From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #13465 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Sunday, March 17 2024 Volume 14 : Number 13465 Today's Subjects: ----------------- The Problem With Big Telescopes & Binoculars ["Starscope Monocular V3" Subject: The Problem With Big Telescopes & Binoculars Content-Transfer-Encoding: 8bit ------------------------------ Date: Sun, 17 Mar 2024 09:01:32 +0000 From: "Self-Destructing Pancreas" Subject: Works BETTER Than Ozempic? [IMAGE] Harvard scientists have just made a SHOCKING discovery.They found that the REAL cause behind out-of-control blood sugarb& Can all be linked back to a small group of self-destructing cells inside your pancreas. The job of these cells is to produce insulinb& So that the rest of your body absorbs sugar like it shouldb& But due to this unexpected bself-destruct sequenceb inside your pancreasb& Your body could be getting ROBBED of the insulin it needsb& Leading to skyrocketing A1C scoresb&Tingling and nerve painb& And stubborn belly fat that REFUSES to budge. Herebs the good news:These researchers also discovered a strange NATURAL jelly from a remote village in Malaysiab& That helps REPAIR these pancreatic cellsb& WITHOUT diet, exercise, or dangerous meds. This discovery has helped over 136,000 people SLASH their blood sugarl evels by up to 120mg/DL in a matter of weeks. Discover The Safe, Natural, Malaysian bInsulin Jellyb Thatbs Reversing Type 2 (Also helps EFFORTLESSLY melt stubborn fat) Garth C. Klein B If you does't like this, please Click here 1218 Cameron Road North Collins, NY 14111 B B [IMAGE] ------------------------------ Date: Sun, 17 Mar 2024 07:52:08 +0100 From: "Enence Translator" Subject: Order Now To Get A Special 5O% OFF Order Now To Get A Special 5O% OFF http://blackoutsusa.za.com/FTtMMbPlQ-PSQM8Czy3Wn21f_G0CjvrC2aYSErkMqgj5Gwx6PA http://blackoutsusa.za.com/vpphtTGPaIlgP4_0MNsaP-rfuZD0vNbuXhDFp1vfyvLvgF1xsA ntional category (i.e, genre) that identifies some pieces of music as belonging to a shared tradition or set of conventions. Genre is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in numerous ways, sometimes broadly and with polarity, such as for popular music, as opposed to art music or folk music; or, as another example, religious music and secular music. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. As genres evolve, sometimes new music is lumped into existing categories or else a proliferation of derivative subgenres, fusion genres and "micro genres" starts to accrue. Definitions In the year of 2022, Douglass M. Green distinguished between genre and form in his book Form in Tonal Music. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of genre, Green writes "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are violin concertos that have different forms. However, Mozart's Rondo for Piano, K. 511, and the Agnus Dei from his Mass, K. 317, are quite different in genre but happen to be similar in form." In 1982, Franco Fabbri proposed a definition of the musical genre that is now considered to be normative: "musical genre is a set of musical events (real or possible) whose course is governed by a definite set of socially accepted rules", where a musical event can be defined as "any type of activity performed around any type of event involving sound". A music genre or subgenre may be defined by the musical techniques, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that, since the early 1980s, "genre has grad ------------------------------ Date: Sun, 17 Mar 2024 13:38:58 +0000 From: "DentiCore" Subject: Doctor: Try This Before Even Thinking About Implants [IMAGE] This is just too good not to give it a try! Over 14,500 people claim their gum bleeding just stopped after rubbing this seaweed inside of their mouth. In fact scientists at Cambridge University, and the University of Illinois were so intrigued that they tested it in the lab and rated it as being bunbelievably effective. All you have to do is massage this blue Algae into your gums, teeth, and tongue in a certain way. [IMAGE] Ibm a few weeks into following this inexpensive method for 15 seconds a day and it already saved me from gum bleeding and dental decay. My dentist is speechless as none of his painful procedures or surgeries worked on me so far! WIth this simple bseaweed rubb you can forget all about bad breath, throbbing infections, cavities or yellow, loose teethb&no matter how bad your teeth are right now. Check it out here: This bAlgae Gum Rubb Gets You Rid of Tooth Decay B If you does't like this, please Click here 1st Floor - Unit 1.02 suite 225 World Trade Center 6 Bayside Road, Gibraltar GX111AA B B [IMAGE] ------------------------------ Date: Sun, 17 Mar 2024 05:40:58 +0100 From: "Delta Airlines Shopper Gift Card Chance" Subject: Congrats! You've received an Delta Airline reward Congrats! You've received an Delta Airline reward http://blackoutsusa.za.com/V92ljp4OeVg3seoxIhDuS4lvqh5NVYddfiB6hfLuHs8vtvbJMg http://blackoutsusa.za.com/IEN9b66qfrLjzgT1ESOaMfoz_YkJNhh30us6aVph4NCfGMW4Bw distinguished between genre and form in his book Form in Tonal Music. