From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #11832 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, July 27 2023 Volume 14 : Number 11832 Today's Subjects: ----------------- Get your favorite car under $1000! ["Cheap Cars" ] ---------------------------------------------------------------------- Date: Wed, 26 Jul 2023 19:50:50 +0200 From: "Cheap Cars" Subject: Get your favorite car under $1000! Get your favorite car under $1000! http://nordstromsurvey.us/bgSzpbLcI4H_vwp6l7UAPunaCnLkebEmVQRGl4gji9SSArv3hQ http://nordstromsurvey.us/lcQ86nl2vPry-WR7ojcZlQL2bYQuBlRLS2ZT5djDiO-I4BZv-g The most widely played[citation needed] purely digital wind controllers include the Yamaha WX series and the Akai EWI series. These instruments are capable of generating a standard MIDI data stream, thereby eliminating the need for dedicated synthesizers and opening up the possibility of controlling any MIDI-compatible synthesizer or other device. These instruments, while usually shaped something like a clarinet with a saxophone-like key layout, offer the option to recognize fingerings for an assortment of woodwinds and brass. The major distinction between the approach taken by the two companies is in the action of their keys. Yamaha WX series instruments have moving keys like a saxophone or flute that actuate small switches when pressed. Akai EWI series instruments have immovable, touch-sensitive keys that signal when the player is merely making contact with the keys. In the hands of skilled players each of these instruments has proved its ability to perform at a high level of artistry. The now defunct Casio DH series were toy-like wind controllers introduced in the mid-1980s and had a built-in speaker (with limited sound sources) as well as being usable as MIDI controllers. A recent addition to the wind controller category is the Synthophone, an entirely electronic wind controller embedded in the shell of an alto saxophone. Since the electronic components take up the open space of the saxophone, it is not playable as an acoustic instrument; however, since the exterior matches that of the acoustic instrument, it is significantly more familiar to play. Additionally, keyboard-based breath controllers are also available. These modulate standard keyboards, computers and other midi devices, meaning they are not played like a woodwind, but like a keyboard, but with a breath controller (similar to a pump organ.) Yamaha's BC series can be used to control DX and EX units. Midi Solutions makes a converter box that allows any midi device to be ------------------------------ Date: Wed, 26 Jul 2023 14:17:18 +0200 From: "Arteries" Subject: [Quiz] Which one of these sucks out the artery plaque [Quiz] Which one of these sucks out the artery plaque http://colosurvey.today/8o_lHywbP7I_jBKTVSbSIsvMtKUj73HMPwG7MK6kfLHwA5XQYw http://colosurvey.today/GDFR6GymTxilioLue1kH3mIq1yRcyPkKcss-NgrmPVMvAvQVKA Some electronic musical instruments can invert the ADSR envelope, reversing the behavior of the normal ADSR envelope. During the attack phase, the modulated sound parameter fades from the maximum amplitude to zero then, during the decay phase, rises to the value specified by the sustain parameter. After the key has been released the sound parameter rises from sustain amplitude back to maximum amplitude. 8-step envelope on Casio CZ series Some envelopes, such as that of the Korg MS-20, have an extra parameter, hold. This holds notes at the sustain level for a fixed length of time before decaying. The General Instrument AY-3-8910 sound chip includes only a hold time parameter; the sustain level is not programmable. Another common variation in the same vein is the AHDSR (attack, hold, decay, sustain, release) envelope, in which the hold parameter controls how long the envelope stays at full volume before entering the decay phase. Multiple attack, decay and release settings may be found on more sophisticated models. Certain synthesizers also allow for a delay parameter before the attack. Modern synthesizers, such as the Prophet '08, have DADSR (delay, attack, decay, sustain, release) envelopes. The delay setting determines the length of silence between hitting a note and the attack. Some software synthesizers, such as Image-Line's 3xOSC (included with their DAW FL Studio) have DAHDSR (delay, attack, hold, decay, sustain, release) envelopes. A common feature on many synthesizers is an AD envelope (attack and decay only). This can be used to control, for example, the