From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #13361 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Saturday, March 2 2024 Volume 14 : Number 13361 Today's Subjects: ----------------- Help Us Serve You Better: Complete Our KFC Survey! ["KFC Customer Experie] Your Feedback Matters: Participate in Our KFC Survey Today! ["KFC Custome] Discover the Secret to Quick Pain Relief Try This 11-Second Ritual! ["Pai] Compare Bath Remodel Quotes ["Bathandshowerpros.com Professionals" Subject: Help Us Serve You Better: Complete Our KFC Survey! Help Us Serve You Better: Complete Our KFC Survey! http://provaslim.za.com/JqmQO4wuE8WBFW0aMckeyyaTmzmyeQnGmC8vzc4qgVdbbCLE-g http://provaslim.za.com/7hYtqlEnsDqf0b5SVlInstMAAVyjCt9idTU3clYkCpPD3Pvxpw is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings. Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art visitors spent the most time with during their visit to the gallery. Background Faeces produced by Cloaca The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.:?217? The first working installation was shown in 2000. The title of series the refers to the Roman sewage sys ------------------------------ Date: Sat, 2 Mar 2024 08:34:34 +0100 From: "KFC Customer Satisfaction Team" Subject: Your Feedback Matters: Participate in Our KFC Survey Today! Your Feedback Matters: Participate in Our KFC Survey Today! http://provaslim.za.com/g0QTbn2HNwlm1OEVfMx-7s3FyFutEyM7u18DTfKrkTH9UPzW4A http://provaslim.za.com/qi97yjzCnx5iMCvR_q6q7S_1ExchsgoiB9d2fCTSB2Syf2USMg is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings. Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art visitors spent the most time with during their visit to the gallery. Background Faeces produced by Cloaca The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.:?217? The first working installation was shown in 2000. The title of series the refers to the Roman sewage sys ------------------------------ Date: Fri, 1 Mar 2024 17:06:22 +0100 From: "Pain Relief" Subject: Discover the Secret to Quick Pain Relief Try This 11-Second Ritual! Discover the Secret to Quick Pain Relief Try This 11-Second Ritual! http://septifix.best/qMpoX-4k2jPqJjCW5L_jBoP162bR2sFEWqjddkmP-pglH_P6kA http://septifix.best/dKMCWpejy4DPV-HV7FNLuKsumE98n8eOQj05NvTUl1YHBVskKA is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings. Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art visitors spent the most time with during their visit to the gallery. Background Faeces produced by Cloaca The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.:?217? The first working installation was shown in 2000. The title of series the refers to the Roman sewage sys ------------------------------ Date: Fri, 1 Mar 2024 11:44:29 +0000 From: "Bathandshowerpros.com Professionals" Subject: Compare Bath Remodel Quotes Content-Transfer-Encoding: 8bit ------------------------------ Date: Fri, 1 Mar 2024 15:44:26 +0100 From: "Nail Infection" Subject: Sacred African trick destroys toenail fungus in no time Sacred African trick destroys toenail fungus in no time http://sonosfits.shop/0T62mSBOvo2QdDbFW9DGAv8L-fcQWiw4LEiZKcfEstpYUIa_vw http://sonosfits.shop/MC1bfgLYBbZqIBkJ7VUzh2PmB8YpOUk6hE3IL7X3lPXXp1DfzA outh and west by the Pacific Ocean; to the southeast by Guatemala, Belize, and the Caribbean Sea; and to the east by the Gulf of Mexico. Mexico covers 1,972,550 km2 (761,610 sq mi), making it the world's 13th-largest country by area; with a population of almost 130 million, it is the 10th-most-populous country and has the most Spanish speakers. Mexico is organized as a federal republic comprising 31 states and Mexico City, its capital. Human presence in Pre-Columbian Mexico goes back to 8,000 BCE. It became one of the world's six cradles of civilization. The Mesoamerican region was home to many intertwined civilizations, including the Olmec, Maya, Zapotec, Teotihuacan, and Purepecha. The Aztecs dominated the region in the century before European contact. In 1521, the Spanish Empire and its indigenous allies conquered the Aztec Empire from its capital Tenochtitlan (now Mexico City), establishing the colony of New Spain. Over the next three centuries, Spain and the Catholic Church expanded the territory, enforced Christianity and spread the Spanish language. With the discovery of rich deposits of silver in Zacatecas and Guanajuato, New Spain became one of the most im ------------------------------ Date: Sat, 2 Mar 2024 09:22:12 +0000 From: "Hyperbolic Stretching" Subject: Strange Routines Make You Do Full Splits Content-Transfer-Encoding: 8bit ------------------------------ Date: Sat, 2 Mar 2024 09:54:55 +0100 From: "Jason Hanson" Subject: Escaping Bidenās $4.7 Trillion Tax Hunt Escaping Bidenbs $4.7 Trillion Tax Hunt http://constislim.best/yfWUGZvx15I7tPVs1o8Mhzs_ThEU9RuH9lGhvlVwz6dr0Na-yQ http://constislim.best/Z6OCzuoLe5_ZrMGDT3wC_UPB799V5viKLKt8Jzv4jCny_pGo is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings. Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art visitors spent the most time with during their visit to the gallery. Background Faeces produced by Cloaca The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.:?217? The first working installation was shown in 2000. The title of series the refers to the Roman sewage sys ------------------------------ Date: Fri, 1 Mar 2024 12:05:37 +0100 From: "Jason Hanson" Subject: Escaping Bidenās $4.7 Trillion Tax Hunt Escaping Bidenbs $4.7 Trillion Tax Hunt http://diabacorenaganotonic.best/f-RrqvP1no5IsejBTCr92tVcjc-Vi6jFkL5TpXV2IVC0FFR69w http://diabacorenaganotonic.best/-SfY1LRVd-8q0pXaioZ-mFM_MICRlzjOiaQZ6dqUOs_Y3UD_Cw is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings. Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art visitors spent the most time with during their visit to the gallery. Background Faeces produced by Cloaca The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.:?217? The first working installation was shown in 2000. The title of series the refers to the Roman sewage sys ------------------------------ Date: Fri, 1 Mar 2024 17:01:55 +0100 From: "Mistakes In Crisis" Subject: Why Civil War Is Possible and Terrifying... Why Civil War Is Possible and Terrifying... http://funguselixir.za.com/kfV-_qQE5JRTsq5R9UYPDM3vFVWPn_0cKgsif79a0YTIAjXSbQ http://funguselixir.za.com/7jj38RAwyTfzBYCBSHwFrFQSy5EBaBPRlekl4iNScJAd86jrNQ LB). In 346 career games, he pitched to a 154b165 winbloss record with 295 complete games. Baldwin set the single-season MLB wild pitches record with 83 that still stands today. Born in Pittsburgh, Pennsylvania, Baldwin made his professional debut for a Cumberland, Maryland team in 1883. Though signed by Chicago White Stockings president Albert Spalding to pitch against the St. Louis Browns in the 1886 World Series, Baldwin did not play after the Browns objected. He made his MLB debut for the White Stockings in 1887, when a writer for the Oshkosh Daily Northwestern called him the "swiftest pitcher in the National League" (NL). Released by Chicago playerbmanager Cap Anson, he signed with the Columbus Solons of the American Association (AA) in 1889, where he led the league in innings pitched (513+2?3), losses (34), strikeouts (368), and walks (274). In 1889, Baldwin, described as "intelligent and outspoken", recruited players for the Chicago Pirates of the Players' League (PL). Baldwin played for Chicago and finished the year as the PL leader in games played as a pitcher (58), innings pitched (492), wins (33), strikeouts (206), complete games (53), and walks (249), as the Pirates finished fourth in the league, ten games behind the first-place Boston Reds. A PL historian has described him as a star of the league. Back in the NL, he signed with the Pittsburgh Pirates, where he played from 1891 to 1893. Baldwin was arrested after the Homestead strike in 1892 and charged with aggravated riot, but never ------------------------------ Date: Sat, 2 Mar 2024 08:58:33 +0100 From: "Survey Team at True Value" Subject: Your Feedback Matters: Take Our True Value Survey Today! Your Feedback Matters: Take Our True Value Survey Today! http://pharmabrain.za.com/BzISlAaqJuNb0TtP5G4N9eA3rGIOT5g8EMF1t8mOYL39qdXt http://pharmabrain.za.com/U0hGnw-krWduvbAnGtcP8att7T64zUTiqQrRygUHfl0LabcaQw such as Jiaozhou Bay, the Northern Mariana Islands, and the Caroline Islands) and became Europe's largest manufacturer. However, Wilhelm often undermined such progress by making tactless and threatening statements towards other countries without first consulting his ministers. Likewise, his regime did much to alienate itself from other great powers by initiating a massive naval build-up, contesting French control of Morocco, and building a railway through Baghdad that challenged Britain's dominion in the Persian Gulf. By the second decade of the 20th century, Germany could rely only on significantly weaker nations such as Austria-Hungary and the declining Ottoman Empire as allies. Despite strengthening Germany's position as a great power by building a powerful navy and promoting scientific innovation, Wilhelm's tactless public statements and erratic foreign policy greatly antagonized the international community and are considered by many to have substantially contributed to the fall of the German Empire. In 1914, his diplomatic brinksmanship culminated in Germany's guarantee of military support to Austria-Hungary during the July Crisis which plunged all of Europe into World War I. A lax wartime leader, Wilhelm left virtually all decision-making regarding strategy and organisation of the war effort to the German Army's Great General Staff. By August 1916, this broad delegation of power gave rise to a de facto military dictatorship that dominated the country's policies for the rest of the conflict. Despite emerging victorious over Russia and obtaining significant territorial gains in Eastern Europe, Germany was forced to relinquish all its conquests after a decisive defeat on the Western Front in the autumn of 1918. Losing the support of his country's military and many of his subjects, Wilhelm was forced to abdicate during the German Revolution of 1918b1919 which converted Germany into an unstable democratic state known as the Weimar Re ------------------------------ Date: Sat, 2 Mar 2024 11:42:52 +0100 From: "Hiloi Wellness Team" Subject: Breathe Easier Day and Night with Hiloi Breathe Easier Day and Night with Hiloi http://nervcontrol.best/vvWrSF91kntkqD6bzgfkl7cGzi0-ewJJmHxjrBxosmZgXQleXQ http://nervcontrol.best/MrAMBMrTFtktCx_KOYKswrFrjr4Ow1K45AC-NYAmVroePHsa is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings. Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art visitors spent the most time with during their visit to the gallery. Background Faeces produced by Cloaca The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.:?217? The first working installation was shown in 2000. The title of series the refers to the Roman sewage sys ------------------------------ End of alt.music.moxy-fruvous digest V14 #13361 ***********************************************