From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #13928 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Saturday, May 18 2024 Volume 14 : Number 13928 Today's Subjects: ----------------- This sex position kills your erection ["Erectile Dysfunction" ] ---------------------------------------------------------------------- Date: Sat, 18 May 2024 13:22:27 +0200 From: "Erectile Dysfunction" Subject: This sex position kills your erection This sex position kills your erection http://leanbliss.sa.com/lE-LsYdruVQINt8NpP-D8zHg0iI3xDpqNfXjDBOKpc9ZiwhTgA http://leanbliss.sa.com/PSdEVLRH9kucwyl9B1cQD1vs9W3oDgbSE7pVRZY5BbkXJo8Nng ousehold. Rabha was fifteen when she was married to her husband, a farmer with whom she had three children. In 1985, her mentally ill eldest son, Dharmeswar, suffered from a bout of typhoid, leading Rabha and her husband to take him to a village quack. They were told that he had been possessed by and had married a fairy, who was pregnant with his child and that as soon as this child was born he would die. According to the quack, Dharmeswar had only three days to live. However, he eventually recovered, living long after his diagnosis. After this incident, Rabha realised that the superstitions that led to the diagnosis of her son were baseless and stopped visiting quacks, who she believed were frauds. Activism Initially, Rabha formed the Thakurvila Mahila Samity, a women's association raising awareness of various social ills, including witch-hunting in her local village, and later in 2006, became involved in the Assam Mahila Samata Society. In 2011, she founded Mission Birubala; a non-profit organisation made up of a network of social activists, survivors and lawyers; which aims to educate and spread awareness against witch-hunting, as well as support and protect survivors and potential victims of witch hunts across the state of Assam. Despite facing ridicule and attacks from those who defend the belief in witches, and being subjected to accusations of witchcraft herself, Rabha frequently spoke out against witch-branding and hunting at meetings, organised awareness camps and taught school lessons denouncing the practice. She also rescued over thirty-five women branded as witches in the last decade of her life. In 2015, the activist's campaigning prompted the Assamese government to pass The Assam Witch Hunting (Prohibition Prevention and Protection) Act, which many consider to be India's toughest anti-witch-hunti ------------------------------ Date: Sat, 18 May 2024 09:30:30 +0200 From: "URGENT Notification" Subject: Leave your feedback and you could WIN! Leave your feedback and you could WIN! http://vitafarmpro.za.com/KGLKLmpyTvrPR8Pj5TNMXyUCDpbZvW2JuvJ0Uc9iQKC_QiOaRQ http://vitafarmpro.za.com/A2xczutmqfKURNL2ou9VixHYpPVfOvHj6VGrPQu4kCpPReDAwA ot available to pilots of heavier-than-air craft in the RFC b nor were they used by the RAF during the First World War b although the Calthrop Guardian Angel parachute (1916 model) was officially adopted just as the war ended. By this time parachutes had been used by balloonists for three years.[verification needed] On 17 August 1917, South African General Jan Smuts presented a report to the War Council on the future of air power. Because of its potential for the 'devastation of enemy lands and the destruction of industrial and populous centres on a vast scale', he recommended a new air service be formed that would be on a level with the Army and Royal Navy. The formation of the new service would also make the under-used men and machines of the Royal Naval Air Service (RNAS) available for action on the Western Front and end the inter-service rivalries that at times had adversely affected aircraft procurement. On 1 April 1918, the RFC and the RNAS were amalgamated to form a new service, the Royal Air Force (RAF), under the control of the new Air Ministry. After starting in 1914 with some 2,073 personnel, by the start of 1919 the RAF had 4,000 combat aircraft and 114,000 personnel in some 150 squadrons. Origin and early history Royal Flying Corps Sweetheart Brooch With the growing recognition of the potential for aircraft as a cost-effective method of reconnaissance and artillery observation, the Committee of Imperial Defence established a sub-committee to examine the question of militar ------------------------------ Date: Sat, 18 May 2024 11:04:00 +0200 From: "Vivian" Subject: Get in shape without ever leaving home... Get in shape without ever leaving home... http://sugardefendersss.shop/iJ2uHCRqWNbMtrUJAX-OcJHYJwjsJYqppO6ZC6ejpLqucNW2 http://sugardefendersss.shop/rHXcLDLhuWm8kW1zfOSSS9djCsqpYsmqMhXNPy1_XfAnpbaa In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masquC) (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of FaurC) and, particularly, Chabrier's L'C toile. FaurC), by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masquC) and wrote to Messager, "Your wit is the same as always b it never grows old b and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". FaurC) died the following year, and Messager dedicated the music of Deburau to his memory. In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les FC"cheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b ------------------------------ Date: Sat, 18 May 2024 09:18:38 +0200 From: "Reflex Mastercard" Subject: Less Than Perfect Credit? Still Apply, We May Approve You! Look inside! New Credit Card may be available here. Less Than Perfect Credit? Still Apply, We May Approve You! Look inside! 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The Master of the Ordnance came into being in 1415 with the appointment of Nicholas Merbury by Henry V. The Office of Ordnance was created by Henry VIII in 1544 and became the Board of Ordnance in 1597. Its head was the Master-General of the Ordnance; his subordinates included the Lieutenant-General of the Ordnance and the Surveyor-General of the Ordnance. Before the establishment of a standing army or navy, the Ordnance Office was the only permanent military department in England. In 1764 it established the British standard ordnance weights and measurements for the artillery, one of the earliest standards in the world. The position of Master-General was frequently a cabinet-level one, especially in the late 18th and early 19th centuries, when it was normally a political appointment. In 1855 the post was discontinued and certain of the ceremonial aspects of the post were subsequently vested in the Commander-in-Chief of the Forces. In 1904, the post was re-established, and until 1938 the Master-General of the Ordnance was the Fourth Military Member of the Army Board. In 1913, the control of military aviation was separated from the responsibilities of the Master-General of the Ordnance. A new Department of Military Aeronautics was established and Brigadier-General Henderson was appointed the first director. In March 2013, the holder was titled as "Director Land Capability and Transfo ------------------------------ Date: Sat, 18 May 2024 11:12:56 +0200 From: "Wonda" Subject: Why workout from home? Why workout from home? http://sugardefendersss.shop/vhQ4DVYRdL6tQWXE0cz5P4cvIUAdGGTs5l6uFsz_bJUpE9pu http://sugardefendersss.shop/AWYhthM9qmvYk3aNuiL1d0rVMnviF9bZLkTeFk_NXwoXYho7XA In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masquC) (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of FaurC) and, particularly, Chabrier's L'C toile. FaurC), by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masquC) and wrote to Messager, "Your wit is the same as always b it never grows old b and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". FaurC) died the following year, and Messager dedicated the music of Deburau to his memory. In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les FC"cheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b ------------------------------ End of alt.music.moxy-fruvous digest V14 #13928 ***********************************************