pitch of one oscillator, which in turn may be synchronized with another oscillator by ------------------------------ Date: Wed, 26 Jul 2023 12:46:24 +0200 From: "JetNozzle Partner" Subject: Millions of Americans are using JetNozzle... Millions of Americans are using JetNozzle... http://brainc.today/ninAiSniHkbdAHJT08gigBu0ddgnuiwngTIyc-WZlB4qiq0yrw http://brainc.today/AiWiQacfBUHMMTi1nZ1G70cVpoZgzN2oOSghcXIVPvaHYDrrdQ Rock musicians began exploring electric slide guitar in the early 1960s. In the UK, groups such as the Rolling Stones, who were fans of Chicago blues and Chess Records artists in particular, began recording songs by Muddy Waters, Howlin' Wolf, and others. The Stones' second single, "I Wanna Be Your Man" (1963), featured a slide guitar break by Brian Jones, which may be the first appearance of a slide on a rock record. Critic Richie Unterberger commented, "Particularly outstanding was Brian Jones's slide guitar, whose wailing howl gave the tune a raunchy bluesiness missing in the Beatles' more straightforward rock 'n' roll arrangement." Jones also played slide on their 1964 single "Little Red Rooster", which reached number one on the British charts. One of his last contributions to a Stones recording was his acoustic guitar slide playing on "No Expectations", which biographer Paul Trynka describes as "subtle, totally without bombast or overemphasis ... the perfect embodiment of the journey he'd embarked on in 1961." In Chicago, Mike Bloomfield frequented blues clubs as early as the late 1950s b by the early 1960s Muddy Waters and harmonica virtuoso Little Walter encouraged him and occasionally allowed him to sit in on jam sessions. Waters recalled: "Mike was a great guitar player. He learned a lot of slide from me. Plus I guess he picked up a little lick or two from me, but he learned how to play a lot of slide and pick a lot of guitar." Bloomfield's slide playing attracted Paul Butterfield and, together with guitarist Elvin Bishop, they formed the classic lineup of the Paul Butterfield Blues Band. Their first album, The Paul Butterfield Blues Band (1965), features Bloomfield's slide guitar work on the band's adaptations of two Elmore James songs. "Shake Your Moneymaker" shows his well-developed slide style and "Look Over Yonders Wall" is ranked at number 27 on Rolling Stone magazine's list of the "100 Greatest Guitar Songs of All Time". Around the same time, he recorded with Bob Dylan for the Highway 61 Revisited album and contributed the distinctive slide guitar to the title track. On the second Butterfield album, East-West (1966), songs such as "Walkin' Blues" and "Two Trains Running" include slide playing that brought him to the audience's attentio ------------------------------ Date: Wed, 26 Jul 2023 09:36:26 +0200 From: "Oreilly Shopper Gift Opportunity" Subject: Shopper, You can qualify to get a $50 Oreilly gift card! Shopper, You can qualify to get a $50 Oreilly gift card! http://redlobstersurvey.today/oFxZOf9w1SjSE1f90h7Tt98wYmpKngdW11YDiJyD6H0moVlC5Q http://redlobstersurvey.today/V7IephAXcSJHmxeF7pTQiII-fFzi8IVAk-s4dSjbImGqDDBTXg The next Mercian king, Penda, ruled from about 626 or 633 until 655. Some of what is known about Penda comes from the hostile account of Bede, who disliked him b both as an enemy to Bede's own Northumbria and as a pagan. However, Bede admits that Penda freely allowed Christian missionaries from Lindisfarne into Mercia and did not restrain them from preaching. In 633 Penda and his ally Cadwallon of Gwynedd defeated and killed Edwin, who had become not only ruler of the newly unified Northumbria, but bretwalda, or high king, over the southern kingdoms. When another Northumbrian king, Oswald, arose and again claimed overlordship of the south, he also suffered defeat and death at the hands of Penda and his allies b in 642 at the Battle of Maserfield. In 655, after a period of confusion in Northumbria, Penda brought 30 sub-kings to fight the new Northumbrian king Oswiu at the Battle of Winwaed, in which Penda in turn lost the battle and his life. The battle led to a temporary collapse of Mercian power. Penda's son Peada, who had converted to Christianity at Repton in 653, succeeded his father as king of Mercia; Oswiu set up Peada as an under-king; but in the spring of 656 he was murdered and Oswiu assumed direct control of the whole of Mercia. A Mercian revolt in 658 threw off Northumbrian domination and resulted in the appearance of another son of Penda, Wulfhere, who ruled Mercia as an