From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #11731 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Sunday, July 2 2023 Volume 14 : Number 11731 Today's Subjects: ----------------- Beware of drinking this type of water, it could harm your weight and health [" alkaline water vs. spring water" Subject: Beware of drinking this type of water, it could harm your weight and health Beware of drinking this type of water, it could harm your weight and health http://synoguty.today/0KgmbAThGdKAX3z-DUWlSBcRZH-7GvwMnx7Luf3kDCpLXsRYPw http://synoguty.today/z5uSel-MW_ZD3ykKXfA2oBsKq_EQfw9AHC0NotIHO2CjuP88VA sbyterian denominations share the same name in Korean, ???????? (literally means the Presbyterian Church of Korea or PCK), tracing its roots to the United Presbyterian Assembly before its long history of disputes and schisms. The Presbyterian schism began with the controversy in relation to the Japanese shrine worship enforced during the Japanese colonial period and the establishment of a minor division (Koryu-pa, ???, later The Koshin Presbyterian Church in Korea, Koshin ??) in 1952. And in 1953 the second schism happened when the theological orientation of the Chosun Seminary (later Hanshin University) founded in 1947 could not be tolerated in the PCK and another minor group (The Presbyterian Church in the Republic of Korea, Kijang, ??) was separated. The last major schism had to do with the issue of whether the PCK should join the WCC. The controversy divided the PCK into two denominations, The Presbyterian Church of Korea (Tonghap, ??) and The General Assembly of Presbyterian Church in Korea (Hapdong, ??) in 1959. All major seminaries associated with each denomination claim heritage from the Pyung Yang Theological Seminary, therefore, not only Presbyterian University and Theological Seminary and Chongsin University which are related to PCK but also Hanshin University of PROK all celebrated the 100th class in 2007, 100 years from the first graduates of Pyung Yang Theological Seminary. Korean Presbyterian denominations are active in evangelism and many of its missionaries are being sent overseas, being the second biggest missionary sender in the world after the United States. GMS, the missionary body of the "Hapdong" General Assembly of Presbyterian Churches of Korea, is the single largest Presbyterian missionary organization in Korea. In addition there are many Korean-American Presbyterians in the United States, either with their own church sites or sharing space in pre-existing churches as is the case in Australia, New Ze ------------------------------ Date: Sun, 2 Jul 2023 06:46:42 +0200 From: "cabernet vs. merlot" Subject: Fwd: Which red wine BOOSTS metabolism? Fwd: Which red wine BOOSTS metabolism? http://survivalauto.shop/7f78ZJxZ4d1-rYwzzIAluKHCSYaepKEkAsqvXUMKWEXyXrvGDA http://survivalauto.shop/TMl3M5vU9ccUs2Ckuc8hhEcMvIFfnp0g_ExDt2CVsZmCGgn88g mainstream artists, including R. Kelly, Mary J. Blige and Bono of U2 together with Crystal Lewis and The Family. "Lean on Me" and the second single "Revolution" (featuring Rodney Jerkins) were considerable hits, and the album contained a version of a Bill Withers song "Gonna Be a Lovely Day". The Nu Nation Project went on to top the Billboard Contemporary Christian Albums chart for 23 weeks and the Billboard Gospel Albums chart for 49 weeks, and brought Franklin his third Grammy. Also in 1998, Franklin had made a guest appearance on the hit television sitcom Sister, Sister.