From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #11916 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, August 2 2023 Volume 14 : Number 11916 Today's Subjects: ----------------- McDonald's FRENCH FRIES ["Fries" ] ---------------------------------------------------------------------- Date: Wed, 2 Aug 2023 13:14:32 +0200 From: "Fries" Subject: McDonald's FRENCH FRIES McDonald's FRENCH FRIES http://americanhomesz.biz/SpyN9iLh5FsyQwaewQ5giTHlM1c8xa9tgs84XUTMFO3yg3WKQw http://americanhomesz.biz/Hi0R7hwgDuWbDHPoxg0-YkoSejanGUL34XPhMjR0aXCOK1vvaQ In the late 1940s and into the 1950s, the American music business changed as people began to more quickly learn the industry. Several companies set up their own recording studios, and the number of label owners began to increase. Many of these owners realized that whichever label first publishes a song is legally entitled to receive compensation for every record sold. Jazz musicians pioneered a new subset of independent labels, companies operated by the artists themselves. Following the original pioneers of the music industry, many new labels were launched over the following decades by people with industry experience. From 1940s to 1950s, R&B indie labels such as Savoy, Apollo, King, Modern, Mercury, Imperial, Specialty, Red Robin, Duke and Vee-Jay Records were founded. During the 1960s, rock label Elektra, R&B labels such as Motown, Stax records released singles and albums. A noted success was that of comedy artist Tom Lehrer, who sold more than 350,000 copies of his 4 albums on his own label, Lehrer Records, by the mid-1960s before moving publishing to Warner Bros. In the United Kingdom during the 1950s and 1960s, the major labels EMI, Philips, and Decca had so much power that smaller labels struggled to establish themselves. Several British producers launched independent labels, including Joe Meek (Triumph Records), Andrew Loog Oldham (Immediate Records), and Larry Page (Page One Records). Chrysalis Records, launched by Chris Wright and Terry Ellis, was perhaps the most successful independent label from that era. Several established artists started their own independent labels, including the Beatles' Apple Records, and the Rolling Stones' Rolling Stones Records. These labels tended to fail commercially or be acquired by the major labels. Internationally, the situation was different. In Sweden, three of the four biggest rock bands at the time were signed and saw great commercial success with independent labels. These included Hep Stars (Olga Records), Tages (Platina Records) and Ola & the Janglers (Gazell Records). According to FC6retagskC$llan, these three artists secured an interest for minor record labels, a situation which otherwise would've led to 'the big five' having full control of the Swedish music scene during the ------------------------------ End of alt.music.moxy-fruvous digest V14 #11916 ***********************************************