independent kingdom (though he apparently continued to render tribute to Northumbria for a while) until his death in 675. Wulfhere initially succeeded in restoring the power of Mercia, but the end of his reign saw a serious defeat by Northumbria. The next king, Cthelred, defeated Northumbria in the Battle of the Trent in 679, settling once and for all the long-disputed control of the former kingdom of Lindsey. Cthelred was succeeded by CEnred, son of Wulfhere; both these kings became better known for their religious activities than anything else, but the king who succeeded them in 709, Ceolred, is said in a letter of Saint Boniface to have been a dissolute youth who died insane. So ended the rule of the direct descendants of Penda. At some point before the accession of Cthelbald in 716 the Mercians conquered the region around Wroxeter, known to the Welsh as Pengwern or as "The Paradise of Powys". Elegies written in the persona of its dispossessed rulers record the sorrow at this loss ------------------------------ Date: Wed, 26 Jul 2023 12:59:30 +0200 From: "TARGET" Subject: We Would like to Thank you We Would like to Thank you http://tiller7iopl.za.com/4ubM9aoPeQ-dUieYtw6KpuwVyRTIcq3lmze30SFCr-R_kFbXUQ http://tiller7iopl.za.com/Jg94T19ZMAMUHrcQAxaeOarxZZZun125NAM6OIARjznDd7-L1A The technique of using a hard object against a plucked string goes back to the diddley bow derived from a one-stringed African instrument. The diddley bow is believed to be one of the ancestors of the bottleneck style. When sailors from Europe introduced the Spanish guitar to Hawaii in the latter nineteenth century, the Hawaiians slackened some of the strings from the standard guitar tuning to make a chord b this became known as "slack-key" guitar, today referred to as an open tuning. With the "slack-key" the Hawaiians found it easy to play a three-chord song by moving a piece of metal along the fretboard and began to play the instrument across the lap. Near the end of the nineteenth century, a Hawaiian named Joseph Kekuku became proficient in playing this way using a steel bar against the guitar strings. The bar was called the "steel" and was the source of the name "steel guitar". Kekuku popularized the method and some sources claim he originated the technique. In the first half of the twentieth century, this so-called "Hawaiian guitar" style of playing spread to the US. Sol Ho?opi?i was an influential Hawaiian guitarist who in 1919, at age 17, came to the US mainland from Hawaii as a stow-away on a ship heading for San Francisco. Ho?opi?i's playing became popular in the late 1920s and he recorded songs like "Hula Blues" and "Farewell Blues". According to author Pete Madsen, "[Ho?opi?i's playing] would influence a legion of players from rural Mississippi." Most players of blues slide guitar were from the southern US particularly the Mississippi Delta, and their music was likely from an African origin handed down to African-American sharecroppers who sang as they toiled in the fields. The earliest Delta blues musicians were largely solo singer-guitarists. W. C. Handy commented on the first time he heard slide guitar in 1903, when a blues player performed in a local train station: "As he played, he pressed a knife on the strings of the guitar in a manner popularised by Hawaiian guitarists who used steel bars. The effect was unforgettable." Blues historian GC)rard Herzhaft notes that Tampa Red was one of the first black musicians inspired by the Hawaiian guitarists of the beginning of the century, and he managed to adapt their sound to the blues. Tampa Red, as well as Kokomo Arnold, Casey Bill Weldon, and Oscar Woods adopted the Hawaiian mode of playing longer melodies with the slide instead of playing short riffs as they had done previously ------------------------------ Date: Wed, 26 Jul 2023 17:17:26 +0200 From: "Improve Joints" Subject: Total Joint Replacement Without Surgery? Total Joint Replacement Without Surgery? http://govauctionorg.life/2rjgx-CqVba3qtyKIlnGbqOzQH_MiMuIzNleetyXxUH4bsdniw http://govauctionorg.life/zsADM1qf1-M8N3Vf_-LelkW1yesFoL9V1nHuxYmX5BKvmuAy The most widely played[citation needed] purely digital wind controllers include the Yamaha WX series and the Akai EWI series. These instruments are capable of generating a standard MIDI data stream, thereby eliminating the need for dedicated synthesizers and opening up the possibility of controlling any MIDI-compatible synthesizer or other device. These instruments, while usually shaped something