From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #12430 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, October 18 2023 Volume 14 : Number 12430 Today's Subjects: ----------------- Dr. Summers 7-Second Brainwave For Attracting Money ["Brainwave" Subject: Dr. Summers 7-Second Brainwave For Attracting Money Dr. Summers 7-Second Brainwave For Attracting Money http://surveyife.sa.com/1Pyh88URteoj7MRQQspb1DhjSOSEZZi7h15tdYw2YF4WMCIByw http://surveyife.sa.com/AlZyQOvorQMVHPGVpN28JkWoVvjr-U0tibwbxFl7vsTU1_p9HA As the end of the Technicolor process became apparent, the company repurposed its three-color cameras for wide-screen photography, and introduced the Technirama process in 1957. Other formats the company ventured into included VistaVision, Todd-AO, and Ultra Panavision 70. All of them were an improvement over the three-strip negatives, since the negative print-downs generated sharper and finer grain dye transfer copies. By the mid-1960s, the dye-transfer process eventually fell out of favor in the United States as being too expensive and too slow in turning out prints. With the growing number of screens in the US, the standard run of 200b250 prints increased. And while dye-transfer printing yielded superior color printing, the number of high speed prints that could be struck in labs all over the country outweighed the fewer, slower number of prints that could only be had in Technicolor's labs. One of the last American films printed by Technicolor was The Godfather Part II (1974). In 1975, the US dye transfer plant was closed and Technicolor became an Eastman-only processor. In 1977, the final dye-transfer printer left in Rome was used by Dario Argento to make prints for his horror film Suspiria. In 1980, the Italian Technicolor plant ceased printing dye transfer. The British line was shut down in 1978 and sold to Beijing Film and Video Lab which shipped the equipment to China. A great many films from China and Hong Kong were made in the Technicolor dye transfer process, including Zhang Yimou's Ju Dou (1990) and even one American film, Space Avenger (1989), directed by Richard W. Haines. The Beijing line was shut down in 1993 for a number of reasons, including inferior processin ------------------------------ Date: Mon, 16 Oct 2023 10:41:15 +0200 From: "Crispy Keto Fries!" Subject: if only Iād had THIS when I started Ketoā¦ if only Ibd had THIS when I started Ketob& http://fibergreensbowel.shop/0tWZ9YszXm3heHnKncte7Fm1k7EVw-6XMKT0lz9kfAssQpmEZw http://fibergreensbowel.shop/fABpWXlxPAIXKKaGOvWH2xZGMHYHrA3QzJko5zqN4ushb5yutw Although successful commercially, Process 2 was plagued with technical problems. Because the images on the two sides of the print were not in the same plane, both could not be perfectly in focus at the same time. The significance of this depended on the depth of focus of the projection optics. Much more serious was a problem with cupping. Films in general tended to become somewhat cupped after repeated use: every time a film was projected, each frame in turn was heated by the intense light in the projection gate, causing it to bulge slightly; after it had passed through the gate, it cooled and the bulge subsided, but not quite completely. It was found that the cemented prints were not only very prone to cupping, but that the direction of cupping would suddenly and randomly change from back to front or vice versa, so that even the most attentive projectionist could not prevent the image from temporarily popping out of focus whenever the cupping direction changed. Technicolor had to supply new prints so the cupped ones could be shipped to their Boston laboratory for flattening, after which they could be put back into service, at least for a while. The presence of image layers on both surfaces made the prints especially vulnerable to scratching, and because the scratches were vividly colored they were very noticeable. Splicing a Process 2 print without special attention to its unusual laminated construction was apt to result in a weak splice that would fail as it passed through the projector. Even before these problems became apparent, Technicolor regarded this cemented print approach as a stopgap and was already at work developing an improved process ------------------------------ End of alt.music.moxy-fruvous digest V14 #12430 ***********************************************