From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #10513 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Friday, January 13 2023 Volume 14 : Number 10513 Today's Subjects: ----------------- Shipping container homes are the best value and cheapest. ["Container Hou] You Have Been Selected for Inclusion ["Joan Riley" Subject: Shipping container homes are the best value and cheapest. Shipping container homes are the best value and cheapest. http://buildyourownhome.shop/5KTgSo3DIXV9BFXEXXhskg_Ng1BW9ZkHgIPqsEmVTMinVzzTQQ http://buildyourownhome.shop/jv82dGZIHL1HOfCFJxHklWlApPhOshla9i4MKgqzwUx1lpggVw hrough its fantasy elements, the Farseer trilogy explores themes of otherness. As a practitioner of the Wit, a form of magic described as a connection to all living things, Fitz bonds and shares senses with the wolf Nighteyes. Their relationship is shaped by their contrasting perceptions of the world: the wolf lives "in the now" and unlike Fitz, lingers less on memories and on plans for the distant future. More broadly, the wolf symbolizes nature in Western literature, and the werewolf denotes "slippages between" nature and culture, according to scholar Lenise Prater. The Wit also makes Fitz aware of an interconnectedness between living creatures; by severing such connections, the Raiders turn people into the animalistic Forged. Thereby, Prater argues, Hobb is suggesting that the self is entirely dependent on others, and cannot live autonomously. Scholar Mariah Larsson similarly writes that the depiction of the Wit contains an ecocritical element, highlighting the relevance of non-human life forms and thereby challenging anthropocentrism. Fitz's internal conflicts in the series b in particular, the sense of shame and trauma that result from his being Witted b have been described by scholars as an allegory for ------------------------------ Date: Thu, 12 Jan 2023 13:26:23 +0100 From: "Joan Riley" Subject: You Have Been Selected for Inclusion You Have Been Selected for Inclusion http://barxbuddyy.shop/db6Vekl4CyI7KmnQnEcMnqokCI2Ff0oOA_Fiq4Qlp4vXlt70JQ http://barxbuddyy.shop/XG9m5S-8LNhWBBf5CvMC01b42EOGN7I1SrohLrMY8h1WtbKoDQ The trilogy is described as drawing from Arthurian legend in its characters and narrative motifs: Shrewd's decline recalls the legend of the Fisher King, and Regal bears similarities to Mordred, and Chade to Merlin. Fitz has been termed a melancholy hero, and been discussed as a liminal being, or one who "exists at the threshold of two states". Critics have noted parallels to the character of Hamlet, to Frodo Baggins, and to Severian, the protagonist of Gene Wolfe's The Book of the New Sun. Scholar Geoffrey Elliot describes the setting of the Elderlings books as following in the "Tolkienian tradition", resembling the society of medieval England, but drawing also from the indigenous societies of the Pacific Northwest. "I remember that first night well, the warmth of the hounds, the prickling straw, and even the sleep that finally came as the pup cuddled close beside me. I drifted into his mind and shared his dim dreams of an endless chase, pursuing a quarry I never saw, but whose hot scent dragged me onward through nettle, bramble, and scree." Fitz drifting into a dog's dream in Assassin's Apprentice Hobb uses a style within the fantasy genre that casts the fantastic as an unquestioned, familiar aspect of the setting: this creates an "illusion of familiarity" for the reader, according to scholar Susan Mandala. When Fitz first shares a dream with a dog, the narration matches how he experiences the dream b as a perfectly natural, as opposed to fantastic, event b through language that is "lexically coherent" across the human and animal segments, in Mandala's view. Similarly, when Fitz first mentions the telepathic Skill, the narrative does not address the term directly, assuming that its meaning is known in-world, but instead focuses on the Skill's potential effect on Fitz's memory, an ------------------------------ Date: Thu, 12 Jan 2023 14:57:16 +0100 From: "Clogged colon" Subject: Over 50? Eat THIS to poop daily Over 50? Eat THIS to poop daily http://peakbioboostx.shop/ghb9Hq4WyM8Y2KNuLdKiKq7Lnr_jZo4PmovMLbaaTgQZDh7aIg http://peakbioboostx.shop/ppx_oXGTPznNRxoQs5GTA2BRjcdRXojRX4SmDiWhOTT9sX2AFA he Farseer novels are often described as epic fantasies, and as introspective works that center around the