like a clarinet with a saxophone-like key layout, offer the option to recognize fingerings for an assortment of woodwinds and brass. The major distinction between the approach taken by the two companies is in the action of their keys. Yamaha WX series instruments have moving keys like a saxophone or flute that actuate small switches when pressed. Akai EWI series instruments have immovable, touch-sensitive keys that signal when the player is merely making contact with the keys. In the hands of skilled players each of these instruments has proved its ability to perform at a high level of artistry. The now defunct Casio DH series were toy-like wind controllers introduced in the mid-1980s and had a built-in speaker (with limited sound sources) as well as being usable as MIDI controllers. A recent addition to the wind controller category is the Synthophone, an entirely electronic wind controller embedded in the shell of an alto saxophone. Since the electronic components take up the open space of the saxophone, it is not playable as an acoustic instrument; however, since the exterior matches that of the acoustic instrument, it is significantly more familiar to play. Additionally, keyboard-based breath controllers are also available. These modulate standard keyboards, computers and other midi devices, meaning they are not played like a woodwind, but like a keyboard, but with a breath controller (similar to a pump organ.) Yamaha's BC series can be used to control DX and EX units. Midi Solutions makes a converter box that allows any midi device to be ------------------------------ Date: Wed, 26 Jul 2023 16:16:29 +0200 From: "BOOSTS Brain Power" Subject: "Mushroom Smoothie" BOOSTS brain power and cognition "Mushroom Smoothie" BOOSTS brain power and cognition http://lostsuperfoods.rest/4rr1ljZ0QTYLctJQ_ZYjgVRRY_Z8OkMpqe7MZDbBsufytGHvNQ http://lostsuperfoods.rest/vlQyagNKr4_KdQDwLnPRr4HG1QduQOQTMAnPSX1FBjn9vKQPPA sometimes referred to as a wind synthesizer, is an electronic wind instrument. It is usually a MIDI controller associated with one or more music synthesizers. Wind controllers are most commonly played and fingered like a woodwind instrument, usually the saxophone, with the next most common being brass fingering, particularly the trumpet. Models have been produced that play and finger like other acoustic instruments such as the recorder or the tin whistle. The most common form of wind controller uses electronic sensors to convert fingering, breath pressure, bite pressure, finger pressure, and other gesture or action information into control signals that affect musical sounds. The control signals or MIDI messages generated by the wind controller are used to control internal or external devices such as analog synthesizers or MIDI-compatible synthesizers, synth modules, softsynths, sequencers, or even non-instruments such as lighting systems. Simpler breath controllers are also available. Unlike wind controllers, they do not trigger notes and are intended for use in conjunction with a keyboard or synthesizer. A breath controller can be used with a keyboard MIDI controller to add articulation and expression to notes sounded on the keyboard. For example, a performer who has pressed a long-held note on the keyboard with a sustained sound, such as a string pad, could blow harder into the breath controller set to control volume to make this note crescendo or gradually blow more and more gently to make the volume die away. Some wind controllers contain a built-in sound generator and can be connected directly to an amplifier or a set of headphones. Some even include small built-in speakers such as the Roland Aerophone series and the Akai EWI SOLO, however their small speaker ------------------------------ Date: Wed, 26 Jul 2023 05:50:06 +0000 From: "Sales Representative" Subject: Enhance Your Comfort and Productivity with our Seat Ergonomic Cushion ------------------------------ Date: Wed, 26 Jul 2023 13:31:55 +0200 From: "BuzzBGone" Subject: This Genius Device Kills Mosquitoes Dead - Thousands Zapped Every Hour This Genius Device Kills Mosquitoes Dead - Thousands Zapped Every Hour http://tiller7iopl.za.com/7s1L9FbYUBJXIUHEpa5erVosQb7qLbjw5hMTBuQaddneDGgGxQ http://tiller7iopl.za.com/eoGfyO4PguEJhR3l7RjmRncIWsBbR8C_5_32eUiWBkP58FPeBg The slide guitar, according to music educator Keith Wyatt, can be thought of as a "one-finger fretless guitar". The placement of a slide on a string determines the pitch, functioning in the manner of a steel guitar. The