From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #13258 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Friday, February 16 2024 Volume 14 : Number 13258 Today's Subjects: ----------------- SPECIAL OFFER: Extend your membership for free ["Member Services" Subject: SPECIAL OFFER: Extend your membership for free SPECIAL OFFER: Extend your membership for free http://trixarin.best/IGbcQOMecHjvLZDBaVqv90PHTHWuYxfeR8nQ2HTA2VyQ1Odjyg http://trixarin.best/f7U1GI7wzkjwO9ez3u3TcBlenjLiJXqWurcmerQH-UXjcEkP2g alienated his subjects by using the money for his own purposes. By 1363 it was found impossible to raise the remaining ransom, and David sought its cancellation by offering to bequeath the succession to the Scottish throne to Edward III or one of his sons. In 1364, the Parliament of Scotland rejected David's proposal to make Lionel, Duke of Clarence, the next king. Despising his nephew, David sought to prevent him succeeding to his throne by marrying his mistress Margaret Drummond and producing an alternative heir. When his second wife failed to do so, David unsuccessfully attempted to divorce her. Although David spent long periods in exile or captivity, he managed to ensure the survival of his kingdom, reformed the machinery of government, and left the Scottish monarchy in a strong position. The last male of the House of Bruce, he died childless in 1371 after a reign of 41 years, and was succeeded by his nephew Robert II. Early life David II was born on 5 March 1324 at Dunfermline Abbey in Fife, one of twin sons born to King Robert the Bruce, and Elizabeth de Burgh. Soon after his birth he was wet nursed at the Bishop of St Andrews' manor at Inchmurdoch in Fife. David was created Earl of Carrick by his father in 1326, and an official household was established for the prince at Turnberry Castle. Very little is known of his youth, though it is recorded that King Robert paid for Dominican friars to educate David, and also purchased books for him. David's mother died in 1327, when he was three years old. In accordance with the Treaty of EdinburghbNorthampton's terms, on 17 July 1328, when he was four years old, David was married to seven-year-old Joan, the daughter of Edward II of England and Isabella of France, at Berwick Castle. The yo ------------------------------ Date: Fri, 16 Feb 2024 10:39:54 +0100 From: "Package Notification" Subject: [FNAME] We missed you - schedule your next delivery date [FNAME] We missed you - schedule your next delivery date http://backtovision.best/0nKN4QmMSQRa0fPNm77AIiblAWQGIEB0BSIzo6nmHmPbSB85xw http://backtovision.best/XpUX9xI2prsc1mu9N6ZK8dTFXRHMoUU5ieoVA33_AvRPDccGZg Diaghilev made Boris Kochno his secretary in 1920 and staged Tchaikovsky's The Sleeping Beauty in London in 1921; it was a production of remarkable magnificence in both settings and costumes, but, despite being well received by the public, it was a financial disaster for Diaghilev and Oswald Stoll, the theatre-owner who had backed it. The first cast included the legendary ballerina Olga Spessivtseva and Lubov Egorova in the role of Aurora. Diaghilev insisted on calling the ballet The Sleeping Princess. When asked why, he quipped, "Because I have no beauties!" The later years of the Ballets Russes were often considered too "intellectual", too "stylish" and seldom had the unconditional success of the first few seasons, although younger choreographers like George Balanchine hit their stride with the Ballets Russes. The start of the 20th century brought a development in the handling of tonality, harmony, rhythm and meter towards more freedom. Until that time, rigid harmonic schemes had forced rhythmic patterns to stay fairly uncomplicated. Around the turn of the century, however, harmonic and metric devices became either more rigid, or much more unpredictable, and each approach had a liberating effect on rhythm, which also affected ballet. Diaghilev was a pioneer in adapting these new musical styles to modern ballet. When Ravel used a 5 4 time in the final part of his ballet Daphnis and Chloe (1912), dancers of the Ballets Russes sang Ser-gei-dia-ghi-lev during rehearsals to keep the correct rhythm.[citation needed] Members of Diaghilev's Ballets Russes later went on to found ballet traditions in the United States (George Balanchine) and England (Ninette de Valois and Marie Rambert). Ballet master Serge Lifar went on a technical revival at the Paris Opera Ballet, enhanced by Claude Bessy and Rudolf Nureyev in the 1980s. Lifar is credited for saving many Jewish and other minority dancers from the Nazi concentration camps during World War II. After dancin ------------------------------ End of alt.music.moxy-fruvous digest V14 #13258 ***********************************************