From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #11733 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Monday, July 3 2023 Volume 14 : Number 11733 Today's Subjects: ----------------- Text To Speech? You aināt heard nothing yet ["Voice Over Software" Subject: Text To Speech? You aināt heard nothing yet Text To Speech? You ainbt heard nothing yet http://synoguty.today/b9wEYxWIjs9QQF4Tmt761iKOsKf6Or8zYfkojRAp4RDDeh4Rgg http://synoguty.today/_3WU0v60yLt2g_BIcUFL1SxG-g-JmUGDsB4Pc9kTD5qe0dFA rough the flight, members of the Mission Management Team were less concerned than the Debris Assessment Team about the potential risk of a debris strike. The loss of bipod foam on STS-107 was compared to previous foam strike events, none of which caused the loss of an orbiter or crew. Ham, scheduled to work as an integration manager for STS-114, was concerned with the potential delays from a foam loss event.:?147b148? Mission management also downplayed the risk of the debris strike in communications with the crew.:?161? On January 23 flight director Steve Stich sent an e-mail to Husband and McCool to tell them about the foam strike and inform them there was no cause for concern about damage to the TPS, as foam strikes had occurred on previous flights.:?159? During ascent at approximately 80 seconds, photo analysis shows that some debris from the area of the -Y ET Bipod Attach Point came loose and subsequently impacted the orbiter left wing, in the area of transition from Chine to Main Wing, creating a shower of smaller particles. The impact appears to be totally on the lower surface and no particles are seen to traverse over the upper surface of the wing. Experts have reviewed the high speed photography and there is no concern for RCC or tile damage. We have seen this same phenomenon on several other flights and there is a ------------------------------ Date: Sat, 1 Jul 2023 14:32:11 +0200 From: "Balding Scalp" Subject: she grew back thick, full hair w/ THIS odd at-home method she grew back thick, full hair w/ THIS odd at-home method http://brainsaviorignite.za.com/NfTGKhBBq9NaieJvFzwfgbvUjmFNnZfxjsgqUL6VwvBFUXZDAg http://brainsaviorignite.za.com/ct8aedNy4pS2S3tvl9BPebK4ynC0MLkPDF7NxZWdcbR1E7R7hQ to the BBC on the basis that ITV was in comparison lacking in serious programming. BBC Television became BBC1 when BBC2 launched on 20 April 1964, transmitting an incompatible 625-line image on UHF. The only way to receive all channels was to use a complex "dual-standard" 405- and 625-line receiver with both a VHF and a UHF aerial (405-line-only sets became obsolete in 1985 when VHF transmissions ended). BBC1 moved to purpose-built facilities at Television Centre on 20 September 1969.Television News continued to use Alexandra Palace as its base and by early 1968 had even converted one of its studios to colour. In the weeks leading up to 15 November 1969, BBC1 unofficially transmitted the occasional programme in its new colour system in order to test it. At midnight on 15 November, simultaneously with ITV and two years after BBC2 had done so, BBC1 officially began 625-line PAL colour programming on UHF with a broadcast of a concert by Petula Clark. Colour transmissions could be received in monochrome via monochrome 625-line sets until the end of analogue broadcasting. Between 1973 and 1977, BBC1 achieved an average audience share of 45% under Bryan Cowgill. This was the channel's most successful period in terms of audience share. On 30 December 1980, the BBC announced plans to introduce a new breakfast television service to compete with TV-am. They stated that the new show would be broadcast before TV-am but included the caveat that the new show would not launch until at least November 1981, whereupon new licence fee income could finance the necessary extension of broadcasting hours. On 17 January 1983, one year after originally planned, the first edition of Breakfast Time was shown on BBC1, becoming the first UK wide breakfast television service and continued to lead in the ratings until ------------------------------ Date: Sat, 1 Jul 2023 11:30:48 +0200 From: "Muama Ryoko" Subject: Internet.connection.anywhere.anytime.for.anyone Internet.connection.anywhere.anytime.for.anyone http://bbwdatings.us/DzlHfd6SqY96-j1cgWynBMYmDvARJ9Jev-mhikTwJj8HdI1cLw http://bbwdatings.us/bb8uhuD6urwIAqhvhr7nZuw6MdDUcP9i9vwzr6CLGrctrRky Trainor is a singer-songwriter. Her music has been described as pop, R&B, doo-wop, and blue-eyed soul. Her debut EP Title is composed of throwback-style sound and "1950s doo wop-inspired songs that straddle the line between modern R&B and melodic pop". Her hook-laden songwriting style has been likened to that of Brill Building composers such as Gerry Goffin, Carole King, Ellie Greenwich, and Jeff Barry; while the sound of her debut EP has been compared to that of American indie pop singer-songwriters Jenny Lewis and Neko Case, and the "retro-girl-group" sound of her debut single to that of 1960s singers such as Betty Everett and Eydie GormC). The album Title is a fusion of girl group pop and old-school hip hop and Thank You is an R&B album with dance-pop elements, while Trainor incorporated electronic dance music influences and funk on Treat Myself. Trainor plays a variety of instruments: bass, guitar, ukulele, keyboard, trumpet, percussion, and piano. According to Trainor, a song's melody is more important than its lyrics. Other genres in which she composes include country, hip hop, reggae and soca, but she prefers doo-wop and reggae. Trainor's lyrics frequently refer to womanhood, body image, and personal empowerment. Billboard's Ashley Lee wrote that since receiving controversy for the lyrics of "All About That Bass", Trainor began writing "more inclusive" songs about body positivity, citing "Me Too" and the Thank You track "Woman Up" (2016) as examples. The album Title explores themes like heartbreak, one-night stands, relationships, and sex. According to Slant Magazine's Alexa Camp, Trainor continued to peddle a "myopic, commercialized brand of feminism" with Thank You. Trainor incorporated empowerment as a lyrical theme on Treat Myself, and also continued the theme of feminism with its lyrics; the latter drew criticism from PopMatters' Jessica Brant. Trainor is an alto and her vocals have been described as "soulful" and "highly resonant", as well as "a reedy cross" between those of Katy Perry and Taylor Swift. Chris DeVille of Stereogum said Trainor is "a very capable singer" and that she "project lots of character and emotion within a relatively limited range". Writing for Canadian Business, James Cowan compared the harmonies in Trainor's music to those of 1960s female groups. MTV News' Carvell Wallace wrote that the singer has charismatic vocals, her relatability is part of her appeal, and one can "imagine a drunken bachelorette party having a transcendent sing-along to [her music] in the back of a rented stretch Hummer". He also criticized Trainor for using African-American English. Trainor has said that her accent is "the Gary Trainor thing", and that her fathe ------------------------------ End of alt.music.moxy-fruvous digest V14 #11733 ***********************************************