From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #11716 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, June 28 2023 Volume 14 : Number 11716 Today's Subjects: ----------------- Harvard recommends this 5-second trick for better memory ["Memory Breakth] ---------------------------------------------------------------------- Date: Wed, 28 Jun 2023 17:06:36 +0200 From: "Memory Breakthrough" Subject: Harvard recommends this 5-second trick for better memory Harvard recommends this 5-second trick for better memory http://walgreensurveys.today/7Rzot3ebwAZCZ1bPssLoiUGw-YfUZZpbaJFE4GdO3HnqN6d4PA http://walgreensurveys.today/w0S1rBwoqXnZyw-oYqDWVgE9qY-cXwtRo_Q7JW_SwwxFbXRW Argentine painters and sculptors have a rich history, dating from both before and since the development of modern Argentina in the second half of the 19th century. Artistic production did not truly come into its own, until after the 1852 overthrow of the repressive regime of Juan Manuel de Rosas. Immigrants like Eduardo Schiaffino, Eduardo SC-vori, Reinaldo Giudici, Emilio Caraffa, and Ernesto de la CC!rcova left behind a realist heritage influential to this day. Impressionism did not make itself evident among Argentine artists until after 1900, however, and never acquired the kind of following it did in Europe, though it did inspire influential Argentine post-impressionists such as MartC-n Malharro, RamC3n Silva, Cleto Ciocchini, Fernando Fader, PC-o Collivadino, CesC!reo Bernaldo de QuirC3s, Realism, and aestheticism continued to set the agenda in Argentine painting and sculpture, noteworthy during this era for the sudden fame of sculptor Lola Mora, a student of Auguste Rodin. As Lola Mora had been until she fell out of favor with local high society, monumental sculptors became in very high demand after 1900, particularly by municipal governments and wealthy families, who competed with each other in boasting the most evocative mausolea for their dearly departed. Though most preferred French and Italian sculptors, work by locals Erminio Blotta, Cngel MarC-a de Rosa, and Rogelio Yrurtia resulted in a proliferation of soulful monuments and memorials made them immortal. Not as realist as the work of some of his belle-C)poque predecessors in sculpture, Yrurtia's subtle impressionism inspired Argentine students like Antonio PujC-a, whose internationally prized female torsos always surprise admirers with their whimsical and surreal to ------------------------------ End of alt.music.moxy-fruvous digest V14 #11716 ***********************************************