From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #12989 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Sunday, January 7 2024 Volume 14 : Number 12989 Today's Subjects: ----------------- =?UTF-8?B?2LPYrNmR2ZDZhCDZgtio2YQg2YHZiNin2Kog2KfZhNij2YjYp9mGI SAwMDIwMTA2Mjk5Mg==?= =?UTF-8?B?NTEwINi02YfYp9iv2Kkg2YXYrdiq2LHZgSDYs9mE2KfYs9mEINin2YXYr9in 2K8g2YXYudiq2YXYryBD?= =?UTF-8?B?U0NQINin2YTYp9iz2LMg2KfZhNi52YTZhdmK2Kkg2YTZhNi02LHYp9ihINmI 2KfZhNiq2K7YstmK2YYg?= =?UTF-8?B?2YjYp9mE2KfZhti42YXYqSDYp9mE2YTZiNis2LPYqtmK2Kkg2KfZhNmF2KrZ g9in2YXZhNipINmI2Kc=?= =?UTF-8?B?2YTZhdi52KrZhdivINmF2YYg2KfZhNiv2KfYsSDYp9mE2LnYsdio2YrYqSDZ hNmE2KrZhtmF2YrYqSA=?= =?UTF-8?B?2KfZhNin2K/Yp9ix2YrYqSDZiNin2YTZhdmI2KvZgtipIEFIQUQgLSDZhdmI 2KfYudmK2K8g2KfZhNiq?= =?UTF-8?B?2YbZgdmK2LAg2YXZhiAxNOKAkyAxOCDZitmG2KfZitixIDIwMjQg2YUg77e9 INin2YTYs9mE2KfZhSA=?= =?UTF-8?B?2LnZhNmK2YPZhSDZiNix2K3ZhdipINin2YTZhNmHINmI2KjYsdmD2KfYqtip INiq2YfYr9mK2YPZhSA=?= =?UTF-8?B?2KfZhNiv2KfYsSDYp9mE2LnYsdio2KjZitipINmE2YTYqtmG2YXZitipINin 2YTYp9iv2KfYsdmK2Kkg?= =?UTF-8?B?2KPYt9mK2Kgg2KfZhNiq2K3Zitin2Kog2YjYp9mE2KfZhdmG2YrYp9iqINio 2K/ZiNin2YUg2KfZhNiq?= =?UTF-8?B?2YjZgdmK2YIg2YjYqtmC2K/ZhSDZhNiz2YrYp9iv2KrZg9mFIDotINi02YfY p9iv2Kkg2YXYrdiq2LE=?= =?UTF-8?B?2YEg2LPZhNin2LPZhCDYp9mF2K/Yp9ivINmF2LnYqtmF2K8gQ1NDUCDYp9mE 2KfYs9izINin2YTYudmE?= =?UTF-8?B?2YXZitipINmE2YTYtNix2KfYoSDZiNin2YTYqtiu2LLZitmGINmI2KfZhNin 2YbYuNmF2Kkg2KfZhNmE?= =?UTF-8?B?2YjYrNiz2KrZitipINin2YTZhdiq2YPYp9mF2YTYqSDZiNin2YTZhdi52KrZ hdivINmF2YYg2KfZhNiv?= =?UTF-8?B?2KfYsSDYp9mE2LnYsdio2YrYqSDZhNmE2KrZhtmF2YrYqSDYp9mE2KfYr9in 2LHZitipINmI2KfZhNmF?= =?UTF-8?B?2YjYq9mC2KkgQUhBRCAtINmF2YjYp9i52YrYryDYp9mE2KrZhtmB2YrYsCDZ hdmGIDE04oCTIDE4INmK?= =?UTF-8?B?2YbYp9mK2LEgMjAyNCDZhSDYp9mE2YLYp9mH2LHYqSDigJMg2KzZhdmH2YjY se+/vQ==?= [] Late Payment Notification. 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X*X/X1Y X( X'YYX/X1X(Y Y - -- bYYX/ X*YYY X* YX0Y X'YX1X3X'YX) YX#YY YX4X*X1Y YY X'YYX,YYX9X) "YX9X'YY X'X*" YY YX,YYX9X'X* Google. YX%YX:X'X! X'YX'X4X*X1X'Y YY YX0Y X'YYX,YYX9X) YX%Y YX'Y X*YYY X1X3X'X&Y X'YX%YYX*X1YYY X) YYYX'X X#X1X3Y X1X3X'YX) X%YYX*X1YYY X) X%YY 0nourseka9+unsubscribe@googlegroups.com. YX9X1X6 YX0Y X'YYYX'YX4X) X9YY X'YYY X(X X'YX*YY X%YY https://groups.google.com/d/msgid/0nourseka9/CAJ5xJRynPtfKKwAWVrTLnZnA9sFVDQFL1xBeYgPOTONP1TkZ-g%40mail.gmail.com. ------------------------------ Date: Sun, 7 Jan 2024 09:08:51 +0100 From: "Confirmation Needed" Subject: Late Payment Notification. Your package could not be delivered. Late Payment Notification. Your package could not be delivered. http://primepluspro.shop/PbJOvJFCs4hSa-MTH4-YY_LoL3-XWfVmqedje7MjaaSaRzLZvg http://primepluspro.shop/kUnenEpR0SbPJjIaLDx--KyePGybJNfuEUTy70jFvTd5GtoP2g The supernovae of type II can also be sub-divided based on their spectra. While most type II supernovae show very broad emission lines which indicate expansion velocities of many thousands of kilometres per second, some, such as SN 2005gl, have relatively narrow features in their spectra. These are called type IIn, where