From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #12224 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Friday, September 15 2023 Volume 14 : Number 12224 Today's Subjects: ----------------- #1 Sleep Mistake Causing Chronic Back Pain? ["high pillow vs. low pillow"] ---------------------------------------------------------------------- Date: Fri, 15 Sep 2023 19:00:37 +0200 From: "high pillow vs. low pillow" Subject: #1 Sleep Mistake Causing Chronic Back Pain? #1 Sleep Mistake Causing Chronic Back Pain? http://purpleburnprodiet.shop/ssNrBke6-DTq8X4xNgDdeS7Brk-H8rllbW8ZwBFKWvav4aVkTg http://purpleburnprodiet.shop/EC7gWriwXSVSgD5nvU_f4tGDqAyoMoZzI7rWQm-VrgnlHhFJfw Two key innovations in the development of the modern music video were the development of relatively inexpensive and easy-to-use video recording and editing equipment, and the development of visual effects created with techniques such as image compositing.[citation needed] The advent of high-quality color videotape recorders and portable video cameras coincided with the DIY ethos of the new wave era,[citation needed] enabling many pop acts to produce promotional videos quickly and cheaply, in comparison to the relatively high costs of using film. However, as the genre developed, music video directors increasingly turned to 35mm film as the preferred medium, while others mixed film and video. During the 1980s, music videos had become de rigueur for most recording artists. The phenomenon was famously parodied by BBC television comedy program Not The Nine O'Clock News who produced a spoof music video "Nice Video, Shame About The Song" (the title was a spoof of a recent pop hit "Nice Legs, Shame About Her Face"). In this period, directors and the acts they worked with began to discover and expand the form and style of the genre, using more sophisticated effects in their videos, mixing film and video, and adding a storyline or plot to the music video. Occasionally videos were made in a non-representational form, in which the musical artist was not shown. Because music videos are mainly intended to promote the artist, such videos are comparatively rare; three early 1980s examples are Bruce Springsteen's "Atlantic City", directed by Arnold Levine, David Mallet's video for David Bowie and Queen's "Under Pressure", and Ian Emes' video for Duran Duran's "The Chauffeur". One notable later example of the non-representational style is Bill Konersman's innovative 1987 video for Prince's "Sign o' the Times" b influenced by Dylan's "Subterranean Homesick Blues" clip, it featured only the text of the song's lyri ------------------------------ End of alt.music.moxy-fruvous digest V14 #12224 ***********************************************