From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #12412 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Monday, October 16 2023 Volume 14 : Number 12412 Today's Subjects: ----------------- =?UTF-8?B?8J+qgdi02YfYp9iv2KkgOiDYp9mE2KfYrti12KfYptmKINin2YTZh di52KrZhdivINmB?= =?UTF-8?B?2Yog2KfYr9in2LHYqSDYp9mE2YXYtNiq2LHZitin2KogKCBDSUxUICkg2YjY p9mE2YXYudiq2YXYryA=?= =?UTF-8?B?2YXZhiDYp9mE2K/Yp9ixINin2YTYudix2KjZitipINmE2YTYqtmG2YXZitip INin2YTYp9iv2KfYsdmK?= =?UTF-8?B?2KkgQUhBRCDZhdmI2LnYryDYp9mE2KXZhti52YLYp9ivOiDYrtmE2KfZhCDY p9mE2YHYqtix2Kkg2YU=?= =?UTF-8?B?2YYgMjIg2KfZhNmJIDI2INij2YPYqtmI2KjYsSAyMDIz2YUg2KfZiNmGINmE 2KfZitmGINi52KjYsSA=?= =?UTF-8?B?2KrYt9io2YrZgiDYstiy2YjZhSDYp9mIINit2LbZiNixINio2KfZhNmC2KfZ h9ix2Kkg2YXZgtiv2YU=?= =?UTF-8?B?2Yc6INio2YfYr9mBINi52LHYtiDZhNmE2YXZgdin2YfZitmFINin2YTYo9iz 2KfYs9mK2Kkg2YHZiSA=?= =?UTF-8?B?2KXYr9in2LHYqSDYp9mE2YXYtNiq2LHZitin2Kog2YjYp9mE2YXYrtin2LLZ htiMINmI2YXYsdin2K0=?= =?UTF-8?B?2YQg2KrYt9mI2LHZh9inINmI2KrYrdiv2YrYryDZhdmH2KfZhSDZiNi42YrZ gdipINin2YTZhdi02Ko=?= =?UTF-8?B?2LHZitin2Kog2YjYp9mE2YXYrtin2LLZhiDZiNmF2Kcg2YTZh9inINmF2YYg 2KPZh9mF2YrYqSDZiNiv?= =?UTF-8?B?2YjYsSDZiNij2KvYsSDYudmE2Ykg2KfZhNmH2YrZg9mEINin2YTYqtmG2LjZ itmF2Ykg2YPYp9mGINin?= =?UTF-8?B?2YbYudmC2KfYryDZh9iw2Kcg2KfZhNio2LHZhtin2YXYrCDYp9mE2KrYr9ix 2YrYqNmKINmI2KfZhNiw?= =?UTF-8?B?2Yog2YrYudix2LYg2YTZhNi52K/ZitivINmF2YYg2KfZhNmF2K3Yp9mI2LEg 2YjYp9mE2YbZgtin2Lcg?= =?UTF-8?B?2KfZhNmF2YfZhtmK2Kkg2YjYsNmE2YMg2YXZhiDYrtmE2KfZhCDYpdi32KfY sSDYudin2YUg2YrYqti2?= =?UTF-8?B?2YXZhiDZiNi42YrZgdipINil2K/Yp9ix2Kkg2KfZhNmF2LTYqtix2YrYp9iq INmI2KfZhNmF2K7Yp9iy?= =?UTF-8?B?2YYg2YjYqtmG2LjZhdin2KrZh9in2Iwg2KfZhNmF2YfYp9ix2KfYqiDYp9mE 2YXYt9mE2YjYqNipINmE?= =?UTF-8?B?2KXYr9in2LHYqSDYp9mE2LTYsdin2KHYjCDYqtiu2LfZiti3INin2YTYpdit 2KrZitin77+9?= [] Get the Recognition you Deserve and Get Ahead⦠["Joanne Riley" Subject: =?UTF-8?B?8J+qgdi02YfYp9iv2KkgOiDYp9mE2KfYrti12KfYptmKINin2YTZh di52KrZhdivINmB?= =?UTF-8?B?2Yog2KfYr9in2LHYqSDYp9mE2YXYtNiq2LHZitin2KogKCBDSUxUICkg2YjY p9mE2YXYudiq2YXYryA=?= =?UTF-8?B?2YXZhiDYp9mE2K/Yp9ixINin2YTYudix2KjZitipINmE2YTYqtmG2YXZitip INin2YTYp9iv2KfYsdmK?= =?UTF-8?B?2KkgQUhBRCDZhdmI2LnYryDYp9mE2KXZhti52YLYp9ivOiDYrtmE2KfZhCDY p9mE2YHYqtix2Kkg2YU=?= =?UTF-8?B?2YYgMjIg2KfZhNmJIDI2INij2YPYqtmI2KjYsSAyMDIz2YUg2KfZiNmGINmE 2KfZitmGINi52KjYsSA=?= =?UTF-8?B?2KrYt9io2YrZgiDYstiy2YjZhSDYp9mIINit2LbZiNixINio2KfZhNmC2KfZ h9ix2Kkg2YXZgtiv2YU=?= =?UTF-8?B?2Yc6INio2YfYr9mBINi52LHYtiDZhNmE2YXZgdin2YfZitmFINin2YTYo9iz 2KfYs9mK2Kkg2YHZiSA=?= =?UTF-8?B?2KXYr9in2LHYqSDYp9mE2YXYtNiq2LHZitin2Kog2YjYp9mE2YXYrtin2LLZ htiMINmI2YXYsdin2K0=?= =?UTF-8?B?2YQg2KrYt9mI2LHZh9inINmI2KrYrdiv2YrYryDZhdmH2KfZhSDZiNi42YrZ gdipINin2YTZhdi02Ko=?= =?UTF-8?B?2LHZitin2Kog2YjYp9mE2YXYrtin2LLZhiDZiNmF2Kcg2YTZh9inINmF2YYg 2KPZh9mF2YrYqSDZiNiv?= =?UTF-8?B?2YjYsSDZiNij2KvYsSDYudmE2Ykg2KfZhNmH2YrZg9mEINin2YTYqtmG2LjZ itmF2Ykg2YPYp9mGINin?= =?UTF-8?B?2YbYudmC2KfYryDZh9iw2Kcg2KfZhNio2LHZhtin2YXYrCDYp9mE2KrYr9ix 2YrYqNmKINmI2KfZhNiw?= =?UTF-8?B?2Yog2YrYudix2LYg2YTZhNi52K/ZitivINmF2YYg2KfZhNmF2K3Yp9mI2LEg 2YjYp9mE2YbZgtin2Lcg?= =?UTF-8?B?2KfZhNmF2YfZhtmK2Kkg2YjYsNmE2YMg2YXZhiDYrtmE2KfZhCDYpdi32KfY sSDYudin2YUg2YrYqti2?= =?UTF-8?B?2YXZhiDZiNi42YrZgdipINil2K/Yp9ix2Kkg2KfZhNmF2LTYqtix2YrYp9iq INmI2KfZhNmF2K7Yp9iy?= =?UTF-8?B?2YYg2YjYqtmG2LjZhdin2KrZh9in2Iwg2KfZhNmF2YfYp9ix2KfYqiDYp9mE 2YXYt9mE2YjYqNipINmE?= =?UTF-8?B?2KXYr9in2LHYqSDYp9mE2LTYsdin2KHYjCDYqtiu2LfZiti3INin2YTYpdit 2KrZitin77+9?= p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X'YX*YX'X5Y YX9 YX'X&X( YX/Y X1 X'YX*X/X1Y X( b X3YYYYYYX'X1X) X9X(X/ X'YX,YX'X/ YYX(X'Y Y YYX'X*X3 X'X( X1YY 00201096841626 /00201062992510 Y X1X,Y X*X9YY Y YYYYX*YY Y YX'YYX9YY Y Y X(X'YYX4X'X1YX) - -- bYYX/ X*YYY X* YX0Y X'YX1X3X'YX) YX#YY YX4X*X1Y YY X'YYX,YYX9X) "ahadhrorg22" YY YX,YYX9X'X* Google. YX%YX:X'X! X'YX'X4X*X1X'Y YY YX0Y X'YYX,YYX9X) YX%Y YX'Y X*YYY X1X3X'X&Y X'YX%YYX*X1YYY X) YYYX'X X#X1X3Y X1X3X'YX) X%YYX*X1YYY X) X%YY ahadhrorg22+unsubscribe@googlegroups.com. YX9X1X6 YX0Y X'YYYX'YX4X) X9YY X'YYY X(X X'YX*YY X%YY