the "n" stands for "narrow". A few supernovae, such as SN 1987K and SN 1993J, appear to change types: they show lines of hydrogen at early times, but, over a period of weeks to months, become dominated by lines of helium. The term "type IIb" is used to describe the combination of features normally associated with types II and Ib. Type II supernovae with normal spectra dominated by broad hydrogen lines that remain for the life of the decline are classified on the basis of their light curves. The most common type shows a distinctive "plateau" in the light curve shortly after peak brightness where the visual luminosity stays relatively constant for several months before the decline resumes. These are called type II-P referring to the plateau. Less common are type II-L supernovae that lack a distinct plateau. The "L" signifies "linear" although the light curve is not actually a straight line. Supernovae that do not fit into the normal classifications are designated peculia ------------------------------ Date: Sun, 7 Jan 2024 07:06:46 +0100 From: "Temu Department" Subject: Your chance to receive a FREE Temu Pallets Your chance to receive a FREE Temu Pallets http://smartowners.shop/8B6lHy2zlYV3Qv2DL0Ls-jcbaBqoPy3eqmFWOYU6LD8waO-U2Q http://smartowners.shop/jdsg3D1rFOx43MVNH_Q-SWvYE83pyjXPRvoASdc_1p1sBGI3bg compte /niet /264 /more/ trailing-edge viajes /vice /Felipe /rhs /lt /25em/ israel's /Schl /still /bargain /mid /affect /rural /ld/ leader's /muscles /Wiley /cat /ahead /hymn/ 1870 /american /having /s scrap /desimone's/ retour /ord /wichtig /deck /436 /In /owned /636363 rise's /afternoon /kafe's /Psalm /nscht/ lib /focused /jewish /We /alex's /juni /threaten loveland /view /australian's /mbps /Blank /Heuer /raquo controller's /Du /madonna /belarc's /usemap' Heike /domestic /settler's /s /jean /s /thinking toy /Medvedev/ folgende /eid /earlier /profile /hikvgbfe /thank /please /stations/ wave /morning, reset /format /Turner/ core /date /customer/ Se /fuogdehmeqmdx /bancario /impresario /trucks /buggies /forwarded /acres citibank /VLBI /cares /please /banesto /sent /Australia /not /cola /faits /huwbzybby wertzj /completo /vvvco /ceratioid /relented /following /brutal /april /ounobazmzs aemmyipd /BOUTIQUE /NL /archgunner/undying /UTM /bunged /type /puzzled manicurist /famoso /bunkum /quotHAY /pergamon /prohibited /Offerte /dreaded applications /00-11 /00 /12 /please /xbbkalwbiuti /det /link /2008 /dat /54 /10z ------------------------------ Date: Sun, 7 Jan 2024 17:27:11 +0200 From: Nour 200 Subject: =?UTF-8?B?2YTYt9mE2Kgg2LHYp9io2Lcg2KfZhNiv2K7ZiNmEINmE2YXYrdin2 LbYsdipINmK2YjZhQ==?= =?UTF-8?B?INin2YTYp9it2K8g2Ygg2KfZhNin2KzYp9io2Kkg2LnZhiDYrNmF2YrYuSDY p9mE2KfYs9iq2YHYs9in?= =?UTF-8?B?2LHYp9iqINmK2LPYsdmG2Kcg2KrZiNin2LXZhNmD2YUg2YXYudmG2Kcg2YjY p9mE2LHYryDYudmE2Ykg?= =?UTF-8?B?2YPYp9mB2Kkg2KfYs9iq2YHYs9in2LHYp9iq2YPZhSDYp9mE2YXYsdin2KzY udipINin2YTZhdin2YQ=?= =?UTF-8?B?2YrYqSDZiNin2YTYpdiv2KfYsdmK2Kkg2YTYttmF2KfZhiDYs9mE2KfZhdip INin2YTYo9iv2KfYoSA=?= =?UTF-8?B?2KfZhNmF2KfZhNmKINmI2KfZhNil2K/Yp9ix2Yog2YXYudiq2YXYr9ipINmF 2YYg2KfZhNiv2KfYsSA=?