[citation needed] In 2000, members of The Family filed a multimillion-dollar lawsuit for royalties for their work on The Nu Nation Project against Franklin and GospoCentric Records. This saw the end of the "Kirk Franklin & The Family" records, as Franklin continued with his newer group One Nation Crew, releasing Kirk Franklin Presents 1NC. The album was recorded prior to the lawsuit. On January 16, 2010, at the 25th Annual Stellar Awards show taping in Nashville, Tennessee, Kirk Franklin & The Family reunited briefly on stage to perform songs made popular by them in the 1990s.[citation needed] Solo artist (2001bpresent) In 2001, he produced the soundtrack for the film Kingdom Come. The soundtrack included gospel artists Mary Mary, Trin-i-tee 5:7, Crystal Lewis, and Franklin's group 1NC, as well as mainstream artists Az Yet, Jill Scott, Tamar Braxton, Shawn Stockman of Boyz II Men and others. The Rebirth of Kirk Franklin was released in February 2002 after being delayed. It topped the Gospel Albums chart for 29 weeks, was No. 1 on the Hot R&B/Hip-Hop Albums chart, and was certified Platinum. The album featured collaborations with Bishop T.D. Jakes, Shirley Caesar, Willie Neal Johnson, TobyMac, Crystal Lewis, Jaci Velasquez, Papa San, Alvin Slaughter, and Yolanda Adams. On October 4, 2005, Hero was released in the United States. The album was certified Gold on December 2, 2005, and Platinum on December 14, 2006, by the Recording Industry Association of America. It reached No. 1 on both the Billboard Top Christian and Top Go ------------------------------ Date: Sun, 2 Jul 2023 04:33:56 +0200 From: "Apple Reward" Subject: CONGRATS! You Can Get $100 Apple Rewards CONGRATS! You Can Get $100 Apple Rewards http://targetsurvey.one/XkzAaidobnEsnz7mxK1Q2Td1wueTLz6-tmtdniDPIlQdVp4j-g http://targetsurvey.one/I85UrfpfFD3-FJa2y-Up1QYJfbEAHlwjSfnBoXqTclL-Bezf8Q Yarrell was a great admirer of Thomas Bewick (he named a new wildfowl species "Bewick's swan" after the engraver). Bewick's A History of British Birds, published in two volumes in 1797 and in 1804, had brought him nationwide fame, and since Yarrell owned several editions of Bewick's books, he followed the older man's format for his own fish project. Volume 1 has a preface which also acknowledges the people who had helped Yarrell with his project, followed by an introduction discussing the general characteristics of fish (fifteen pages in the first edition) and an alphabetical index before the main species accounts start. There was no established taxonomic sequence for arranging fish, so where possible Yarrell followed Cuvier and Valenciennes, otherwise using anatomical resemblances in features including fins, teeth, and head bones to order his species. Each entry started with a wood engraving of the