From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #11328 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Thursday, May 11 2023 Volume 14 : Number 11328 Today's Subjects: ----------------- Our roofs are strong as steel with the attractive look of various traditional styles. ["Erie Metal Roofing" ] An EarWax Cleaner that's Safe for Your Ears and the Environment ["Revolut] (#1 worst moisturizer) It's making you age FASTER... ["Wrinkles?" Subject: Our roofs are strong as steel with the attractive look of various traditional styles. Our roofs are strong as steel with the attractive look of various traditional styles. http://goodsurvesy.shop/In19DQcFHKvQsjZ3BA9Nc-SGcrdpx_3kr7XjZuh2geD9VgSLBg http://goodsurvesy.shop/3CyA-qgqBfsgW8D5meVGCy_U3enJxWQBgwEj2Zs6iqdbYhSiBQ Santos has been regarded as one of the most talented and accomplished Filipino actresses of her generation. Having appeared in more than 50 films and numerous television series since her career began as a child actress, a journalist from The Philippine Star believes that Santos "can lay claim to one of the most successful entertainment careers in local tinsel town". She is noted for playing in a range of material, including indie films, and Brillante Mendoza, who directed Santos in Mindanao, praised her versatility. The stardom she achieved in the early 1990s intensified her image as a teen idol, from which she sought to dissociate herself. Santos took risks by starring in unconventional projects like Sabel. Lamangan called her performance one of her "finest and most accomplished", while The Philippine Star wrote of her transition to adult roles, " can bid those light-as-froth, boring-to-death roles good riddance". Early in her career, Santos was particularly known for playing oppressed and impoverished women, and specialized in "martyred characters". She is also noted for her ability to "cry on cue", often asking directors how they want her to specifically cry. Journalist Rose Fausto wrote that she "possesses an advanced skill in crying and acting out emotions effectively in dramatic scenes because she has a wealth of experience to draw from". Gallaga described Santos's vulnerability saying, "It's easy for to cry ... sometimes, even before the camera starts rolling ... so what she does is blank out her mind and wait for the take." Journalist Chez Ganal wrote that "ithout benefit of a scene partner, had to expose a variety of emotions ... she also didn't have help from dramatic monologues and confrontation scenes." He described Santos's ability to subtly "blend into the scene and not stand out" a test of her "range and control". Commenting on her comedic performances, Asilo praised her ability to "get off the beaten track", and called it a "brave and bold decision that evinces growth and maturity". "Making people laugh is a special skill that requires an idiosyncratic combination of innate talent and time-honed experience", he says, "but spot-on characterization and lived-in earnest ------------------------------ Date: Thu, 11 May 2023 12:37:14 +0200 From: "Erie Roofs" Subject: Save on your new Roof! Save on your new Roof! http://goodsurvesy.shop/29mwl1w7QLSDmjcg-nN1aFqTRyOpiBSJM84j9r2tnQ-cJFo http://goodsurvesy.shop/2onHPOHiljLygW54USnPH6iFsMVaFRec8x4K0j09wlGEicg Santos has been regarded as one of the most talented and accomplished Filipino actresses of her generation. Having appeared in more than 50 films and numerous television series since her career began as a child actress, a journalist from The Philippine Star believes that Santos "can lay claim to one of the most successful entertainment careers in local tinsel town". She is noted for playing in a range of material, including indie films, and Brillante Mendoza, who directed Santos in Mindanao, praised her versatility. The stardom she achieved in the early 1990s intensified her image as a teen idol, from which she sought to dissociate herself. Santos took risks by starring in unconventional projects like Sabel. Lamangan called her performance one of her "finest and most accomplished", while The Philippine Star wrote of her transition to adult roles, " can bid those light-as-froth, boring-to-death roles good riddance". Early in her career, Santos was particularly known for playing oppressed and impoverished women, and specialized in "martyred characters". She is also noted for her ability to "cry on cue", often asking directors how they want her to specifically cry. Journalist Rose Fausto wrote that she "possesses an advanced skill in crying and acting out emotions effectively in dramatic scenes because she has a wealth of experience to draw from". Gallaga described Santos's vulnerability saying, "It's easy for to cry ... sometimes, even before the camera starts rolling ... so what she does is blank out her mind and wait for the take." Journalist Chez Ganal wrote that "ithout benefit of a scene partner, had to expose a variety of emotions ... she also didn't have help from dramatic monologues and confrontation scenes." He described Santos's ability to subtly "blend into the scene and not stand out" a test of her "range and control". Commenting on her comedic performances, Asilo praised her ability to "get off the beaten track", and called it a "brave and bold decision that evinces growth and maturity". "Making people laugh is a special skill that requires an idiosyncratic combination of innate talent and time-honed