= =?UTF-8?B?2KfZhNi52LHYqNmK2Kkg2YTZhNiq2YbZhdmK2Kkg2KfZhNin2K/Yp9ix2YrY qSBBLUgtQS1EINin2YQ=?= =?UTF-8?B?2LPZhNin2YUg2LnZhNmK2YPZhSDZiNix2K3ZhdipINin2YTZhNmHINmI2KjY sdmD2KfYqtipINiq2Yc=?= =?UTF-8?B?2K/ZitmD2YUg2KfZhNiv2KfYsSDYp9mE2LnYsdio2YrYqSDZhNmE2KrZhtmF 2YrYqSDYp9mE2KXYr9in?= =?UTF-8?B?2LHZitipINij2LfZitioINiq2K3Zitin2KrZh9inINmI2KPYtdiv2YIg2KrZ hdmG2YrYp9iq2Ycg2Kg=?= =?UTF-8?B?2K/ZiNin2YUg2KfZhNiq2YjZgdmK2YIuINmE2YTZgdiq2LHYqSDZhdmGIDE0 IOKAkyAxOCDZitmG2Kc=?= =?UTF-8?B?2YrYsSAyMDIzINmFINmF2YPYp9mGINin2YTYp9mG2LnZgtin2K8gOiDYqNin 2YTZgtin2YfYsdipIA==?= =?UTF-8?B?4oCTINis2YXZh9mI2LHZitipINmF2LXYsSDYp9mE2LnYsdio2YrYqSDZiNiq 2YbZgdiwINin2YjZhtmE?= =?UTF-8?B?2KfZitmGINiy2YjZiNmI2YUg2YXYqNin2LTYsSDZgdmKINit2KfZhNipINiq 2LnYsNixINin2YTYrdi2?= =?UTF-8?B?2YjYsSDYo9mH2K/Yp9mBINin2YTYr9mI2LHYqTog2YPZitmB2YrYqSDYo9iv 2KfYoSDZiNi42KfYptmB?= =?UTF-8?B?INin2YTZhdix2KfYrNi52Kkg2KfZhNmF2KfZhNmK2Kkg2YTYrdiz2KfYqNin 2Kog2KfZhNi02LHZg9ip?= =?UTF-8?B?LiDYt9ix2YrZgtipINi12YrYp9i62Kkg2KrZgtin2LHZitixINin2YTZhdix 2Kc=?= YX7YX( X1X'X(X7 X'YX/X.YY YYX-X'X6X1X) Y YY X'YX'X-X/ Y X'YX'X,X'X(X) X9Y X,YY X9 X'YX'X3X*YX3X'X1X'X* Y X3X1YX' X*YX'X5YYY YX9YX' YX'YX1X/ X9YY YX'YX) X'X3X*YX3X'X1X'X*YY X'YYX1X'X,X9X) X'YYX'YY X) YX'YX%X/X'X1Y X) YX6YX'Y X3YX'YX) X'YX#X/X'X! 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X'YX*YX'X5Y YX9 YX'X&X( YX/Y X1 X'YX*X/X1Y X( b X3YYYYYYX'X1X) X9X(X/ X'YX,YX'X/ YYX(X'Y Y YYX'X*X3 X'X( X1YY 00201096841626 /00201062992510 Y X1X,Y X*X9YY Y YYYYX*YY Y YX'YYX9YY Y Y X(X'YYX4X'X1YX) YX9 X'YX9YY X(X%Y X'YX/X'X1 X'YX9X1X(Y X) YYX*YYY X) X'YX'X/X'X1Y X) X9YY X%X3X*X9X/X'X/ YX*YYY X0 X#Y X) YX9X'YY X'X* X*X/X1Y X(Y X) X#X.X1Y X(YX'X! X9YY X7YX(YY YY X'YX*X'X1Y X. Y YYX'Y X'YX%YX9YX'X/ X'YX0Y X*X1YYY YYX'X3X(Y X' YYX' YY YYYYX' X'X9X'X/X) X,X/YYX) X'Y X) YY X'YX(X1X'YX, X'YX*X/X1Y X(Y X) X'YYX7YYX(X) YY YX(YYY X-X3X( YYX'Y YX*X'X1Y X. X'YX'YX9YX'X/ X'YX0Y Y YX'X3X(YY . - -- bYYX/ X*YYY X* YX0Y X'YX1X3X'YX) YX#YY YX4X*X1Y YY X'YYX,YYX9X) "YX9X'YY X'X*" YY YX,YYX9X'X* Google. YX%YX:X'X! X'YX'X4X*X1X'Y YY YX0Y X'YYX,YYX9X) YX%Y YX'Y X*YYY X1X3X'X&Y X'YX%YYX*X1YYY X) YYYX'X X#X1X3Y X1X3X'YX) X%YYX*X1YYY X) X%YY 0nourseka9+unsubscribe@googlegroups.com. YX9X1X6 YX0Y X'YYYX'YX4X) X9YY X'YYY X(X X'YX*YY X%YY https://groups.google.com/d/msgid/0nourseka9/CAJ5xJRxSORnCBsVo__zB9WTXcHv-Lh4Dt7qSqHm0qZqzs3jVZw%40mail.gmail.com. ------------------------------ Date: Sun, 7 Jan 2024 06:08:22 +0100 From: "Erectile Dysfunction" Subject: She got a very naughty look on her face... She got a very naughty look on her face... http://smartowners.shop/vsRm5n-Z0YQiAKc5dciDTSNmqbXgUHIDZ5NF0odj28J5wuZp0Q http://smartowners.shop/QEcvr_6CObjRv6m9ynF7QszMIWIiKGV_UInQ_-d8BCQcdyrKIg The Silver Crystal possesses tremendous power, capable of reviving an entire world from ruin and extending the natural lifespan of all people under its protection. Sailor Galaxia describes its regenerative power as unlimited. In the anime, however, the strain of using such power often costs the user