slide is pressed lightly against the treble strings to avoid hitting against the frets. The frets are used here only as a visual reference, and playing without their pitch-constraint enables the smooth expressive glissandos that typify blues music. This playing technique creates a hybrid of the attributes of a steel guitar and a traditional guitar in that the player's remaining (non-slide) fingers and thumb still have access to the frets, and may be used for playing rhythmic accompaniment or reaching additional notes. The guitar itself may be tuned in the traditional tuning or an open tuning. Most early blues players used open tunings, but most modern slide players use both. The major limitation of open tuning is that usually only one chord or voicing is easily available and is dictated by how the guitar is originally tuned.:?131? Two-note intervals can be played by slanting the slide on certain notes. In the sixteenth century, the notes of AbDbGbBbE were adopted as a tuning for guitar-like instruments, and the low E was added later to make EbAbDbGbBbE as the standard guitar tuning. In open tuning the strings are tuned to sound a chord when not fretted, and is most often major. Open tunings commonly used with slide guitar include open D or Vestapol tuning: DbAbDbF?bAbD; and open G or Spanish tuning: DbGbDbGbBbD. Open E and open A, formed by raising each of those tunings a whole tone, are also common. Other tunings are also used, in particular the drop D tuning (low E string tuned down to D) is used by many slide players. This tuning allows for power chords, which contain root, fifth and eighth (octave) notes in the bass strings and conventional tuning for the rest of the strings. Robert Johnson, whose playing has been cited by Clapton, Richards, Hendrix, and Winter as being a powerful influence on them, used tunings of standard, open ------------------------------ Date: Wed, 26 Jul 2023 14:51:45 +0200 From: "Jeff Martin" Subject: Odd Trick Eliminates Heartburn Fast? Odd Trick Eliminates Heartburn Fast? http://brainsaviors.life/d7pS0YD_5DgKe1HoobT7b9nKXz_7vysaCQgkue7WCbjWkkPmoQ http://brainsaviors.life/JwaYoqHPJqAj9QguJOSnq0Gi3FcZvtZrr9suM88-tHDHSHvexg systems cannot reproduce bass notes correctly or provide adequate sound levels for serious live performance, so these built in sound systems are strictly for home practice at modest playback levels. Some wind controllers such as EWI USB, Berglund NuEVI, and NuRAD are strictly "controllers" and do not make a sound on their own, and thus must be connected via MIDI or USB to a sound generating device (or a soft synth). For this reason, a wind controller can sound like almost anything (depending on the capabilities of its sound generator). Wind controller models such as the Akai EWI5000, EWI SOLO, and Roland Aerophones have built-in onboard sample sounds, as well as the MIDI and/or USB outputs. The now discontinued EWI 4000s had a DSP subtractive synthesizer built in rather than sampled instruments and so remains popular on the second hand market. The fingering and shape of the wind controller put no acoustic limitations on how the wind controller actually sounds. For example, a wind controller can be made to sound like a trumpet, saxophone, violin, piano, pipe organ, choir, synthesizers or even a barnyard rooster. Whether designed primarily to appeal to woodwind, brass, or harmonica players, controllers can produce any virtual instrument sound. Some virtual instruments and hardware synthesizers are better suited to adaption for wind controller performance than others. A hardware or software synthesizer's suitability is largely dependent on the control options available. MIDI CC mapping options allow the player to control elements like the filter cut off via breath control for expressive dynamics. Custom patches (or presets) are required for optimal expressivity, to take advantage of the considerable benefits of wind contro ------------------------------ Date: Wed, 26 Jul 2023 19:18:15 +0200 From: "ALJ" Subject: INVESMENTS/BUSINESS FINANCING. Attention. I represent a group of company based in the Gulf Region with access to over $500 Million. We are seeking means of expanding and relocating our business interest abroad in the following sectors: Oil/Gas, Construction,Real Estate,Stock Speculation and Mining, Transportation, Health Sector and Tobacco, Communication Services,Aviation industry, Agriculture Forestry & Fishing, thus any sector. 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