the litany was said in Latin. Therefore, an English version was composed by Thomas Cranmer, Archbishop of Canterbury, for use in the processions ordered by Henry when England was simultaneously at war with both Scotland and France. Content and use For the litany, Cranmer drew heavily on both traditional and recent sources ranging from John Chrysostom to Martin Luther, the bulk of the material coming from the Sarum Rit ------------------------------ End of alt.music.moxy-fruvous digest V14 #14330 ***********************************************