From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #11258 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, May 3 2023 Volume 14 : Number 11258 Today's Subjects: ----------------- The toxins leaving your body are what dye the patches to blackâ. ["Nuubu"] ---------------------------------------------------------------------- Date: Wed, 3 May 2023 11:35:40 +0200 From: "Nuubu" Subject: The toxins leaving your body are what dye the patches to blackâ. The toxins leaving your body are what dye the patches to blackb. http://brainc13.shop/PfxT4BJbW511Y6ElXW5saVZniHVgjy8-5HAS_av-sGH1qd3XaQ http://brainc13.shop/0UK_N7h9V61r62JPmyjwxJOs7B871nIdoVBOIUn-ji6KvOIS The show opened with Ukrainian model Snejana Onopka wearing a tweed suit with a fur collar, cream shirt with ruffled front, and tan-coloured leather boots. The look was styled with the "Bird's Nest" headdress, made from a pair of mallard duck wings surrounding a silver bird's nest with blue eggs made from quartz Swarovski crystals, speckled to look like duck eggs. The nest and eggs were created by British jeweller Shaun Leane, while the headpiece was made by Treacy; both of whom were long-time McQueen collaborators. Look 12 was a full-length dress covered entirely in pheasant feathers. Its long torso and flared lower portion reference the style of gowns from the 1890s. Researcher Kate Bethune described the unique construction of the dress: "each of the feathers has been individually hand-stitched onto a length of ribbon, and then these lengths of ribbon have been stitched onto a net ground". Jess Cartner-Morley of The Guardian called it "meticulously engineered" and likened it to a full-length dress made of razor clam shells from Voss (Spring/Summer 2001). Fashion theorist Jonathan Faiers wrote that the lavish use of game bird feathers evoked Scotland's transformation into a "sports arena for absentee English landlords" in the late Victorian era. Look 14 was a blouse and midi skirt ensemble of a light material, printed with a collage of realistic images of birds, moths, and skulls. It was paired with a tan fur coat that matched the skirt's hemline, and a wide belt of dark leather at the waist. According to textile curators Clarissa M. Esguerra and Michaela Hansen, the print represented "the collection's themes of nature, metamorphosis, and memento mori". Look 33 was a one-shouldered tartan dress with tulle underskirt, styled with an undershirt of sheer fabric with rose designs in black, creating an illusion of arm and chest tattoos. The model's waist was cinched by a large belt in dark leather with a Celtic buckle. Roses paired with plaid was a combination used on some Jacobite clothing. On the runway, it was styled w ------------------------------ End of alt.music.moxy-fruvous digest V14 #11258 ***********************************************