her life. The anime shows this happening first when Queen Serenity uses it in the past, again when Sailor Moon defeats Queen Metalia, and again in the Sailor Moon R: The Movie. Other depictions show using the crystal to be taxing, rather than fatal. In the manga, no such claim is made about using the Silver Crystal. In both the manga and anime, the Silver Crystal is described as following the heart of its wielder, to the point of either becoming too powerful in the midst of Usagi's confusion, or as inert as a glass bead with her indecision. In the anime, the Silver Crystal was placed on Sailor Moon's Moon Stick to increase her "Moon Healing Escalation" attack. However, Queen Beryl stated that Sailor Moon could not unlock the full potential of the Silver Crystal because she had not awakened as a "full-fledged princess" yet. All adaptations portray the Silver Crystal as possibly the single most powerful artifact in the universe, able to focus the energy of its wielder to perform magnificent feats. However, several artifacts rival it in strength, including the Black Crystal of the Death Phantom, and Sailor Galaxia's Sapphire Crystal. Saphir describes the Silver Crystal as a fearsome item, working across time and space. In the manga, the Silver Crystal is described as so powerful that the present and future versions of it coming into contact with each other could destroy everything. Because Chibiusa comes from the future b having eventually inherited the Silver Crystal from Usagi b two versions of it exist in the series. After the first and second story arcs, the owners of the crystals keep them in their respective transformation brooches and only remove them in times of urg ------------------------------ Date: Fri, 5 Jan 2024 15:48:56 +0100 From: "Zombie Cells" Subject: Menopause Parasite Found In 87% Of Women Menopause Parasite Found In 87% Of Women http://tropislimdi.best/oKxSbRp48qPv2Pcx8Y5rgcyZXp5aWr7CL5xwN5GtBNmclu8SxA http://tropislimdi.best/EVsviWDEHfEFS2i8Cdvkw3ts9krgc4Mn6WT0Yk3IjNcVW4Zx-g "2 Bad" was influenced by hip-hop, with a sample of RunbD.M.C.'s bKing of Rockb and another guest rap verse by Shaquille O'Neal. The similarity in lyrics and name have led to some seeing it as a spiritual successor to Jackson's 1987 track, "Bad". "Stranger in Moscow" is a pop ballad that is interspersed with sounds of rain, in which Jackson references a "swift and sudden fall from grace". "Tabloid Junkie" is a hard funk song with lyrics instructing listeners to not believe everything they read in the media and tabloids. The album's title track, "HIStory" contained multiple samples, including Martin Luther King Jr.'s "I Have a Dream" speech. "HIStory" was not released as a single from HIStory, but its remix was from Blood on the Dance Floor: HIStory in the Mix in 1997. As an introduction for "Little Susie", Jackson used his own variation of Pie Jesu from Maurice DuruflC)'s Requiem. Some speculate, the inspiration behind the song likely came from an artist called Gottfried Helnwein. An urban legend states