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of genre, Green writes "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are violin concertos that have different forms. However, Mozart's Rondo for Piano, K. 511, and the Agnus Dei from his Mass, K. 317, are quite different in genre but happen to be similar in form." In 1982, Franco Fabbri proposed a definition of the musical genre that is now considered to be normative: "musical genre is a set of musical events (real or possible) whose course is governed by a definite set of socially accepted rules", where a musical event can be defined as "any type of activity performed around any type of event involving sound". A music genre or subgenre may be defined by the musical techniques, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that, since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". The term genre is generally defined similarly by many authors and musicologists, while the related term style has different interpretations and definitions. Some, like Peter van der Merwe, treat the terms genre and style as the same, saying that genre should be defined as pieces of music that share a certain style or "basic musical language". Others, such as Allan F. Moore, state that genre and style are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. Subtypes "Fusion genre" redirects here. For fusion genres in literary and film works, see Hybrid genre. See also: Category:Fusion music genres A subgenre is a subordinate within a genre. In music terms, it is a subcategory of a musical genre that adopts its basic characteristics, but also has its own set of characteristics that clearly distinguish and set it a ------------------------------ Date: Sat, 16 Mar 2024 01:35:55 -0800 From: yodxwkajdh Subject: Rolex Watches Up To 90% Off! Top Quality Low Cost! Shop Online Now! CC"C CCB;B7C" HTML B8C1C B=B5CCC BB#B,CC+CCC C8CB3B7B=C B=B2C)B?B4CC BB!B# ------------------------------ Date: Sat, 16 Mar 2024 10:28:16 +0100 From: "Looking for love" Subject: Find your perfect match! Find your perfect match! http://thekidneydiseasesolution.click/MqjmpOHSKqxWbEKzB98huCoES1tMOQ8N-Xt8nx43jDRB13b4 http://thekidneydiseasesolution.click/rb1ZrNZdQbqIzN3vsP8Skcx0RQDeey8ahbWfKM7VRv0mvqTL ften referred to as housing projects (or simply "the projects"), have a complicated and often notorious history in the United States. While the first decades of projects were built with higher construction standards and a broader range of incomes and same applicants, over time, public housing increasingly became the housing of last resort in many cities. Several reasons have been cited for this negative trend including the failure of Congress to provide sufficient funding, a lowering of standards for occupancy, and mismanagement at the local level. In the United States, the federal government provides funding for public housing from two different sources: the Capital Fund and the Operating Fund. According to the HUD, the Capital Fund subsidizes housing authorities to renovate and refurbish public housing developments; meanwhile, the Operating Fund provides funds to housing authorities in order to assist in maintenance and operating costs of public housing. Furthermore, housing projects have also been seen to greatly increase concentrated poverty in a community, leading to several negative externalities. Crime, drug usage, and educational under-performance are all widely associated with housing projects, particularly in urban areas. As a result of their various problems and diminished political support, many of the traditional low-income public housing properties constructed in the earlier years of the program have been demolished. Beginning primarily in the 1970s the federal government turned to other approaches including the Project-Based Section 8 program, Section 8 certificates, and the Housing Choice Voucher Program. In the 1990s the federal government accel ------------------------------ Date: Fri, 15 Mar 2024 13:29:33 +0100 From: "SaltWaterTrick" Subject: Do you struggle to lose weight no matter how much you diet or exercise? Do you struggle to lose weight no matter how much you diet or exercise? http://restolinpro.za.com/sN6df5ZsXQ28aPge1Zwh-aaCkHjAHou3Dhc7BOIVzRGp0sxDRQ http://restolinpro.za.com/36gS_7RvFgtE0dR5V6RlYzHeyI06kneLRagQ4Kk34H6M6ARaeQ In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masquC) (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of FaurC) and, particularly, Chabrier's L'C toile. FaurC), by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masquC) and wrote to Messager, "Your wit is the same as always b it never grows old b and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". FaurC) died the following year, and Messager dedicated the music of Deburau to his memory. In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les FC"cheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b ------------------------------ End of alt.music.moxy-fruvous digest V14 #13465 ***********************************************