experience", he says, "but spot-on characterization and lived-in earnest ------------------------------ Date: Thu, 11 May 2023 12:15:24 +0200 From: "Revolutionary Earcleaner" Subject: An EarWax Cleaner that's Safe for Your Ears and the Environment An EarWax Cleaner that's Safe for Your Ears and the Environment http://copperdefense.shop/SbGnEyo7IFmg-aV5577eEonwFvLvFaGwTF7_cXUz9ZtUPpUcdQ http://copperdefense.shop/HFgvTs48q2zPIOFxYrdHYPnuY56Sp_9hk-hBKR7MFwT1BbDA0g antos was cast in the supernatural horror T'yanak, an abridged retelling of Lore Reyes and Peque Gallaga's 1988 film of the same name, in which she played an adoptive mother to a demonic infant. An admirer of the directors' work, she considered the film "a dream come true". Production of the film was completed in eight days and it premiered at the Sineng Pambansa Horror Plus Film Festival. Gallaga said, "Every time she went before the camera, she surprised me. I am amazed by her ability to easily cry." That year, she returned to television as a presenter in I Do. Santos did not make any screen appearances in 2015, but returned in Kusina, an independent film directed by David Corpuz and Cenon Palomares in 2016. It was adapted from Palomares's Palanca Award-winning script, and premiered at the 12th Cinemalaya Independent Film Festival. The film and Santos's performance garnered critical acclaim; Ricky Calderon from The Philippine Star wrote, "Santos delivers a knockout performance ... we can't think of any other actress to play the role", and praised the film for its "use of daring dramatic license and minimalist theatrical devices". Film critic Mari-An Santos lauded the "gentle storytelling approach associated with theater", and asserted that "this is not soap opera television acting, it is convincing method acting". Two years later, Santos starred in Ang Dalawang Mrs. Reyes (2018), which grossed ?120 million (US$2.2 million) at the box office. External video video icon Judy Ann Santos talking to CNN Philippines on filming Mindanao, published December 19, 2019 The novelty of playing a villainous part drew Santos to play Teresa Dichaves in Starla (2019). Despite her character's actions, Santos played the part to make Teresa seem "sympathetic" and "selfless". The series aired from October 7, 2019 to January 10, 2020. Santos's second role in 2019 was in Brillante Mendoza's war drama Mindanao. The film premiered at the 24th Busan International Film Festival. Although the response to the film was mixed, critics were highly appreciative of Santos's performance; the Screen International wrote, "This is not a film which leaves any emotional button unpushed ... throughout all this, Santos retains grace and dignity with a performance which is a class apart from the rest of the picture." SunStar Davao felt that the film lacked "depth and cultural nuance" and criticized Mendoza's misrepresentation and unfamiliarity of the region's ethnic groups. In contrast, Jessica Kiang from Variety highlighted Santos's "de-glammed, gently anguished, remarkably sympathetic performance", and called the film "well acted but clumsy". Mindanao was submitted for consideration at the 91st Academy Awards for Best International Feature Film. The role won Santos the Best Actress award from the Cairo International Film Festival, Metro Manila Film Festival, and Luna Award ------------------------------ Date: Thu, 11 May 2023 12:59:40 +0200 From: "Wrinkles?" Subject: (#1 worst moisturizer) It's making you age FASTER... (#1 worst moisturizer) It's making you age FASTER... http://copperdefense.shop/PcyHa6y_z48WQ7lGD-3bLvl9xgZD2QiAmVxvcNjsw-kohO7wnw http://copperdefense.shop/Jrdt_NRn7Aqf_LMA2N1y__1YfGj2RE8bO1mDdS8INSMarm6Pmw antos has established a career as a chef, restaurateur and cookbook author. In the early 2000s, she became involved in the restaurant business and purchased Kaffe Kilimanjaro and Kaffe Carabana in Diliman, Quezon City, both of which eventually closed. Santos's first book, Judy Ann's Kitchen, was published in August 2015 as a collaboration with Anvil Publishing and National Book Store. It was described by Ruel De Vera of the Philippine Daily Inquirer as "recipes ranging from interesting comfort food to more complicated dishes", and added that "t doesn't simply present itself as a book for would-be cooks. The book's inside back cover flap identifies the author as wife, homemaker, actress and mom, and beyond the recipes, the book reflects this by design and content." Santos's passion for cooking comes from her experience as a child actress being around caterers and later from her decision to attend culinary school. "There's something about preparing meals for the people who matter in your life ... You can show your love and care for them by simply sharing the food you prepared ... I see that good food can put smiles on their faces, and I consider it an accomplishment that I am able to make people happy with the food that I cook", she said. In 2016, the book received the Gourmand International's Cookbook Award for Best Authors and Chefs Outside Europe. The following year, Santos launched a namesake cooking show on YouTube. Santos co-owns AngryDobo, a Filipino restaurant in Malate, Manila, that opened in May 2019. A second location opened in Alabang, Muntinlupa, a year later. The restaurant and signature dish's name is a portmanteau of "angry adobo", which originated from an argument between Santos and her