characters' internal conflicts. The series is structured as a quest fantasy; the main character is barred from the throne by his birth, but nonetheless embraces a quest without the reward of the throne. In Fitz's case, the quest is to restore the rightful king and bring stability to the kingdom. A review in Asimov's Science Fiction placed his narrative in the tradition of a "young misfit coming of age". While Fitz's quest has a significant impact on the Six Duchies, his roles as assassin and illegitimate royal force his actions to stay unseen and uncredited, and he is thus portrayed both as a leading and marginal character. The trilogy is described as drawing from Arthurian legend in its characters and narrative motifs: Shrewd's decline recalls the legend of the Fisher King, and Regal bears similarities to Mordred, and Chade to Merlin. Fitz has been termed a melancholy hero, and been discussed as a liminal being, or one who "exists at the threshold of two states". Critics have noted parallels to the character of Hamlet, to Frodo Baggins, and to Severian, the protagonist of Gene Wolfe's The Book of the New Sun. Scholar Geoffrey Elliot describes the setting of the Elderlings books as following in the "Tolkienian tradition", resembling the society of medieval England, but drawing also from the indigenous societies of the Pacific Northwest. "I remember that first night well, the warmth of the hounds, the prickling straw, and even the sleep that finally came as the pup cuddled close beside me. I drifted into his mind and shared his dim dreams of an endless chase, pursuing a quarry I never saw, but whose hot scent dragged me onward through nettle, bramble, and scree." Fitz drifting into a dog's dream in Assassin's Apprentice Hobb uses a style within the fantasy genre that casts the fantastic as an unquestioned, familiar aspect of the setting: this creates an "illusion of familiarity" for the reader, according to scholar Susan ------------------------------ Date: Thu, 12 Jan 2023 04:02:06 -0800 (PST) From: "marwa.hr.ahad8" Subject: =?UTF-8?B?2LbZiNin2KjYtyDYp9mE2KrYs9is2YrZhCDZgQ==?= =?UTF-8?B?2Yog2YXYr9mK2LEg2KfZhNiq2K7Yt9mK2Lcg2Kc=?= =?UTF-8?B?2YTZhdi52KrZhdivICBDZXJ0aWZpZWQgUGxhbm5pbmcgTWFuYQ==?= =?UTF-8?B?Z2VyICDYp9mE2YLYp9mH2LHYqSDigJMg?= =?UTF-8?B?2KzZhdmH2YjYsdmK2Kkg2YXYtdixINin2YTYudix?= =?UTF-8?B?2KjZitipIC8g2KfZiNmGINmE2KfZitmGINmB?= =?UTF-8?B?2Yog2K3Yp9mEINiq2LnYsNixINin2YTYrdi22Yg=?= =?UTF-8?B?2LEgINmF2YYgMTUg4oCTIDE5INmK?= =?UTF-8?B?2YbZgNmA2YDZgNmA2YDZgNmA2YDZgNmA2KfZitixIA==?= =?UTF-8?B?MjAyMyAg2KfZhNmF2LnYqtmF2K8g4oCT?= =?UTF-8?B?IEFIQUQgINin2YTZhdmI2KvZgiDZhdmG?= =?UTF-8?B?INin2YTYrtin2LHYrNmK2KkgIDAwMjAxMDYyOTkyNTEwICAgICDZhA==?= 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Early in the series, Fitz's guardian Burrich punishes him when he tries to use the Wit, viewing it as emasculating and shameful; this is despite Burrich being Witted himself. Burrich rarely speaks of his Wit, having suppressed it for most of his life; he sees the Witted as worse even than the Forged, who have lost their humanity. Scholars regard this as akin to internalized homophobia: Burrich has repudiated a piece of his own identity and seeks to eradicate it in others. Fitz thus develops an "identity in shame", according to scholar Peter Melville, and withdraws into the closet, even as he continues to explore the ability. Fitz's feeling of shame toward the Wit leads him to keep it hidden even from those he cares for, including his beloved Molly. The secret is one of many of Fitz's "multiple closeted lives" that eventually drives Molly away from him. Toward the end of Royal Assassin, Fitz's Witted identity is revealed to the public and he is tortured. After he shifts to the wolf's body and returns, he more openly participates in his Wit-bond and finds a community of the Witted at the edge of society. Comparing the Old Blood to a queer support group, Melville views the sense of connection Fitz experiences in their midst as essential to his self-acceptance. The series then transitions from Fitz's personal struggle to the larger struggle for equal rights for the Witted, which is explored in The Tawny Man trilogy. Speaking of her motivation behind the Skill and the Wit, Hobb commented that "I think we can see that in ------------------------------ End of alt.music.moxy-fruvous digest V14 #10513 ***********************************************