From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #11669 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Tuesday, June 20 2023 Volume 14 : Number 11669 Today's Subjects: ----------------- Fwd: Which red wine BOOSTS metabolism? ["cabernet vs. merlot" Subject: Fwd: Which red wine BOOSTS metabolism? Fwd: Which red wine BOOSTS metabolism? http://cillerpo9rtable.za.com/TPHSczxadNY69MP623XOQJms32U7R8FUpSPICWBXScaXfYU1VA http://cillerpo9rtable.za.com/UtN71bXvpxG0Vi_Ivl2LUBObFF_xVYYm6X_QErwsZqI_KhQEnw Angelou's prose works, while presenting a unique interpretation of the autobiographical form, can be placed in the long tradition of African-American autobiography. Her use of fiction-writing techniques such as dialogue, characterization, and thematic development, however, often lead reviewers to categorize her books, including I Know Why the Caged Bird Sings, as autobiographical fiction. Other critics, like Lupton, insist that Angelou's books should be categorized as autobiographies because they conform to the genre's standard structure: they are written by a single author, they are chronological, and they contain elements of character, technique, and theme. In a 1983 interview with African-American literature critic Claudia Tate, Angelou calls her books autobiographies. At first, Angelou intended to return to poetry and play-writing after completing Caged Bird and write no more autobiographies, but she chose the genre as her primary mode of expression because of its challenge and so that she could "change it, to make it bigger, richer, finer, and more inclusive in the twentieth century". In a 1989 interview, she stated, "I think I am the only serious writer who has chosen the autobiographical form to carry my work, my expression". As she told journalist George Plimpton during a 1990 interview, "Autobiography is awfully seductive; itbs wonderful". She also told Plimpton that like the tradition begun by Frederick Douglass in slave narratives, she used the literary technique of "speaking in the first-person singular talking about the first-person plural, always saying I meaning 'we'". As critic Susan Gilbert states, Angelou was reporting not one person's story, but the collective's. Scholar Selwyn R. Cudjoe agrees, and sees Angelou as representative of the convention in African-American autobiography as a public gesture that speaks for an entire group of people. Scholar Joanne M. Braxton sees Caged Bird as "the fully developed black female autobiographical form that began to emerge in the 1940s and 1950s". The book pr ------------------------------ End of alt.music.moxy-fruvous digest V14 #11669 ***********************************************