https://groups.google.com/d/msgid/ahadhrorg22/CAJz8v5BYrpuqzzONGfhCnHiXeiv4jHAJ%2BnoUQTnOOJCGz3skDg%40mail.gmail.com. ------------------------------ Date: Mon, 16 Oct 2023 15:32:48 +0200 From: "Joanne Riley" Subject: Get the Recognition you Deserve and Get Ahead⦠Get the Recognition you Deserve and Get Aheadb& http://verizonsurveys.today/Lae1IEVd4jacS-2behQQfiv9CI75EXH-w05mKWfwPrbHIQnu6Q http://verizonsurveys.today/5SvPTThoZVQDPtNxX9b90lY-XTa2_cGb-2tRdraY5y189jiqfg One major drawback of Technicolor's three-strip process was that the cameras required a special, bulky, large volume sound blimp. Film studios could not purchase Technicolor cameras, only rent them for their productions, complete with camera technicians and a "color supervisor" to ensure sets, costumes, and makeup didn't push beyond the limitations of the system. Often on many early productions, the supervisor was Natalie Kalmus, ex-wife of Herbert Kalmus and part owner of the company. Directors had great difficulty with her; Vincente Minnelli said, "I couldn't do anything right in Mrs. Kalmus's eyes." Kalmus preferred the title "Technicolor Director", although British licensees generally insisted on "Colour Control" so as not to "dilute" the film director's title. She worked with quite a number of "associates", many of whom went uncredited, and after her retirement, these associates were transferred to the licensees, with, for example, Leonard Doss going to Fox where he performed the same function for Fox's DeLuxe Color. The process of splitting the image reduced the amount of light reaching the film stock. Since the film speed of the stocks used was fairly slow, early Technicolor productions required a greater amount of lighting than a black-and-white production. It is reported that temperatures from the hot studio lights on the film set of The Wizard of Oz frequently exceeded 100 B0F (38 B0C), and some of the more heavily costumed characters required a large water intake. Some actors and actresses claimed to have suffered permanent eye damage from the high levels of carbon arc illumination with its highly acti ------------------------------ Date: Mon, 16 Oct 2023 14:47:33 +0200 From: "Stun Guns" Subject: License Not Yet Required Unknown License Not Yet Required Unknown http://ultraautowarranty.today/4ZCeRnmAbzsgfJpdhexPR0wWeBNkBq96w8F7y22BcWVsJN7ZRg http://ultraautowarranty.today/fJhvooAExXpAk8jBgSPWsp6t4EH_WFugaTLOku8VurJZVZFKEg Kalmus convinced Walt Disney to shoot one of his Silly Symphony cartoons, Flowers and Trees (1932), in Process 4, the new "three-strip" process. Seeing the potential in full-color Technicolor, Disney negotiated an exclusive contract for the use of the process in animated films that extended to September 1935. Other animation producers, such as the Fleischer Studios and the Ub Iwerks studio, were shut out b they had to settle for either the two-color Technicolor systems or use a competing process such as Cinecolor. Flowers and Trees was a success with audiences and critics alike, and won the first Academy Award for Best Animated Short Film. All subsequent Silly Symphonies from 1933 on were shot with the three-strip process. One Silly Symphony, Three Little Pigs (1933), engendered such a positive audience response that it overshadowed the feature films with which it was shown. Hollywood was buzzing about color film again. According to Fortune magazine, "Merian C. Cooper, producer for RKO Radio Pictures and director of King Kong (1933), saw one of the Silly Symphonies and said he never wanted to make a black-and-white picture again." Although Disney's first 60 or so Technicolor cartoons used the three-strip camera, an improved "successive exposure" ("SE") process was adopted c.?1937. This variation of the three-strip process was designed primarily for cartoon work: the camera would contain one strip of black-and-white negative film, and each animation cel would be photographed three times, on three sequential frames, behind alternating red, green, and blue filters (the so-called "Technicolor Color Wheel", then an option of the Acme, Producers Service and Photo-Sonics animation cameras). Three separate