species, followed by its scientific and English names and their synonyms, and a lead section "Generic characteristics" summarising the key anatomical features. The main text described the fish in more detail, noted when it was recorded as a British species, mentioned interesting anatomical characteristics, described its habits in terms of gregariousness and water depth, and recorded where it could be found in Britain and Europe. Yarrell also ate many of the fish he described so that he could comment on their palatability. A typical example is Yarrell's first entry, for the perch. As well as the expected detailed anatomical and geographical information, in the five-page text he notes: In rivers, the Perch prefers the sides of the stream rather than the rapid parts of the current, and feeds indiscriminately upon insects, worms, and small fishes ... So remarkable is the Perch for its boldness and voracity, that in a few days ... Mr. Jesse tells us, they came freely and took worms from his fingers ... They are constantly exhibited in the markets of Catholic countries, and, if not sold, are taken back to the ponds from which they were removed in the morning, to be reproduced another day. The flesh of this fish is firm, white, of good flavour, and easy of digestion ... The Perch, though very common, is one of the m ------------------------------ Date: Sat, 1 Jul 2023 12:43:04 +0200 From: "Diabetes Medication" Subject: The ASTONISHING Secret of FORMER Diabetics The ASTONISHING Secret of FORMER Diabetics http://trivexaminisaw.za.com/s9jYe6krpiT6YW_9pz88gNkY1g6AwKJDoQc70rDB4Ulcwz_RHA http://trivexaminisaw.za.com/uFiWiHMSP48TxD7lNySDJUybWhh3ffENErzwSCpnZB2KVXZyeA The use of budget-cutting and time-saving animation measures in animation dates back to the earliest commercial animation, including cycled animations, mirror-image and symmetrical drawings, still characters, and other labor-saving methods. In general, the progression was from early productions in which every frame was drawn by hand, independent of each other drawing, toward more limited animation that made use of the same drawings in different ways. Winsor McCay, a man who put an unprecedented amount of detail into his animations, boasted that in his 1914 film, Gertie the Dinosaur, everything moved, including the rocks and blades of grass in the background. In contrast, his 1918 film The Sinking of the Lusitania progressed to using cels over still backgrounds, while still maintaining a level of detail comparable to that of Gertie. The 1942 Merrie Melodies cartoon The Dover Boys, directed by Chuck Jones, is one of the earliest Warner Bros. cartoons to extensively employ some of the processes of what would become known as "limited animation," particularly its use of characters that either stand still or move so quickly that the actual motion appears to be a blur. This animation technique has come to be known as the smear fram ------------------------------ Date: Sat, 1 Jul 2023 16:33:14 +0200 From: "cabernet vs. merlot" Subject: Fwd: Which red wine BOOSTS metabolism? Fwd: Which red wine BOOSTS metabolism? http://healthylifes.today/seVApTlG2eahBqR5t8OoW-Bk415YIcnA9N3JR7Et0oeRBVbcEg