From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #12675 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Friday, November 24 2023 Volume 14 : Number 12675 Today's Subjects: ----------------- Fwd: Order #158566996 ["John" ] Harvard: Why Barefoot Kenyans Have 3X Better Balance ["Die in 10 Years?" ] BUSINESS ["Moon Jang" ] Place THIS close to your chest⦠["Cardiologist Approved" Subject: Fwd: Order #158566996 Fwd: Order #158566996 http://vivaslimx.us/ZsFwk086iiZE5iZQhTbvUoqaUUsYCpTeGjGffs24EIt1NZzdPA http://vivaslimx.us/n-aip0hRQZv7GDrUohh2Ar2WWJjQuQ-qZBZWgXjOYH4MvyYAbw more modern alternatives to the older Disney style. During the 1950s, only one Disney short, the stylized Toot, Whistle, Plunk and Boom, won the Best Short Subject (Cartoons) Oscar. The Mickey Mouse, Pluto and Goofy shorts had all ceased regular production by 1953, with Donald Duck and Humphrey continuing and converting to widescreen CinemaScope before the shorts division was shut down in 1956. After that, all future shorts were produced by the feature films division until 1969. The last Disney short of the golden age of animation was It's Tough to Be a Bird. Disney shorts would only be produced on a sporadic basis from this point on, with notable later shorts including Runaway Brain (1995, starring Mickey Mouse) and Paperman (2012). Despite the 1959 layoffs and competition for Walt Disney's attention from the company's expanded live-action film, TV and theme park departments, production continued on feature animation productions at a reduced level. In 1961, the studio released One Hundred and One Dalmatians, an animated feature that popularized the use of xerography during the process of inking and painting traditional animation cels. Using xerography, animation drawings could be photochemically transferred rather than traced from paper drawi ------------------------------ Date: Thu, 23 Nov 2023 20:47:42 +0100 From: "Die in 10 Years?" Subject: Harvard: Why Barefoot Kenyans Have 3X Better Balance Harvard: Why Barefoot Kenyans Have 3X Better Balance http://malenhancement.ltd/vHskNLVH9hLP3Ab_JH-vv6yEiYqIe1uNeIlQ4Pp8z7TJlE-O1A http://malenhancement.ltd/jfJfW7XzohgMcrBfG8tyDzMBy8pZQddnPGBLN9NmicoCwFamaQ Aladdin, released in November 1992, continued the upward trend in Disney's animation success, earning $504 million worldwide at the box office, and two more Oscars for Best Song and Best Score. Featuring songs by Menken, Ashman and Tim Rice (who replaced Ashman after his death) and starring the voice of Robin Williams, Aladdin also established the trend of hiring celebrity actors and actresses to provide the voices of Disney characters, which had been explored to some degree with The Jungle Book and Oliver & Company but now became standard practice. In June 1994, Disney released The Lion King, directed by Roger Allers and Rob Minkoff. An all-animal story set in Africa, The Lion King featured an all-star voice cast which included James Earl Jones, Matthew Broderick and Jeremy Irons, with songs written by Tim Rice and pop star Elton John. The Lion King earned $768 million at the worldwide box office, to this date a record for a traditionally-animated film, earning millions more in merchandising, promotions and record sales for its soundtrack. 622/610 Circle 7 Drive (the Hart-Dannon Building), another Glendale building used by Walt Disney Feature Animation during the early 1990s. Aladdin and The Lion King had been the highest-grossing films worldwide in each of their respective release years. Between these in-house productions, Disney diversified in animation methods and produced The Nightmare Before Christmas with former Disney animator Tim Burton; Walt Disney Feature Animati ------------------------------ Date: Wed, 8 Nov 2023 22:50:29 -0800 From: "Moon Jang" Subject: BUSINESS Greetings! Is this your private email address? Thanks and have a nice day. Mr. Moon Jang Foreign Director Isi e-mail ini mungkin bersifat rahasia dan penyalahgunaan, penyalinan, atau penyebaran dari e-mail ini dan semua attachment dari e-mail ini dilarang. Komunikasi internet tidak aman dan oleh karena itu Badan Pengkajian dan Penerapan Teknologi tidak menerima tanggung jawab hukum atas isi pesan ini atau untuk setiap kerusakan yang disebabkan oleh virus. Pendapat-pendapat yang diungkapkan di sini tidak selalu mewakili Badan Pengkajian dan Penerapan Teknologi. ------------------------------ Date: Thu, 23 Nov 2023 14:33:36 +0100 From: "Cardiologist Approved" Subject: Place THIS close to your chest⦠Place THIS close to your chestb& http://ignitez.ltd/lITK5KeNaQIdlQhqIra9zpQPRsxFXgEBkbbZnQ2trX0YVnNx5w