dye transfer printing matrices would be created from the red, green, and blue records in their respective complementary colors, cyan, magenta and yellow. Successive exposure was also employed in Disney's "True Life Adventure" live-action series, wherein the original 16mm low-contrast Kodachrome Commercial live action footage was first duplicated onto a 35mm fine-grain SE negative element in one pass of the 16mm element, thereby reducing wear of the 16mm original, and also eliminating registration errors between colors. The live-action SE negative thereafter entered other Technicolor processes and were incorporated with SE animation and three-strip studio live-action, as required, th ------------------------------ Date: Mon, 16 Oct 2023 10:47:02 +0200 From: "Flex Focus" Subject: Unbeatable Comfort and Clarity with FlexFocus Unbeatable Comfort and Clarity with FlexFocus http://prostadines.world/qfgWDH8qjmIo1J-9TPWfhx7cNry0GI_Im0FQehOECTEI67EZBA http://prostadines.world/gj_esJJFxUfRIIk2McSRO2vIUusr9HFV7Sr3HegVbdeWifGdiw The firm's first influential project was Lever House, completed in 1952 to become the first International Style office building in New York City. Constructed of glass and steel at a time when Park Avenue was lined with masonry buildings, Lever House introduced a modernist aesthetic that embodied the spirit of the times and influenced an entire generation of high-rise construction. As architectural historian Reyner Banham wrote in 1962, bIt gave architectural expression to an age just as the age was being born ... Lever House was an uncontrollable success, imitated and sometimes understood all over the Americanized world, and one of the sights of New Yorkb. In 1982, the New York City Landmarks Preservation Commission designated Lever House an official landmark. SOM's work in New York City included the Manufacturers Trust Company Building, completed in 1954 as the first International Style bank building in the United States, and the Pepsi-Cola World Headquarters, completed in 1960. Architectural historian Henry-Russell Hitchcock called the Pepsi building bthe ultimate in refinement of proportion and elegance of materials,b while New York Times critic Ada Louise Huxtable placed it "at the top of the list, with Seagram and Lever House, of the city's few modern landmarks." The following year saw the completion of One Chase Manhattan Plaza (later 28 Liberty Street), the first International Style building to rise in New York City's Financial District. The project is noted for helping to turn the tide of a corporate exodus to Midtown Manhattan and the suburbs and reasserted Lower Manhattan as a viable business district after years of decline. SOM's design for 28 Liberty Street also transformed the crowded streetscape of the Financial District by creating a plaza surrounding the tower, a novel concept that would be adapted in many future projects. Another example of SOM's modernist works is found in Colorado Springs, Colorado, where SOM planned a campus for the U.S. Air Force Academy. Built between 1958 and 1968, the campus broke from the traditions of West Point and Annapolis to become the first U.S. military academy designed in the modern style. The centerpiece of the campus is the Cadet Chapel, designed by architect Walter Netsch. The American Institute of Architects awarded the building with its prestigious Twenty-five Year Award, conferred onto "a building that has set a precedent for the last 25 to 35 years and continues to set standards of excellence for its architectural design and significan ------------------------------ Date: Mon, 16 Oct 2023 13:39:08 +0200 From: "Cholesterol 80 pts" Subject: THIS ? WHITE CARB Cholesterol 80 pts THIS ? WHITE CARB Cholesterol 80 pts http://kidneydiseasetion.shop/NbZV1TMNaNSdSuuTJEvLMp2oNDB7N8d85xjlxZ7abfWo7jj3PQ http://kidneydiseasetion.shop/xr2Z0OijwViE0X05ePu7XEmhr8OsXFPS0G8xvMk-ckX4gg-m8Q Kalmus convinced Walt Disney to shoot one of his Silly Symphony cartoons, Flowers and Trees (1932), in Process 4, the new "three-strip" process. Seeing the potential in full-color