http://healthylifes.today/EjzXf_uwd8y6yMyDKUpsGCaSphRQpz4pZlOq4-ZSkOwDjRBkPQ In 1984, Bill Cotton become managing director of Television at the BBC, and set about overhauling BBC1, which had been slated with poor home grown shows, its heavy reliance on US imports, with Dallas and The Thorn Birds being BBC1's highest rated programmes and ratings being over 20% behind ITV. Cotton recruited Michael Grade to become Controller of BBC1 from 1 September 1984 the first time the corporation had recruited someone outside of the BBC, replacing Alan Hart, who had been criticised[by whom?] for his lack of knowledge in general entertainment, as he was head of BBC Sport prior to 1981.[citation needed] The first major overhaul was to axe the unpopular Sixty Minutes current affairs programme: this was a replacement for the news and magazine show Nationwide. Its replacement was the BBC Six O'Clock News, a straight news programme in a bid to shore up its failing early evening slot. It was believed the BBC were planning to cut short the evening news and move more light entertainment programming in from the 18:20 slot, but this was dismissed. The Miss Great Britain contest was dropped, being described as verging on the too offensive after the January 1985 contest, with World's Strongest Man and International Superstar also being cancelled. BBC1 was relaunched on 18 February 1985 with a new look, new programming including Wogan, EastEnders and a revised schedule to help streamline and maintain viewers throughout the course of the evening. Grade started to gear most programmes to either on the hour or half past the hour, while Panorama and Omnibus were both moved after the Nine O'Clock News. Grade was also determined to end the dated and inept BBC1 scheduling which was hampering the channel and holding back good programmes. Grade said "When I took over BBC1, I discovered there were wonderful things, it was just a case of where to put them." Wogan had been scheduled for a 10 pm slot, but Grade moved it to a 7 pm slot as he believed the show had potential. From February to August 1985, a high number of American mini-series were broadcast while filming took place of a number of new home grown programmes, including 'Allo 'Allo!, In Sickness and in Health, and Open All Hours. Further improvement came about when the corporation strengthened its drama output costing B#30 million, with eight new series, including Howards' Way, All Creatures Great and Small, Hold the Back Page, and Bluebill, along with the return of Bergerac and Big Deal. The increase in the drama department was achieved by switching the money away from the administrative service over a three-year period, after BBC1 was criticised for failing to match ITV's output in drama. EastEnders was moved to a 19:30 slot, where it managed to soar to 20 million, helping the BBC1 audience share increase to nearly 50% for the first time since 1982. On 27 February 1985, Doctor Who was placed on an 18-month hiatus. The BBC originally planned to axe the series as they wished to spend its budgets on new programming for the channel, but was forced to back down from public pressure and Doctor Who returned in September 1986. At the time Michael Grade and Jonathan Powell were blamed for the decision (Grade was the target of dea ------------------------------ Date: Sun, 2 Jul 2023 08:00:00 +0200 From: eman abdel monem Subject: =?UTF-8?B?2KjYpdi52KrZhdin2K8g2K3Zg9mI2YXZiiDZiNiv2YjZhNmKINmF2 LXYr9mCINmF2YYg?