http://ignitez.ltd/gNOAFBLYAvax_91oznccV8naK1-xzO0n5NrZFWZQeSysT4allg as Disney's first widescreen animated feature, produced in the CinemaScope process, and was the first Disney animated feature to be released by Disney's own distribution company, Buena Vista Distribution. By the mid-1950s, with Walt Disney's attention primarily set on new endeavours such as live-action films, television and the Disneyland theme park, production of the animated films was left primarily in the hands of the "Nine Old Men" trust of head animators and directors. This led to several delays in approvals during the production of Sleeping Beauty, which was finally released in 1959. At $6 million, it was Disney's most expensive film to date, produced in a heavily-stylised art style devised by artist Eyvind Earle and presented in large-format Super Technirama 70 with six-track stereophonic sound. However, despite being the studio's highest-grossing animated feature since Snow White and the Seven Dwarfs, the film's large production costs and the box office underperformance of Disney's other 1959 output resulted in the studio posting its first annual loss in a decade for fiscal year 1960, leading to massive layoffs throughout the studio. By the end of the decade, the Disney short subjects were no longer being produced on a regular basis, with many of the shorts divisions' personnel either leaving the company or being reassigned to work on Disney television programs such as The Mickey Mouse Club and Disneyland. While the Silly Symphonies shorts had dominated the Academy Award for Best Short Subject (Cartoons) during the 1930s, its reign over the most awards had been ended by MGM's ------------------------------ Date: Thu, 23 Nov 2023 18:31:04 +0100 From: "Improves Eyesight" Subject: Completely natural way to achieve a perfect 20/20 vision Completely natural way to achieve a perfect 20/20 vision http://longevityactivatir.ltd/zLLgfGZPGjcQAhUbvFW_UpYgu0S8igyy_TT4XtRcxPDAwnucDw http://longevityactivatir.ltd/jjtQVwbhUg5JUmtkcBL-90ObZ5uVFt3k3FszLJQLivZFPByT5A A second satellite studio, Walt Disney Feature Animation Florida, opened in 1989 with 40 employees. Its offices were located within the Disney-MGM Studios theme park at Walt Disney World in Bay Lake, Florida, and visitors were allowed to tour the studio and observe animators at work. That same year, the studio released The Little Mermaid, which became a keystone achievement in Disney's history as its largest critical and commercial success in decades. Directed by John Musker and Ron Clements, who'd been co-directors on The Great Mouse Detective, The Little Mermaid earned $84 million at the North American box office, a record for the studio. The film was built around a score from Broadway songwriters Alan Menken and Howard Ashman, who was also a co-producer and story consultant on the film. The Little Mermaid won two Academy Awards, for Best Original Song and Best Original Score. The Little Mermaid vigorously relaunched a profound new interest in the animation and musical film genres. The film was also the first to feature the use of Disney's Computer Animation Production System (CAPS). Developed for Disney by Pixar, which had grown into a commercial computer animation and technology development company, CAPS/ink-and-paint would become significant in allowing future Disney films to more seamlessly integrate computer-generated imagery and achieve higher production values with digital ink and paint and compositing tech ------------------------------ Date: Thu, 23 Nov 2023 12:55:11 +0100 From: "Food Crisis" Subject: Breaking: Global Threats Hit America, Nation on Edge Breaking: Global Threats Hit America, Nation on Edge http://vivaslimx.us/TBTLiFWIl1W2gNqfDNjdNeuvi7N2L4VRnCJ3IvnDRUL-68Akmg http://vivaslimx.us/LnAtKKMnoBmmAM4AHLxuDzKsqWjZ9-9KxxnpoZDuDLe3tbvyNQ Peter Pan, Alice in Wonderland and Lady and the Tramp were therefore put on hold until after the war. Following the United States' entry into World War II after the attack on Pearl Harbor, the studio housed over 500 U.S. Army soldiers who were responsible for protecting nearby aircraft factories from enemy bombers. In addition, several Disney animators were drafted to fight in the war and the studio was contracted on producing wartime content for every branch of the U.S. military, particularly military training, and civilian propaganda films. From 1942 to 1943, 95 percent of the studio's animation output was for the military. During the war, Disney produced the live-action/animated military propaganda feature Victory Through Air Power (1943), and a series of Latin