husband Ryan Agoncill ------------------------------ Date: Thu, 11 May 2023 11:55:01 +0200 From: "Heart Health Secret" Subject: Are you seeing results with CoQ10? Are you seeing results with CoQ10? http://goodsurvesy.shop/0tjLJYLL2do0seOAA0KUoA1mec95Hz1bZOtkfbcntBO0xI6dfA http://goodsurvesy.shop/eUjGzaEUN_D46Nv0D0WMyOvKzU7oWEcCoQUGUuB4KuIO_4Z- Santos co-produced and starred in the independent drama Ploning (2008), which was the Philippine submission for Best Foreign Language Film at the 81st Academy Awards. Jimenez-David wrote that her performance showed "maturity and ripeness, a depth of character that hints at a life lived fully and well", and described the film as "moving, dazzling, and yet intimate and comforting". Santos said she considered taking the part as a "start of a new chapter" in her career. The film was screened at the Palm Springs International Film Festival, Newport Beach Film Festival, and Christopher B. Smith Rafael Film Center in the United States. Santos's next role in 2008 was in Jun Lana's psychological horror thriller Mag-ingat Ka Sa... Kulam as a woman who questions her own sanity after a car accident leaves her with amnesia. Critic Karen Caliwara commended Santos's "versatility" and considered her to be the film's prime asset. In 2009, Santos worked with Agoncillo and Javier Reyes for the third time in the sitcom George and Cecil, which explored a reversal of gender roles as Santos played a police officer married to a stay-at-home husband. Her only film appearance that year was in OMG (Oh, My Girl!). Santos starred as nurse Jane Alcantara in Habang May Buhay, which premiered in February 2010. The role won her a KBP Golden Dove Award for Best Actress. She next appeared in the comedy Hating Kapatid. Leah Salterio of The Philippine Star wrote, "Judy Ann, of course, is better known for her dramatic prowess. Of late, however, it is her comic starrers that delivered the dough." In 2011, Santos served as a presenter in the reality television series Junior MasterChef Pinoy Edition. Her first venture outside of acting, Santos said: "I'm the one to balance [the chefs'] emotions. We don't want to hurt their feelings but we also need to be honest when it comes to the taste of their dishes. When they're about to cry, I have to be strong and raise their spirits. You have to be ready with words of encouragement for them." That same year, she starred in My House Husband: Ikaw Na!. In 2012, Santos collaborated with Javier Reyes in Mga Mumunting Lihim with Iza Calzado, Janice de Belen, and Agot Isidro. She summarized her experience doing the film as "very liberating": "Making an indie film gives you some sort of freedom ... you can just let it all out ... all of a sudden you have the permission to do anything you want." The film premiered at the 8th Cinemalaya Independent Film Festival and she was jointly awarded Best Actress and Best Supporting Actress with Calzado, de Belen, and Isidro. Santos then returned as a presenter on the first season of MasterChef Pinoy Edition, which premiered in November 2012. The following month, she co-starred with Vic Sotto and Bong Revilla Jr. in Si Agimat, si Enteng Kabisote at si Ako. Santos began 2013 with the drama series Huwag Ka Lang Mawawala playing an abused wife seeking revenge. Nestor Torre Jr. from the Philippine Daily Inquirer dismissed her performance as "too melodramatically achieved, an ------------------------------ Date: Sat, 6 May 2023 15:50:37 +0200 From: "Hot Russian Ladies" Subject: View the Pics of 30,000 Russian Women View the Pics of 30,000 Russian Women http://barkxbuddy.shop/sIiLN5MHLjSbEodKLdfSMZZOpVA0iHIvx4_OvpKJQHtRKl0U3w http://barkxbuddy.shop/gfCj8Uds3BgQ83JwHsTT1N781c0mmOqmc9Sth0yNhrYawW_WnQ do so, and in 1287 took a vow to go on another Crusade. This intention guided much of his foreign policy, until at least 1291. To stage a European-wide crusade, it was essential to prevent conflict between the sovereigns on the Continent. A major obstacle to this was represented by the conflict between the French Capetian House of Anjou ruling southern Italy and the Kingdom of Aragon in Spain. In 1282, the citizens of Palermo rose up against Charles of Anjou and turned for help to Peter III of Aragon, in what has become known as the Sicilian Vespers. In the war that followed, Charles of Anjou's son, Charles of Salerno, was taken prisoner by the Aragonese. The French began planning an attack on Aragon, raising the prospect of a large-scale European war. To Edward, it was imperative that such a war be avoided, and in Paris in 1286 he brokered a truce between France and Aragon that helped secure Charles's release. As far as the crusades were concerned, Edward's efforts proved ineffective. A devastating blow to his plans came in 1291, when the Mamluks captured Acre, the last Christian stronghold in the Holy Land. Edward had long been deeply involved in the affairs of his own Duchy of Gascony. In 1278 he assigned an investigating commission to his trusted associates Otto de Grandson and the chancellor Robert Burnell, which caused the replacement of the seneschal Luke de Tany. In 1286, Edward visited the region himself and stayed for almost three years. The perennial problem was the status of Gascony within the Kingdom of France, and Edward's role as the Frenc ------------------------------ End of alt.music.moxy-fruvous digest V14 #11328 ***********************************************