= =?UTF-8?B?2KfZhNiu2KfYsdis2YrYqSDZgtin2KjZhCDZhNmE2KrZiNir2YrZgiDZhdmG INin2YTYs9mB2KfYsdin?= =?UTF-8?B?2Kog2KfZhNi52LHYqNmK2Kkg2KfZhNiv2KjZhNmI2YUg2KfZhNiq2K/YsdmK 2KjZiiDYp9mE2YXYqtmC?= =?UTF-8?B?2K/ZhSDZgdmKICnYpdiv2KfYsdip2KfZhNij2LLZhdin2KooINmF2YPYp9mB 2K3YqSDYp9mE2K3YsdmK?= =?UTF-8?B?2YIg2YjYp9mE2KXYrtmE2KfYoSDYp9mE2KfZhdmGINin2YTYsNmKINiz2YrY udmC2K8g2YHZiiDYp9mE?= =?UTF-8?B?2YHYqtix2Kkg2YXZhiA5IOKAkyAyMCDZitmI2YTZitmIIDIwMjMg2YUg2KjY p9mE2YLYp9mH2LHYqSA=?= =?UTF-8?B?4oCTINis2YXZh9mI2LHZitipINmF2LXYsSDYp9mE2LnYsdio2YrYqSDYp9mI INiq2K/YsdmK2Kgg2Lk=?= =?UTF-8?B?2YYg2KjZj9i52K8gKNij2YjZhiDZhNin2YrZhikg2YjYp9mE2YXYudiq2YXY ryDZhdmGINin2YTYr9in?= =?UTF-8?B?2LEg2KfZhNi52LHYqNmK2Kkg2YTZhNiq2YbZhdmK2Kkg2KfZhNin2K/Yp9ix 2YrYqSDigJMgQUhBRCA=?= =?UTF-8?B?2LTZh9in2K/YqSDYqNiq2LXYr9mK2YIg2K3Zg9mI2YXZiiDZiNiq2YjYq9mK 2YIg2YXZhiDYrtin2LE=?= =?UTF-8?B?2KzZitipINmD2YDZgNmA2YDYp9mB2Kkg2KfZhNiv2YjZhCDYp9mE2LnYsdio 2YrYqSDYp9mH2YUg2LQ=?= =?UTF-8?B?2YfYp9iv2Kkg2KrYr9ix2YrYqNmK2Kkg2YTZhNmF2YfYqtmF2YrZhiDYqNil 2K/Yp9ix2Kkg2KfZhNij?= =?UTF-8?B?2LLZhdin2KrYjCDYqNix2YbYp9mF2Kwg2KrYr9ix2YrYqNmKINmK2LTZhdmE INiz2KrYqSDZhdit2Kc=?= =?UTF-8?B?2YjYsSDYqtiv2LHZitio2YrYqSDZhNmE2KrYudix2YEg2LnZhNmJINin2YTY p9iz2YTZiNioINin2YQ=?= =?UTF-8?B?2LnZhNmF2Yog2KfZhNin2YXYq9mEINmE2KXYr9in2LHYqSDYp9mE2KPYstmF 2KfYqiDYqNi52YrYr9in?= =?UTF-8?B?INi52YYg2KfZhNin2KzYqtmH2KfYr9in2Kog2KfZhNmB2LHYr9mK2KnYjCDZ iNmK2LTZhdmEINmH2LA=?= =?UTF-8?B?2Kcg2KfZhNio2LHZhtin2YXYrCDYq9mE2KfYqyDZiNix2LQg2LnZhdmEINiq 2LfYqNmK2YI=?= *X(X%X9X*YX'X/ X-YYYY YX/YYY YX5X/Y YY X'YX.X'X1X,Y X) YX'X(Y YYX*YX+Y Y YY X'YX3YX'X1X'X* X'YX9X1X(Y X)* X'YX/X(YYY X'YX*X/X1Y X(Y X'YYX*YX/Y YY )X%X/X'X1X)X'YX#X2YX'X*( *YYX'YX-X) X'YX-X1Y Y YX'YX%X.YX'X! X'YX'YY* *X'YX0Y X3Y X9YX/ YY X'YYX*X1X) **YY 9 b 20 Y YYY Y 2023 Y* *X(X'YYX'YX1X) b X,YYYX1Y X) YX5X1 X'YX9X1X(Y X) X'Y X*X/X1Y X( X9Y X(YX9X/ (X#YY YX'Y Y)* *YX'YYX9X*YX/ YY X'YX/X'X1 X'YX9X1X(Y X) YYX*YYY X) X'YX'X/X'X1Y X) b **AHAD* *X4YX'X/X) X(X*X5X/Y Y X-YYYY YX*YX+Y Y YY X.X'X1X,Y X) YYYYYX'YX) X'YX/YY X'YX9X1X(Y X) * *X'YY X4YX'X/X) X*X/X1Y X(Y X) YYYYX*YY Y X(X%X/X'X1X) X'YX#X2YX'X*X X(X1YX'YX, X*X/X1Y X(Y Y X4YY X3X*X) YX-X'YX1 X*X/X1Y X(Y X) YYX*X9X1Y X9YY X'YX'X3YYX( X'YX9YYY X'YX'YX+Y YX%X/X'X1X) X'YX#X2YX'X* X(X9Y X/X' X9Y X'YX'X,X*YX'X/X'X* X'YYX1X/Y X)X YY X4YY YX0X' X'YX(X1YX'YX, X+YX'X+ YX1X4 X9YY X*X7X(Y YY X) YYYX5YY YY X'YYYX'Y X) YX/X9Y YX/X1X'X*Y X'YYYYY X) YY X.YX'Y YX8Y YX*Y YY X'YX*X9X'YY X(X'X-X*X1X'YY X) YX9 X'YX'X2YX'X* X'YX*Y X*YX1 X(YX' X'YX4X1YX) X#Y X'YYYX8YX) X'YX*Y X*X9YY X(YX'.