Technicolor, Disney negotiated an exclusive contract for the use of the process in animated films that extended to September 1935. Other animation producers, such as the Fleischer Studios and the Ub Iwerks studio, were shut out b they had to settle for either the two-color Technicolor systems or use a competing process such as Cinecolor. Flowers and Trees was a success with audiences and critics alike, and won the first Academy Award for Best Animated Short Film. All subsequent Silly Symphonies from 1933 on were shot with the three-strip process. One Silly Symphony, Three Little Pigs (1933), engendered such a positive audience response that it overshadowed the feature films with which it was shown. Hollywood was buzzing about color film again. According to Fortune magazine, "Merian C. Cooper, producer for RKO Radio Pictures and director of King Kong (1933), saw one of the Silly Symphonies and said he never wanted to make a black-and-white picture again." Although Disney's first 60 or so Technicolor cartoons used the three-strip camera, an improved "successive exposure" ("SE") process was adopted c.?1937. This variation of the three-strip process was designed primarily for cartoon work: the camera would contain one strip of black-and-white negative film, and each animation cel would be photographed three times, on three sequential frames, behind alternating red, green, and blue filters (the so-called "Technicolor Color Wheel", then an option of the Acme, Producers Service and Photo-Sonics animation cameras). Three separate dye transfer printing matrices would be created from the red, green, and blue records in their respective complementary colors, cyan, magenta and yellow. Successive exposure was also employed in Disney's "True Life Adventure" live-action series, wherein the original 16mm low-contrast Kodachrome Commercial live action footage was first duplicated onto a 35mm fine-grain SE negative element in one pass of the 16mm element, thereby reducing wear of the 16mm original, and also eliminating registration errors between colors. The live-action SE negative thereafter entered other Technicolor processes and were incorporated with SE animation and three-strip studio live-action, as required, th ------------------------------ Date: 17 Oct 2023 03:22:14 +0400 From: ammf-digest@smoe.org Subject: There is an overdue payment under your name. Please, settle your debts ASAP. Hi! Sadly, there are some bad news that you are about to hear. About few months ago I have gained a full access to all devices used by you for internet browsing. Shortly after, I started recording all internet activities done by you. Below is the sequence of events of how that happened: Earlier I purchased from hackers a unique access to diversified email accounts (at the moment, it is really easy to do using internet). As you can see, I managed to log in to your email account without breaking a sweat: (ammf-digest@smoe.org). Within one week afterwards, I installed a Trojan virus in your Operating Systems available on all devices that you utilize for logging in your email. To be frank, it was somewhat a very easy task (since you were kind enough to open some of links provided in your inbox emails). I know, you may be thinking now that I'm a genius.....^^) With help of that useful software, I am now able to gain access to all the controllers located in your devices (e.g., video camera, keyboard, microphone and others). As result, managed to download all your photos, personal data, history of web browsing and other info to my servers without any problems. Moreover, I now have access to all accounts in your messengers, social networks, emails, contacts list, chat history - you name it. My Trojan virus continues refreshing its signatures in a non-stop manner (because it is operated by driver), hence it remains undetected by any antivirus software installed in your PC or device. So, I guess now you finally understand the reason why I could never be caught until this very letter... During the process of your personal info compilation, I could not help but