culture-themed shorts resulting from the 1941 Good Neighbor trip were compiled into two features, Saludos Amigos (1942) and The Three Caballeros (1944). Saludos and Caballeros set the template for several other 1940s Disney releases of "package films": low-budgeted films composed of animated short subjects with animated or live-action bridging material. These films were Make Mine Music (1946), Fun and Fancy Free (1947), Melody Time (1948) and The Adventures of Ichabod and Mr. Toad (1949). The studio also produced two features, Song of the South (1946) and So Dear to My Heart (1948), which used more expansive live-action stories which still included animated sequences and sequences combining live-action and animated characters. Shorts production continued during this period as well, with Donald Duck, Goofy, and Pluto cartoons being the m ------------------------------ Date: Thu, 23 Nov 2023 18:53:15 +0100 From: "Toxic medication" Subject: Dip Your Toes In This Green Mineral Clay To Get Rid Of Fungus Dip Your Toes In This Green Mineral Clay To Get Rid Of Fungus http://septifixx.us/3uACK7p95lCAXA2MeQEzBY7h3akPZqJrFZRlQz4dfWoWPb4PTw http://septifixx.us/Qx-yLpAc-Ois-XDP_rv-Ibosrn2d6MgkfwAB9XWIpkHZux7xEg Accompanied in theaters by the Mickey Mouse featurette The Prince and the Pauper, The Rescuers Down Under (1990) was Disney's first animated feature sequel and the studio's first film to be fully colored and composited via computer using the CAPS/ink-and-paint system. However, the film did not duplicate the success of The Little Mermaid. The next Disney animated feature, Beauty and the Beast, had begun production in London but was moved back to Burbank after Disney decided to shutter the London satellite office and retool the film into a musical-comedy format similar to The Little Mermaid. Alan Menken and Howard Ashman were retained to write the songs and score, though Ashman died before production was completed. Debuting first in a work-in-progress version at the 1991 New York Film Festival before its November 1991 wide release, Beauty and the Beast, directed by Kirk Wise and Gary Trousdale, was an unprecedented critical and commercial success and would later be regarded as one of the studio's best films. The film earned six Academy Award nominations, including one for Best Picture, a first for an animated work, winning for Best Song and Best Original Score. Its $145 million box office gross set new records, and merchandising for the film, including toys, cross-promotions, and soundtrack sales, was also lucrative. The successes of The Little Mermaid and Beauty and the Beast established the template for future Disney releases during the 1990s: a musical-comedy format with Broadway-styled songs and tentpole action sequences, buoyed by cross-promotional marketing and merchandising, all carefully designed to pull audiences of all ages an ------------------------------ Date: Thu, 23 Nov 2023 21:03:46 +0100 From: "10 second trick" <10secondtrick@tonixgaias.live> Subject: Do THIS to manifest FAST Do THIS to manifest FAST http://tonixgaias.live/FdNq5wE71ktm3f2J3BxTUN1GN_8xjse5Tq4REFeuMclfz6U10A http://tonixgaias.live/n68Z30XTUpjhV25Nre52zoVvpGndtbxX8R0YF5vxfN42J4Dvlg Concerns arose internally at the Disney studio, particularly from Roy E. Disney, about studio chief Jeffrey Katzenberg taking too much credit for the success of Disney's early 1990s releases. Disney Company president Frank Wells was killed in a helicopter accident in 1994, and Katzenberg lobbied CEO Michael Eisner for the vacant president position. Instead, tensions between Katzenberg, Eisner and Disney resulted in Katzenberg being forced to resign from the company on August 24 of that year, with Joe Roth taking his place. On October 12, 1994, Katzenberg went on to become one of the founders of DreamWorks SKG, whose animation division became Disney's key rival in feature animation, with both computer animated films such as Antz (1998) and traditionally-animated films such as The Prince of Egypt (1998). In December 1994, the Animation Building in Burbank was completed for the animation division. In contrast to the early 1990s productions, not all the films in the second half of the renaissance were successful. Pocahontas, released in summer of 1995, was the first film of the renaissance to receive mixed reviews from critics, but was still popular with audiences and commercially successful, earning $346 million worldwide, and won two Academy Awards for its music b ------------------------------ End of alt.music.moxy-fruvous digest V14 #12675 ***********************************************