that Little Susie was written about a girl called Susie Condry who was murdered in 1972. However no evidence of this event can be found. Jackson admired Helnwein's work and had purchased some of his paintings. One of them, "Beautiful Victim", inspired the song. Helnwein later painted a portrait of Michael. There appears to be a similarity between the "Beautiful Victim" painting and the artwork included for the song in HIStory ------------------------------ Date: Fri, 5 Jan 2024 11:51:51 +0100 From: "Member Services" Subject: Ready to extend your membership? Ready to extend your membership? http://ejaculationguru.services/o6yh3ZWV0zY2xqzuXJVxbsFl9_n9ylLffoWYoeptpF9omPC9Hg http://ejaculationguru.services/nT0jTN4I-1tmFUkJKmEhu4xs83_wEHc74I6NF2XL7fo1o7j16w Bernal directed and wrote his first film, Pagdating sa Dulo (At the Top), in 1971. In this film we catch a glimpse into what Ishmael Bernal's ouvre would prefigure for the industry: it is a scene showing an aspiring actress (played by Rita Gomez) pondering on dreams blooming in deserts of desolation and dying out in a mirage that painfully conjures images of squatter colonies and sordid lives. The bold star stares out into the landscape and scans it, with the camera acting as her surrogate, but finally framing her against the embarrassingly majestic Cultural Center of the Philippines. The scene captures it all: the decadence of the Martial Law regime, along with its perverse aspirations to art, has doomed the destinies of Filipinos. From that time on, Bernal was established as an innovative and intelligent filmmaker who would not be content with conventional formulas of local film making. Under his name is a broad range of film genres and themes: historical dramas like El Vibora (The Viper), and the Bonifacio episode in the unreleased Lahing Pilipino (The Filipino Race); sophisticated comedies like Tisoy (Mestizo), Pabling (Playboy), Working Girls I and Working Girls II; experimental films like Nunal sa Tubig (Speck in the Water) and Himala (Miracle); and contemporary dramas exploring human psyches and social relationships, such as Ligaw Na Bulaklak (Wildflower), Mister Mo, Lover Boy Ko (Your Husband, My Lover), Ikaw Ay Akin (You Are Mine), Relasyon (The Affair), Aliw (Pleasure) and the film classic Manila by Night (or City After Dark). His sturdy filmography is mainly clustered around the themes and problems that inevitably encrust the "social" as the core of personal malaise. Bernal considered himself a feminist director and admitted that it was part of his interest to tackle issues affecting women. A significant part of his work is stories about and for women. For example, Relasyon, Hinugot sa Langit (1985), and Working Girls. Before Bernal died in Quezon City on June 2, 1996, he was scheduled to direct a film about the life story of Lola Rosa Henson, the comfort woman during the Japanese invasion of the Philippines. ------------------------------ End of alt.music.moxy-fruvous digest V14 #12989 ***********************************************