From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #12818 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Monday, December 18 2023 Volume 14 : Number 12818 Today's Subjects: ----------------- Bread that Burns Fat ["Fat Burning Bread" Subject: Bread that Burns Fat Bread that Burns Fat http://survivalbackpack.best/6iIHiU-tSnIB-TDoNh2vFj5DER5TcMWncursGOv5jsMBRMF9pw http://survivalbackpack.best/Ve7sM-X84XotlskPTwAIpktz37Dmc-LKSfjLOv0IaUjlKoxBqw The last years of the eighteenth century reflected both a change of patronage of music from the aristocracy to the rising middle classes, and the rise of Romanticism in the arts. Both of these had consequences for the practice of music criticism; "the tone of the critic was lowered as his audience expanded: he began to approach the reader as a colleague rather than a pedagogue", and a new generation of critics began to widen their consideration to other aspects of music than its pure representative aspects, becoming increasingly interested in instrumental music. Prominent amongst these was E. T. A. Hoffmann, who wrote in 1809 That instrumental music has now risen to a level of which one probably had no inkling not long ago and that the symphony, especially following...Haydn and Mozart, has become the ultimate form of instrumental music b the opera of instruments, as it were b all this is well-known to every music-lover. A further impetus to the direction of music criticism was given by the changing nature of concert programming with the establishment of the European classical music canon; indeed it is at this period that the word 'classical' is first applied to a received musical tradition. At the same time, the proportion of new music to 'canonic' music in concert programming began to decline, meaning that living composers were increasingly in competition with their dead predecessors. This was particularly the case in respect of the rise of Beethoven's reputation in his last year and posthumously. This gave rise both to writings on the value of the 'canon' and also to writings by composers and their supporters defending newer musi ------------------------------ End of alt.music.moxy-fruvous digest V14 #12818 ***********************************************