* *X*YX'X5Y Y YYX-X'YX1 X'YX/X(YYY X'YX*X/X1Y X(Y X'YYX*YX/Y* *Y X4YY YX0X' X'YX(X1YX'YX, X3X*X) YX-X'YX1 X*X/X1Y X(Y X) YX*X6YYX'Y X'YX%X7X'X1 X'YYX8X1Y X'YX0Y Y X3X*YX/Y X'YX'X+X1X'X! X'YYX9X1YY YYYX*X/X1X( X-YY YX'YY X) X%X/X'X1X) X'YX%X2YX'X* X(X9Y X/X'Y X9Y X'YX'X,X*YX'X/X'X* X'YYX1X/Y X) X YY X4YY X'YYX+Y X1 YY X'YX*X7X(Y YX'X* X'YX9YYY X) YY X.YX'Y X+YX'X+ YX1X4 X9YY X*X7X(Y YY X)X YX'YYX1X4X) X'YX#YYY X*X-YY X*X7X(Y YX'X* YYYX,Y X) X'YX(X-X+ X'YX9YYY YY X%X/X'X1X) X'YX'X2YX'X* X(YX' Y X6YY X'YX*X7X(Y Y X'YX9YYY YX%X/X'X1X) X'YX'X2YX'X* YY X*YX'X2Y X/YY Y Y YYX1 X(Y X&X) YYYY X) YX'X/X1X) X9YY X*X-X/Y X/ YX5X'X/X1 X'YX'X2YX'X* X'YYX-X*YYX) X YX*YX*Y X* YX-X*YY X'X*YX' X-X'Y X-X/YX+YX'. YX'YYX1X4X) X'YX+X'YY X) X*X-YY X*X7X(Y YX'X* X%X/X'X1X) X'YX'X2YX'X* X9YY YX3X*YY X'YX'X/X'X1X) X'YX9YY X'. X#YX' X'YYX1X4X) X'YX+X'YX+X) YX%YYX' X*X:X7Y YX3X*YY X'YX'X/X'X1X) X'YX*YYY X0Y X) X YX*X2YX/ X'YYX*X/X1X(Y Y X(YX8X'Y X4X'YY YX%X/X'X1X) X-YYYX) X'YX'X/X'X! X'YYYYY YX1X#X3 X'YYX'Y X'YX(X4X1Y YX'YX3Y X7X1X) X9YY X'YYX9YYX'X* X'YX'X/X'X1Y X) X'YX*Y X*YX*X'X( YY YY X'YX'X/X'X! **O. Performance Structure** YY X.YX'Y X.X'X5Y X) X'Y * *Anti-crises**X X(X'YX'X6X'YX) X%YY YYYX0X, X'YYX-X'YX'X) YX1X*X(X7 X(YX4X'X7 X'YX4X1YX) X YX'YX0Y Y X3X*YX/Y X*X7X(Y Y X'YYYX8YX1 X'YX*YX'YYY **Integrated View** YYX-X*YY X'X* X'YX(X1YX'YX, X(X'YYX'YY YYY YX'YX) X'YX8X1YY X'YX*Y X*YX*X'X( X'YYX'YX9 X'YX9YYY X YYYY YY X%X7X'X1 X*YX*Y X* X'YX'X2YX'X* X#Y X9X2YYX' X9Y YX6Y X) X*X9X8Y Y X'YX9X'X&X/ X'YX'X3X*X+YX'X1Y **ROI**..* *X'YYX-X'YX1 X'YX*Y X3Y X*Y X/X1X'X3X*YX' YY YX0X' X'YX/X(YYY X'YX*X/X1Y X(Y X'YYX*YX/Y* - *X'YYX-YX1 X'YX#YY : YYX/YX) X9X'YX) **General Introduction* - * X*YX+Y X'YYX/X.Y X'YX9X'Y YX%X/X'X1X) X'YX'X2YX'X* Y X*X9X1Y Y X'YX'X2YX'X* YY X'YYYX8YX1 X'YX9YYY X Y YX6X9 X'YX-X/YX/ X'YYX'X5YX) X(Y Y "X%X/X'X1X) X'YX#X2YX'X* YX%X/X'X1X) X'YYX.X'X7X1".* - *X'YYX-YX1 X'YX+X'YY : X'YYX-X/X/X'X* X'YX1X&Y X3Y X) YYX'X2YX'X* **The Main Characteristics* *:* - *Y X3X*YX/Y X%X+X1X'X! X'YX,X'YX( X'YYX9X1YY YYX.X*YY X'YYY X'X/X'X* X'YX9YY X' YX'YX*YYY X0Y X) X-YY X%X/X'X1X) X'YX'X2YX'X* X7X(YX'Y YYYYX8YX1 X'YX9YYY X YX0YY YX9X2Y YX,YX'X* X'YYX8X1 X'YX.X'X5X) YYX' X*X-YYY X'YX.X(X1X'X* YY YX1X6Y X'X* X:Y X1 YX$YX/X) YX%X,X*YX'X/X'X* YX1X/Y X) YX(YY X) X9YY X*YX3Y X1X'X* X0X'X*Y Y X(X9Y X/X'Y X9Y X'YX%X7X'X1 X'YX9YYY X'YX/YY YX YX0YY YX%X9X'X/X) X*YY X&X) X0YY X'YYX*X/X1X( YYY YY X) X*X4X.Y X5 X'YX'X2YX'X* X(X'YX'X3YYX( X'YX9YYY X'YX0Y YX' Y YX(Y X'YX*X#YY Y X'YYX1X/Y X YX*YY X&X) X'YX0YY YX%YX*X3X'X( YYX'X1X'X* X*X7X(Y Y X'YYYYX,Y X) X'YX9YYY X) YY X%X/X'X1X) X'YX'X2YX'X* YY X6YX* YX0X' X'YYX-YX1 X'YYYX6YX9X'X* X'YX*X'YY X) :* - *X'YX*X5YY Y X'YYX*X9X/X/ **Multi-Classification** YYX'X2YX'X* X YYX' Y X-YYY YY X.X5X'X&X5 YYX3X*YY X'X* YX.X*YYX).* - *X*YYX9 YX5X'X/X1 X'YX'X2YX'X*X Y YY YYX) X1YX'X&X2 X1X#X3 X'YYX'Y YX*YYY X1 X'YYYX'X2YX'X* X'YX'X-X*Y X'X7Y X) X(X#YYX'X9YX' X'YYX.X*YYX) YY YYX'X,YX) X#X2YX'X* X'YX3Y YYX) X'YYYX/Y X) X0X'X*Y X'Y .* - *X'YX9YX'YY X'YYYYY X) X'YYX.X*YYX) (X'YX3Y X'X3Y X) X X'YX'YX*X5X'X/Y X)X X'YYYX3Y X)X X'YX'X,X*YX'X9Y X)) X'YYX$X+X1X) YY X%X-X/X'X+ YX*X6X.Y YX*X-X,Y Y X'YX'X2YX'X*.* - *X*YY X&X) X'YX(YY X) X'YYX9YYYX'X*Y X) YX%X/X'X1X) X'YX'X2YX'X* YY X(Y X&X) X9YY X/X'X&YX) X'YX*X:Y X1 **An Ever Change-Environment* - *X*X#X3Y X3 X'YYYX8YYX) X'YX'YX*X1X'X6Y X) YX%X/X'X1X) X'YX'X2YX'X* "X:X1YX) X%X/X'X1X) X'YX'X2YX'X*" X(YX' X*X*X6YYY YY X1X#X3 YX'Y X(X4X1Y YX'X/X1 X9YY X%X/X'X1X*YX'. * - *X*X4X.Y X5 YX%YX1X'X1 X-X'YX) X'YX'X2YX) X YX%X9X/X'X/ X'YX*YX'X1Y X1 X'YX.X'X5X) X(YX'. (* *Reporting**&**Reports**).