notice that you are a huge admirer and regular guest of websites with adult content. You endure a lot of pleasure while checking out porn websites, watching nasty porn movies and reaching breathtaking orgasms. Let me be frank with you, it was really hard to resist from recording some of those naughty solo scenes with you in main role and compiling them in special videos that expose your masturbation sessions, which end with you cumming. In case if you still have doubts, all I need is to click my mouse and all those nasty videos with you will be shared to friends, colleagues, and relatives of yours. Moreover, nothing stops me from uploading all that hot content online, so all public can watch it too. I sincerely hope, you would really not prefer that to happen, keeping in mind all the dirty things you like to watch, (you certainly know what I mean) it will completely ruin your reputation. However, don't worry, there is still a way to resolve this: You need to carry out a $1350 USD transfer to my wallet (equivalent amount in bitcoins depending on exchange rate at the moment of funds transfer), hence upon receiving the transaction, I will proceed with deleting all the filthy videos with you in main role. Afterwards, we can forget about this unpleasant accident. Furthermore, I guarantee that all the malicious software will also be erased from your devices and accounts. Mark my words, I never lie. That is a great bargain with a low price, I assure you, because I have spent a lot of effort while recording and tracking down all your activities and dirty deeds during a long period of time. In case if you have no idea how to buy and transfer bitcoins - feel free to check the related info on the internet. Here is my bitcoin wallet for your reference: 15L57f8 G22cPmD tq2devc Qw6J4Sb C8EX8b Attention please! I have specified my Bitcoin wallet with spaces, please make sure that you key-in my bitcoin address without spaces to be sure that your coins successfully reach my wallet! From now on, you have only 48 hours and countdown has started once you opened this very email (in other words, 2 days). The following list contains things you should definitely abstain from doing or even attempting: ~>> Abstain from trying to reply this email (since the email is generated inside your inbox alongside with return address). ~>> Abstain from trying to call or report to police or any other security services. In addition, it's a bad idea if you want to share it with your friends, hoping they would help. If I happen to find out (knowing my awesome skills, it can be done effortlessly, because I have all your devices and accounts under my control and unceasing observation) - kinky videos of yours will be share to public the same day. ~>> Abstain from trying to look for me - that would not lead anywhere either. Cryptocurrency transactions are absolutely anonymous and cannot be tracked. ~>> Abstain from reinstalling your OS on devices or throwing them away. That would not solve the problem as well, since all your personal videos are already uploaded and stored at remote servers. Things you may be confused about: ~>> That your funds transfer won't be delivered to me. Chill, I can track down any transactions right away, so upon funds transfer I will receive a notification as well, since I still control your devices (my trojan virus has ability of controlling all processes remotely, just like TeamViewer). ~>> That I am going to share your dirty videos after receiving money transfer from you. Here you need to trust me, because there is absolutely no point to still bother you after receiving money. Moreover, if I really wanted all those videos would be available to public long time ago! I believe we can still handle this situation on fair terms! Here is my last advice to you... in future you better ensure you stay away from this kind of situations! My advice - don't forget to regularly update your passwords to feel completely secure. ------------------------------ End of alt.music.moxy-fruvous digest V14 #12412 ***********************************************