* - *X'YYX-YX1 X'YX+X'YX+ : YX1X4X) X9YY X*X-YY X*X7X(Y YX'X* YYYX,Y X) X'YX(X-X+ X'YX9YYY * *Methodology** YY X%X/X'X1X) X'YX'X2YX'X** - *YY X*X6YY X'YX,X'YX( X'YYYX'X1Y X'YX*X7X(Y YY YYX,YYX9X) YY X'YYYX'X1X'X* X'YX'X/X'X1Y X) YYX.X*YY X'YYY X'X/X'X* X'YX9YY X' YX'YYY X'X/X'X* X'YX*YYY X0Y X) YY YY YY X) X%X,X1X'X! X'YYYX'X-X8X) X'YX9YYY X) YYX.X*YY YX3X'X1X'X* X'YX9YY X YYX' X*X-YY X'YYYX'X1X3X) X'YX9YYY X) YY YYX'X1X'X* X'YX9YYY X'X* X'YX*X.X7Y X7Y X) YX,YX9 X'YYX9YYYX'X* X YX*X-YY YYX' X YYY X'X3YX' YX*YY Y Y X'YYYYY X(X'YYX'YY X YX'YYY X'Y X(X'YX*YYY Y X'YYYX'X3X( YY X.YX'Y YYX/X1X) X9YY X5Y X'X:X) X.X7X7 X'YX*X5X/Y YYX'X2YX'X* YX.X7X7 X(X/Y YX) YX'X&YX) X9YY X*YX9Y Y X.X'X5Y X) X'YX*YX1Y X+ YYYX'X5YX'X* X*YY X'YX.X7X) YY X*X6YY YX0X' X'YYX-YX1 X'YYYX6YX9X'X* X'YX*X'YY X) :* - *YY YY X) X'YYY X'Y X(YY YYX) X'YX(Y X'YX'X* X YX,YX9 X'YYX9YYYX'X* **Data Structures* *&**Info. Collection* - *X*X7X(Y Y X'YX7X1Y X'YYX.X*YYX) YX9YYY X) X'YX*X-YY Y **Case Study**&**Analysis of content**X YX0YY YYYX4Y X9Y YX-X*YY X'YX'X2YX'X* **Crises Container** Y X1X5X/ YX3X(X(X'X*YX' X'YX(X9Y X/X) .* - *X*X7X(Y Y X9YYY X) X'YYY X'X3 "X'YYX(YY YX'YX(X9X/Y " YX*X-X,Y Y YX.X*YY X'YX'X2YX'X* * *Measurement** (YYX'Y YYYX9X'Y ).* - *X-X5X1 YX*YY Y Y YX$X+X1X'X* X'YX'X2YX'X* X9YY X'YYX/Y X'YYX1Y X( YX'YYX*YX3X7 YX'YX(X9Y X/X YX'YYX4Y X9Y YYX'X7 X'YX*X-YY YY YX.X*YY X'YX'X2YX'X* **Crises Control Points**.* - *X'YX*YYY YX YX'YX/YX1 X'YX9YX'X,Y YX%X/X'X1X) X'YX'X2YX'X* **Crises Treatment**X YX*YX9Y Y X'YX'X,X1X'X!X'X* X'YYYX'X&Y X) **procedures Preventive** YY X/X9Y X'YX'Y X,X'X(Y X'X*X YX*X7X(Y Y X.X'X5Y X) X'YX*YX1Y X+ **Inheritance Applications** YX*X#X3Y X3 X'YX.X7X7 X'YX(X/Y YX) X(YX' X*X-X*YY Y YY X9YYY X'X* X7X'X1X&X) **Missions**.* - *YYX'YX4X) X9X'YX).* - *X'YYX-YX1 X'YX1X'X(X9 : YX1X4X) X9YY X9Y X'YYYX8YX1 X'YX'X3X*X1X'X*Y X,Y YYX'X2YX'X*X Y X/YX1 X'YYY X'X/X) X'YX9YY X' YY X%X/X'X1X) X'YX'X2YX'X** - *Y X.X*X5 X(X'YX,X'YX( X'YX9YYY YYX/YX1 X'YX'X3X*X1X'X*Y X,Y YY YY YY X) X%YX1X'X1 X-X'YX) X'YX'X2YX) YX(Y X-X/YX+YX'X YX0YY YY X.YX'Y X1X(X7 YX.X*YY X'YX#X-X/X'X+ X'YX3Y X'X3Y X) YX'YX'YX*X5X'X/Y X) YX'YX'X,X*YX'X9Y X) X'YYX'X6Y X) YX'YX-X'YY X) YY X/X1X'X3X) YX'X-X/X) X*YX4Y X9Y X'YX#X-X/X'X+ X'YYX3X*YX(YY X) X9YY X'YYX/Y X'YX(X9Y X/ YX'YX*X'YY :* - *X*X7X(Y YX'X* X'YX/X1X'X3X) X'YX'X3X*X7YX'X9Y X) X(X%X3X*X.X/X'Y(**SWOT**) YX*X4X.Y X5 YX.X*YY X'YX'YX6X'X9 X'YX3Y X'X3Y X) YX'YX'YX*X5X'X/Y X) X'YX/YYY X)X Y X1X5X/ X*X#X+Y X1YX' YYX'Y YYYX9X'Y * - *X%YX'YX) X'YX/X1X'X3X) X'YYX4YY X) X(X%X3X*X.X/X'Y (5**W**) YYYX4Y X9Y YYX'YX- X'YX#X2YX'X* YX(Y X%YX1X'X1 X'YX'X3X*X1X'X*Y X,Y X'X* **Strategy Confirmation**.* - *YYX'YX4X) X9X'YX).* - *X'YYX-YX1 X'YX.X'YX3 : YX1X4X) X9YY X9Y X/YX1 X'YYY X'X/X) X'YX*YYY X0Y X) YY X%X/X'X1X) X'YX'X2YX'X** - *Y X.X*X5 YX0X' X'YYX5Y X(X'YX,X'YX( X'YX9YYY YY YY YY X) X%YX1X'X1 X-X'YX) X'YX'X2YX) YYX.X*YY X'YX(X1X'YX, YX'YYX4X'X1Y X9 X'YYX2YX9 X*YYY X0Y YX' X YX0YY YY X.YX'Y X1X(X7 YX.X*YY X'YX#X-X/X'X+ X'YYYYY X) X'YYX'X6Y X) YX'YX-X'YY X) YY X/X1X'X3X) YX'X-X/X) X*YX4Y X9Y X'YX#X-X/X'X+ X'YYYYY X) X'YYX3X*YX(YY X) X9YY X'YYX/Y X'YYX1Y X( YX'YYX*YX3X7 X YX6X(X7 YX-YYYX) YYX8YYX) X'YX'X/X'X! X'YX(X4X1Y X7X(YX'Y YX*X1X4Y X/ X%X3X*YYX'Y X1YX'X&X2 X1X#X3 X'YYX'Y YY X6YY X'YYYX6YX9X'X* X'YX*X'YY X):* - *X%YX'YX) X'YX/X1X'X3X'X* X'YYX4YY X) X(X%X3X*X.X/X'Y (5**W**) YYYX4Y X9Y YYX'YX- X'YX'X2YX'X* YY YX.X*YY X'YX(X1X'YX, YX'YYX4X'X1Y X9 **Economic Projects Confirmation**.* - *X*X7X(Y YX'X* X9YYY X) YY YY YY X) X-YYYX) X'YX3Y X'X3X'X* X'YX'X,X1X'X&Y X) YX'YX6YX'X(X7 X'YX*X4X1Y X9Y X) X/X'X.Y YX7X'Y X'YX4X1YX) X(X%X3X*X.X/X'Y (**SWOT**).* - *X*X7X(Y YX'X* X9YYY X) YY YY YY X) X-YYYX) YYX8YYX) X'YX'X/X'X! YY X.YX'Y X*X#X3Y X3 YX8X'Y YX*X9X'YX( X'YYX3X'X1X'X* **Tracked System** YYX8X'Y YX2YX/ X(X.X'X5Y X) **Anti- Crises** YYYX4Y X9Y X'YX'X/X'X! X'YYYX.X*YY YYX'X2YX'X*.* - *YYX'YX4X) X9X'YX). * - *X'YYX-YX1 X'YX3X'X/X3 : YYYX0X, X%YX*X1X'X6Y YYX-X'YX'X) X%X/X'X1X) X'YX'X2YX'X** - *YY X.X*X5 X(X*X7X(Y Y YYYX0X, YYX-X'YX'X) X'YYX'YX9 YY X%X/X'X1X) X'YX'X2YX'X* X7X(YX'Y YYX4X'X7 X'YX4X1YX) X YX0YY YX%X,X1X'X! X*X7X(Y Y Y X-YY YYX8YX1 YX*YX'YY **Integrated View** YYX-X/ YYX' X*Y X'YX*X/X1Y X( X9YY Y YY YX'YX) X'YYX-X'YX1 X'YX3X'X(YX).* *YX9YYYX'X* X*YYY X9Y YX0X' X'YX/X(YYY X'YX*X/X1Y X(Y X'YYX*YX/Y* - *YX/X) X'YX/X1X'X3X)**: 33 **X3X'X9X) X*X/X1Y X(Y X) (YYX3YX) X9YY ** 8 **YX-X'X6X1X)**).* - *Y YX,X/ X#YX+X1 YY** 80 **YX*X/X1X( X7YX(YX' X'YX*X3X,Y Y YX9YX' YY X'YX/YX9X'X* X'YX3X'X(YX) YY YX0X' X'YX/X(YYY X'YX*X/X1Y X(Y X'YYX*YX/Y X-X*Y X'YX"Y* - *X#X3X'YY X( X'YX/X1X'X3X) X'YYX*X'X-X) YY YX0X' X'YX/X(YYY X'YX*X/X1Y X(Y X'YYX*YX/Y* - *X*X/X1Y X( X9Y X(YX9X/ (X#YY YX'Y Y**): **YX*YYY X'YX/X1X'X3X) YY X.YX'Y X'YYYX-X'X6X1X'X* X'YX*YX'X9YY X) X9X(X1 X'YX'YX*X1YX* X(YX8X'Y X'YYX5YY X'YX'YX*X1X'X6Y X)X YY X*Y X*X3X,Y Y X'YYX-X'X6X1X'X* YX*YYY YX*X'X-X) YYYX3X,YY Y YY X'YX(X1YX'YX, YYYX4X'YX/X) YX,X'YX' YYX/X) Y!Y" X4YX1 X(X9X/ X'YX*YX'X! X'YX(X1YX'YX,* *.* - *X*X/X1Y X( YY YYX1 X'YX#YX'X/Y YY **: **YY X,X( X-X6YX1 X'YYX-X'X6X1X'X* YY YYX1 X'YX#YX'X/Y YY X(X'YYX'YX1X)**.* - *X'YX*X/X1Y X( YY YYX1 X'YX9YY Y**.* - *X'YX*X/X1Y X( YY YX'X9X'X* YYX/YY X)**.* *X'YX*YX'X5Y Y X'YX.X'X5X) X(X'YX4YX'X/X) X'YX*X/X1Y X(Y X) X'YX5X'X/X1X) YY X'YX#YX'X/Y YY * - *X'X3Y X'YX/X(YYY X'YX*X/X1Y X(Y X'YYX*YX/Y YY X'YX4YX'X/X)* - *Advanced Crises Management Training Diploma* *YYX2Y X/ YY X'YYX9YYYX'X* Y YYYY X'YX*YX'X5Y YX9 X# / X3X'X1X) X9X(X/ X'YX,YX'X/ b YX'X&X( YX/Y X1 X'YX*X/X1Y X( b X'YX/X'X1 X'YX9X1X(Y X) YYX*YYY X) X'YX'X/X'X1Y X)* *X,YX'Y b YX'X*X3 X'X( : 00201062992510 b 00201096841626* - -- You received this message because you are subscribed to the Google Groups "YX'X9YY X'X* YX-X/X) X'YX(X1X'YX, YX9X'Y 2019" group. To unsubscribe from this group and stop receiving emails from it, send an email to howidahr90+unsubscribe@googlegroups.com. To view this discussion on the web visit https://groups.google.com/d/msgid/howidahr90/CAL8sUQJRyi_xMxmJhW4XKJ%2BWRCuwT0h0%3D%2Bb72Lwfnuqj%2BhEfiQ%40mail.gmail.com. ------------------------------ End of alt.music.moxy-fruvous digest V14 #11731 ***********************************************